REVIEW FROSTSHOCK "FROSTSHOCK"

Rare are the moments when you are so unexpectedly overwhelmed by a piece of art, especially if you have never heard the artist's name before. In this case, the artist is a relatively new band from Germany, more precisely from Haltern am See in North Rhine-Westphalia, and goes by the name of Frostshock.   

Frostshock have been around since 2020 and have released an insanely strong album with their self-titled debut. They were able to prove their live qualities together with bands like Sodom at this year's Turock-Fest in Bochum. Fortunately, a friend of mine was among the visitors, so I heard about Frostshock by word of mouth, because the four musicians don't have a label behind them that could do any major advertising, the album is completely self-released. Given the outstanding quality of the music, pretty much any label from the heavier genre should have been able to get involved, but perhaps it was a conscious decision to do everything themselves, more on that in the upcoming interview with the band. 

INTERVIEW ASCHENVATER

"This music simply needs a voice that sounds like death itself and can convey all the horror that is dealt within the lyrics."

More or less by chance I came across Aschenvater from Saxony, Germany, who create great, primal death metal that should make fans of bands like Asphyx and Hail of Bullets extremely happy! I talked to singer Oliver and guitarist Marko about the not too long band history, the great EP "Landungsfeldmassaker", German lyrics, Martin van Drunen, Bolt Thrower and the influence of the Warhammer universe.  

INTERVIEW MIGHTIEST

"Especially the pre-concert evening we planned in a Freiburg brewery was a sensational meeting. A bunch of middle-aged men babbled about the bad old days over a few beers....genius!"
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Mightiest from Freiburg in the legendary Black Forest was founded in 1994 and I always liked the melodic-symphonic aspect of the band, which never became cheesy, which was often the case with many bands in the past. That is a kind of unique selling point, to play melodic-symphonic black metal, which is still rough, hard and unpolished. I can think of Emperor, with whom the band was often compared in the reviews of "Recreation of the shadowlands". Of course in the early interviews Burzum, Darkthrone and Mayhem were mentioned as influences, the early Dimmu Borgir with "For all Tid" or "Stormblast" certainly didn't pass the band without leaving traces, I think.

REVIEW SICKENING GORE "DESTRUCTIVE REALITY"

This time I would like to present you the only album of the Swiss death metal band Sickening Gore. This band from Zurich, which previously went by the name Reactor, released "Destructive Reality" on Massacre Records in 1993, only to disband a short time later. I still remember a review of a concert in a big German metal magazine, the band played in Zurich as support of Carcass. A review in the then issue of Metal Hammer compared the band stylistically to Morbid Angel and Cannibal Corpse. This is quite accurate, even if the world class of the compositions of Morbid Angel could not be reached, but which band can claim this? Nevertheless, the band varied on their only album skillfully between high-speed bludgeoning, grindcore influences and dragged parts. 

REVIEW ANGUANA "SUMAN"

Anguana is a band that exists since 2017 and was unknown to me until now. They come from Marostica, a town in the Veneto region. Marostica is famous for the live chess game (with actors in "medieval" costumes), which for several decades has been held every two years in the town's piazza surrounded by arcades. It commemorates a legendary game, allegedly played in 1454, for the hand of the castle lord's daughter. The band name, Anguana, is the designation for the water nymphs that appear in the northeast Italian mythology.

INTERVIEW HAMVAK

"Hamvak allowed me to break free from the musical boundaries I had previously felt." 

Hamvak is one of the most promising bands of the German underground. The debut album " Maelstrom of abhorrent incantations" (review here) is a true monster of a musical work that pulls you inevitably and without mercy into the abyss. I spoke with Dávid Vadkerti-Tóth, the factotum and mastermind behind Hamvak.

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When did you form Hamvak and under what circumstances? According to Metal-Archives Hamvak is the successor band of Solus, who were much more atmospheric. What was the reason for the end of Solus and the beginning with Hamvak? Do you see Hamvak as the successor band of Solus, or did someone just put it down that way at Metal Archives?

INTERVIEW RÄUM

"In fact, we are part of something bigger than ourselves. We constantly experience an eternal movement of rise and fall, as a person, as a species and as a civilization."

At the Dark Dungeon Festival in the medieval castle in idyllic Anthisnes, the first band to play on the black metal evening was Räum from Liège, which left the hungry crowd satisfied and certainly found more than a few new fans. One more reason to ask the ambitious band (review of their debut album see here ) a few questions.

REVIEW HAMVAK "MAELSTROM OF ABHORRENT INCANTATIONS"

Out of nowhere I heard about Hamvak (Hungarian for ash), a great one-man band from Stuttgart. The factotum behind the music, Dávid Vadkerti-Tóth, now delivered Hamvak's debut album after releasing a three-track demo back in 2017.

Hmavak's debut album, released by Morbid Chapel Records and Rotten Tomb Records, is the best example of what undiscovered gems the underground has in store. The six, mostly overlong tracks that bring the album to a total playing time of 40 minutes, should delight any fan of gloomy and sophisticated blackened death metal. Like the album title, which, by the way, was visually very appropriately implemented by the cover artwork, the listener feels drawn into a veritable maelstrom, from which there is no escape, because the tracks cause a partly captivating-hypnotic effect.

REPORT GENERAL ANZEIGER BONN (ENGLISH)

 

 

BERICHT DARK DUNGEON FESTIVAL (ANTHISNES, WALLONIE / BELGIEN)

Da ich ja schon länger ein Interview mit den Freiburgern von Mightiest geplant habe, und diese auf dem Dark Dungeon Festival  (14.-15. April) in der Burg Avouerie in Anthisnes am (Black Metal-) Freitag spielten, bot sich ein Besuch im wallonischen Ort geradezu an. Die tolle Besonderheit an dem zweitägigen Festival ist der Veranstaltungsort, der für die passende räumliche Atmosphäre sorgen soll. Während der Freitag mit drei Black Metal-Bands aufwartete (Räum, Mightiest, Enthroned), spielte am Samstag wohl die internationale crème de la crème der Dungeon Synth-Szene. Leider hielten mich familiäre Verpflichtungen vom Besuch des Dungeon Synth-Tages ab, so dass ich am Samstag morgen wieder die Heimreise antreten musste. Auch wenn ich mich mit dieser Musik nur wenig auskenne und nur einige Mortiis -Alben (als auch sein Nebenprojekt Vond) mein Eigen nenne, hätte mich das Ganze doch sehr interessiert. Headliner des Samstags waren übrigens Depressive Silence aus Freiburg, deren Line-Up - wer hätte es gedacht - natürlich deckungsgleich mit Mightiest ist. 

REVIEW RÄUM "CURSED BY THE CROWN"

At the Dark Dungeon Festival, which took place in a medieval castle in the small town of Anthisnes, the first band I saw were the Belgians from Räum, before Mightiest, one of the best, and unfortunately also most underrated black metal bands in Germany, and finally Enthroned, the Belgian black metal kings, took over. The band name alone struck me as unusual as a German, "Raum", without the umlaut, means room in German. And also purely visually the four musicians didn't look much like black metal. In this respect I guessed a post-black metal act, most of which I honestly find quite boring and stale. Fortunately, however, it behaves differently, Räum play rather very partly very fast, hard, often traditionally designed black metal, which in some moments even reminds of Marduk.

INTERVIEW TANKARD (ENGLISH)

„They also only boil with water!“

When the Frankfurt thrashers Tankard  visited the Groove Bar in Cologne-Wahn for the second time towards the end of March, it was a good opportunity for an interview with frontman Gerre. Due to an unforeseen delay, and the fact that both Gerre and myself didn't feel like doing an interview under time pressure, we decided to make a second attempt a few days later via video link. Read here what the likeable frontman has to say about the lyrics of the last album "Pavlov's Dawgs", the Corona pandemic, the social skills of metal fans and his, even after all these decades unbroken enthusiasm for metal and new albums.

INTERVIEW TANKARD

„Die kochen auch nur mit Wasser!“

Als gegen Ende März die Frankfurter Thrasher von Tankard bereits zum zweiten Mal die Groove Bar in Köln-Wahn beehrten, bot sich dies als gute Gelegenheit für ein Interview mit Frontmann Gerre an. Aufgrund einer nicht vorhergesehenen Verzögerung, und der Tatsache, dass sowohl Gerre als auch meine Wenigkeit keine Lust auf ein unter Zeitdruck geführtes Interview verspürten, entschlossen wir uns, das Ganze einige Tage später per Videoschaltung nachzuholen. Lest hier, was der sympathische Frontmann über die Texte des letzten Albums "Pavlov's Dawgs", die Corona-Pandemie, die soziale Kompetenzen von Metal-Fans und seine, auch nach all den Jahrzehnten ungebrochene Begeisterung für Metal und neue Alben, zu sagen hat.

REVIEW NEKRARCHON "GEHINNAM"

Today I would like to present an album that, in my opinion, has unfortunately never received the attention it deserves. We are talking about the only album of the Greek black metal band Nekrarchon. Out of nowhere in 2014 the debut album "Gehinnam" was released by the German label FDA Records, which specializes in old-school death metal, and unusually there was no previous demo, no EP, no split release. Maybe part of the disregard was due to the label, don't get me wrong, FDA Records is an absolutely great label that has only good to top releases across the board, yet black metal in particular is not something you associate directly with this label. But be that as it may, the album named after a ravine near the biblical Judah, in which child sacrifices were made to the god Moloch, is a hidden gem to be discovered.

INTERVIEW DEFECTED DECAY (ENGLISH)

„We did a lot of tapetrading, you sat around the campfire in the evening and people came from Velbert, Living Death for example, and Assassin from Düsseldorf.“

After Daniel, the singer of Defected Decay, contacted me in June last year for a review of the great second album "Troops of Abomination" (review here), we arranged an appointment for an interview on location in beautiful Hattingen. The weather threw a spanner in the works of the originally planned date, but two weeks later, on a weekend at the end of January, the time had come. So I set off by car to the Hattingen, which I can only warmly recommend to anyone who likes cosy half-timbered towns. Even on the way there, the last few kilometres of the journey seemed familiar, and that's right, this is also the way to Witten, or rather to the Muttental, where you can hike and also mountain bike very well on the traces of former mining. Singer Daniel and instrumentalist Dirk turned out to be nice and conversational guys, we talked a lot about Defected Decay, their other musical playgrounds like Suffersystem as well as about the metal history in the Ruhr area. We conducted the interview in Daniel's living room and were very nicely provided with drinks by his wife, thanks again for that!

At Daniel's house, I first examined the CD collection and a few cassettes, which led us to the topic of demotapes.

INTERVIEW DEFECTED DECAY

„Wir betrieben viel Tapetrading, man saß abends am Lagerfeuer und es kamen die Leute aus Velbert, Living Death zum Beispiel, und Assassin aus Düsseldorf.“

Nachdem mich Daniel, der Sänger von Defected Decay, im Juni vergangenen Jahres kontaktiert hatte für ein Review zum tollen zweiten Album "Troops of Abomination" (Review hier), verabredeten wir einen Termin für ein Interview vor Ort im schönen Hattingen. Beim ursprünglich angedachten Termin machte uns das Wetter einen Strich durch die Rechnung, aber zwei Wochen später, an einem Wochenende Ende Januar, war es dann so weit. Ich machte mich also mit dem Auto auf ins beschauliche Hattingen, das ich nur allen, die gemütliche Fachwerkstätte mögen, wärmstens empfehlen kann. Schon auf dem Hinweg kam mir die letzten Kilometer Anfahrt bekannt vor, und richtig, hier geht es auch nach Witten, besser gesagt ins Muttental, wo man auf den Spuren des früheren Bergbaus sehr gut wandern und auch Mountainbiken kann. Sänger Daniel und Instrumentalist Dirk entpuppten sich als nette aufgeräumte Gesprächspartner, die einiges über Defected Decay, ihre anderen musikalischen Spielwiesen wie Suffersystem als auch über die Metal-Historie im Ruhrpott zu berichten wussten. Das Interview führten wir in Daniels Wohnzimmer und wurden sehr nett von seiner Frau mit Getränken versorgt, vielen Dank nochmals dafür!

Bei Daniel zu Hause begutachte ich erst einmal die CD-Sammlung als auch einige wenige Kassetten, was zum Einstiegsthema Demotapes führt. 

BERICHT IM BONNER GENERAL-ANZEIGER

Bonner General-Anzeiger vom 16.03.2023

Hier der Link zum PDF. 

 

 

INTERVIEW DISINTER

„The first real heavy metal song I heard in my teens was "Fast as a shark" by Accept, their drummer pushed me to play the drums. It was a big shock for me to hear their double bass drum, so I have a special respect for that band and their way on that record to play.“

Ultimately, I became aware of Disinter from Peru mainly by the fact that I was looking online for the band of the same name from the United States. However, the South Americans could inspire me right away by their great, powerful death metal, which rather refers to the American style. A good reason to talk to founder and drummer Roberto Leonardi, who has been doing his mischief in the scene with Disinter since the distant year 1993.

REVIEW INVOKER "TOWARDS THE PANTHEON OF THE NAMELESS"

I would like to point out here once again a great, unfortunately probably too little noticed album, namely the third Invoker album called "Towards the pantheon of the nameless" released in 2020 by Einheit Produktionen. The band from Saxony-Anhalt presents on this release an absolutely outstanding mixture of death and black metal in the perfect tension between roughness and harshness

INTERVIEW HYPNOS

"I never was a real musician. I was a fan of music, who wanted to join a metal band to be close to it, even I didn't play an instrument. I was and still am crazy about music in general, not just metal."

Recently I saw that the Czechs of Hypnos will release a new EP "Deathbirth" towards the end of April. Frontman Bruno, also with Krabathor, can now look back on more than 30 years as an active death metal musician and has experienced quite a bit, which he has also written down in a book. So this was a good moment to talk about the new release as well as to look back on Hypnos and Krabathor in particular and death metal in the Czech Republic in general. And don't miss to see the band at the Munich Dark Easter Metal Meeting on April 08!

BERICHT IM KÖLNER STADT-ANZEIGER

Systematic Desensitization Zine im Rhein-Sieg-Anzeiger / Kölner Stadt-Anzeiger

 Hier der Link zum PDF

 

INTERVIEW BLACK MESSIAH

In the vastness of the internet I came across the Chileans of Black Messiah, who play great, atmospheric doom metal, which should really bring tears of joy to the eyes of anyone who can relate to Black Sabbath & Co. Rodrigo, guitarist of the formation from the capital Santiago, answered my questions.

INTERVIEW FROZEN SOUL

In my eyes it's hard to miss, there's a ton of mid tempo death metal in that album, tons of slow heavy parts, it really screams frozen soul to me, haha! -about Sentenceds "Shadows of the past" 

After I had bought the great debut album of the Texans from Frozen Soul a long time ago, I recently saw the band on tour as support of Dying Fetus. Their cool old-school sound, which is an intersection of Bolt Thrower, Massacre and Obituary, was very well received there. A good reason for a little interview with vocalist Chad Green.

INTERVIEW UNGOD / BAXAXAXA

"Black metal has musical and visual aspects. You can't deny that. But these should complement each other and form a unity."

Ungod and Baxaxaxa are two of the oldest veterans of the German black metal scene, both founded in the early 90s. Baxaxaxa, who were revived a few years ago, inspire many fans of the underground with their somewhat untypical and very own mystical version of black metal. With their debut album "Circle of the seven infernal pacts", Ungod set a milestone in the establishment of black metal in Germany and, after a break, subsequently released two good to outstanding albums. A good reason to ask drummer Condemptor, who is a founding member of both formations, a few questions.

REVIEW FALSE MUTATION "UPON THE THRONE OF BAPHOMET"

When I recently stayed in Hattingen for the interview with Defected Decay, Dirk, one part of this duo, pressed a CD of his other musical playground called False Mutation into my hand. This is the 2019 album called "Upon the throne of baphomet". And what can I say? Fans of dark, vicious sounding and brutal death metal who especially love the US style of bands like Deicide, Defaced Creation, Aeon, Immolation or even the German Purgatory, will be thrilled. Dirk seems to run the whole thing more as a lover's affair for friends and acquaintances, but the songs are far too good to be reserved for a select few. 

INTERVIEW SKOGENS RYMD ART (ALESSIA BRUSCO)

In the vastness of the internet I found the great, atmospheric pictures of Alissa Brusco, who distributes her art under the label "Skogens Rymd Art". But read for yourself what she has to say.

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Hello, please tell the readers of the Systematic Desensitization Zine more about yourself. Who are you, what do you do besides painting, where do you live and so on?

INTERVIEW SUMERIAN TOMBS

Sumerian Tombs from the Rhineland have stirred up a lot of dust in the underground with their furious, self-titled debut album. A good reason to ask guitarist K. for some statements.

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Tell us something about the founding of the band - how long have you been around and what did you release before the debut album? Did you all know each other before? Who took the initiative? And was there a special initial spark for the foundation of Sumerian Tombs? Maybe in the sense that you heard certain records that inspired you or over a few beers you got the idea to do something together that goes in a certain direction?

REVIEW SECOND COMING "DEATH FUCKING METAL" & "WILL NOT ENTER HEAVENS GATE"

During the preparation of the Mightiest story that is yet to come, I had the pleasure of a great promo package that also included two releases by the death metallers from Second Coming. Second Coming are the death metal counterpart to Mightiest due to personal overlaps, whereby the expression "Second Coming" denotes  a Christian belief that Jesus will return again after his ascension to heaven about two thousand years ago. But not only the title "Will not enter heavens gate" suggests that we are definitely not dealing with passionate Christians here, haha.

REVIEW MIGHTIEST / FUNERAL PROCESSION "OF DEATHFIRES, A TOMB & NIGHT WITHOUT END"

In september, Ván Records released a split release of two veteran German black metal bands. One is Mightiest from the south of Germany, the fabled dark Black Forest, the other is Funeral Procession from East Frisia in Lower Saxony. Both bands were founded in the mid-90s, both have released only one album each besides various EPs and split releases, Mightiest even needed 22 years until the release of their great debut album SinisTerra. But this doesn't have to mean anything, just think about the cult band Sadistic Intent, who haven't released an album since the distant year 1987 until today. Despite this long history and their first-class music, both bands - probably also due to the lack of album releases - could never reach the level of popularity of similarly started bands like Secrets of the moon or Lunar Aurora.

INTERVIEW DESASTER / HIKING WITH INFERNAL

After I had already conducted an interview with Desaster last year in the run-up to the release of "Churches without saints" (see here), one day I had the idea to ask whether there would be interest in presenting some of the most important places and locations in the band's history together. On the one hand, Koblenz is only an hour's drive away from me, on the other hand, I like the region there very much, especially the often wildly romantic area along the Rhine and Moselle with its countless castles and ruins, many of which have bravely defied decay for centuries and let us feel at least a little "touch of medieval darkness". I can only warmly recommend this region for hiking, motorcycling and also cycling! To be more precise, I had in mind a joint visit to these places. When Infernal got in touch and was enthusiastic about the idea, the whole thing slowly took shape. After we had agreed on a car park in the middle of nowhere near Ochtendung as a meeting point, and I bought some Desaster articles - which certainly looked strange when any packages change hands there for cash, an overzealous narcotics officer would certainly have sensed his chance here - we could already start. In short, I got into Infernal's car and we drove a few minutes to go from there to Wernerseck Castle.