INTERVIEW MANDATORY

"When I personally think back to the last really great death metal records from Germany, whose songs I can always remember, I can only think of Morgoth's "Odium" and the debut album by Crack Up, which was released twelve years ago."

Here is an interview with German old school death metal outfit Mandatory, which I conducted in 2007. Bandleader and guitarist Sascha Beselt talks about the German death metal scene in an interesting way- from a music-historical point of view alone this interview is interesting. The new wave of German death metal bands - names such as Chapel of Disease, Lifeless, Slaughterday, Arroganz, Sulphur Aeon, Wound or Revel in Flesh, many of which were or are still based at the busy label F.D.A. Records - only started a few years later. The album "Adrift Beyond" announced here was finally released in 2010 via the renowned Spanish label Xtreem Music, and in 2012 the band released their previously unreleased debut album "Ripped from the tomb" from 2003. Nothing has happened on Mandatory's Facebook profile since 2015, so the band is probably no longer active, even if there was never an official break-up. Looking back, you might think that Mandatory should perhaps have stayed active with their old-school sound for a few more years in order to gain more attention in the course of the aforementioned revival of more traditional sounds. But be that as it may, enjoy this little trip back in time to an era when most bands were still on Myspace instead of Facebook.

INTERVIEW WARHAMMER

Here is an old interview with Warhammer that I dug up. I conducted it with singer Volker "Iron Lung" Frerich, who sadly passed away unexpectedly three years ago.  To be honest, I couldn't remember exactly when this interview took place, but Volker's mention of his age in particular makes it clear that it must have been in 2006. The upcoming album we are talking about here is "No Beast so fierce", which was released in 2009. I recently read on the internet that there is a previously unreleased album that the band was probably still working on up until the time of Volker's death. It would be very much to be hoped that this will one day see the light of day in some form or other. With this in mind, I dedicate this interview to the memory of Volker (15.02.1970-12-03-2021) -Rest in peace 

INTERVIEW ATOMWINTER

"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."

When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year.  At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.

REVIEW DROWNED "PROCUL HIS"

Berlin-based Drowned, who have been up to mischief in the underground since 1992 but didn´t release their debut album "Idola Specus" until 2014 after a few great demos and a 7" single, have now released their second album "Procul His".  Like its predecessor, this happens via Sepulchral Voice Records. This label, known for sinister, extreme, authentic and primal underground metal, seems to fit perfect for the band. Drowned don't do anything special per se, but this they do in a perfect manner: they play ancient death metal that sometimes playfully changes tempo or repeats melodies longer than the average metal song.

INTERVIEW FROSTSHOCK

"It was the best first year a band could wish for."

The newcomers from Frostshock are currently stirring up the underground with their self-titled debut album (read the review HERE). A good reason to find out more about the band's background and their excellent, explosive death/thrash mixture. The bandmembers, who likeable don't take themselves so deadly serious, are delighted and grateful for the recognition they are currently receiving. But read for yourself.
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INTERVIEW ASCHENVATER

"This music simply needs a voice that sounds like death itself and can convey all the horror that is dealt within the lyrics."

More or less by chance I came across Aschenvater from Saxony, Germany, who create great, primal death metal that should make fans of bands like Asphyx and Hail of Bullets extremely happy! I talked to singer Oliver and guitarist Marko about the not too long band history, the great EP "Landungsfeldmassaker", German lyrics, Martin van Drunen, Bolt Thrower and the influence of the Warhammer universe.  

REVIEW INVOKER "TOWARDS THE PANTHEON OF THE NAMELESS"

I would like to point out here once again a great, unfortunately probably too little noticed album, namely the third Invoker album called "Towards the pantheon of the nameless" released in 2020 by Einheit Produktionen. The band from Saxony-Anhalt presents on this release an absolutely outstanding mixture of death and black metal in the perfect tension between roughness and harshness

REVIEW FALSE MUTATION "UPON THE THRONE OF BAPHOMET"

When I recently stayed in Hattingen for the interview with Defected Decay, Dirk, one part of this duo, pressed a CD of his other musical playground called False Mutation into my hand. This is the 2019 album called "Upon the throne of baphomet". And what can I say? Fans of dark, vicious sounding and brutal death metal who especially love the US style of bands like Deicide, Defaced Creation, Aeon, Immolation or even the German Purgatory, will be thrilled. Dirk seems to run the whole thing more as a lover's affair for friends and acquaintances, but the songs are far too good to be reserved for a select few. 

INTERVIEW MILLE / KREATOR

"Global problems are also difficult to solve at the local level. As long as humanity does not see itself as a world community, it will hardly be possible to carry out rules that effectively counteract climate change."

After I had already conducted an interview with Mille more than five years ago in the run-up to the release of "Gods of violence", the new strong "Hate über alles" album, which this time managed to land at number 2 in the German album charts, offered itself as a good reason to repeat the matter. Since then, a lot has happened in Germany, Europe and globally, just think of the Corona pandemic, the increasingly apparent climate change, the war in Ukraine and also the, at least in the social networks seemingly clearer division of society. I talked about these and other topics with the band leader, who now lives in Berlin.

REVIEW PROTECTOR "EXCESSIVE OUTBURST OF DEPRAVITY"

With "Excessive Outburst Of Depravity" Protector, the German-Swedish band around Martin Missy, the only remaining member of the original line-up, releases the fourth album after the reunion in 2011, this time again via High Roller Records. Since the revival of the band, Protector are now fortunately known to a larger number and especially to a new generation of metal fans, yet Protector unfortunately belong to the club of the most underrated metal bands of all time. In a fair world Protector would have the status of a band like Sodom, but well, that's another story...  

INTERVIEW CALL FROM SUBCONSCIOUS

Call From Subconscious were a band from the beautiful Franconian city of Nuremberg, Germany that existed in the period 1990-1997. Post mortem, the recordings of the band that never made it out of demo status are now officially released on a discography CD (and tape) called "Sorrow and avidity" by the Greek label Repulsive Echo Records, more than two decades after the demise of this formation. However, this is completely justified, because even if no technical masterpieces or sound fiddles are to be expected here, the album is more convincing with what really matters, the music and its charisma. So if you like old, melancholic and sometimes extravagant, but never cheesy death and doom metal, you will definitely find what you are looking for here. In addition, the CD convinces with a really beautiful artwork. Listen to the band and buy the CD if you want to acquire a small piece of German metal underground culture. Looking at the photos, you can almost feel the breath of time and nostalgic memories of the golden era of death and doom metal spread. But now read for yourself. I talked to ex-guitarist Stephan, who makes a strong plea for uploading old demo recordings on YouTube before they are forgotten and decay. And: Where is Herbert ?

So after the interviews with Ulcerous Phlegm (read HERE and HERE) and Mangled Torsos (read HERE), this is the third part of the interview series with long faded German underground acts to preserve the past.

Hey, first of all it's nice that your works are officially released on CD after all these years. How does it feel and how did it come about ? By the way, isn´t it nice that a fanzine called "Systematic Desensitization" interviews a band called "Call of  Subconscious"?

Hi. Thanks also to you for your interest. Systematic desensitization works only and exclusively through the call from the subconscious, that's correct. But now to the interview questions, hopefully with full consciousness.

Yes, it is amazing when suddenly, after such a long time, a label takes notice of you and wants to release something. At first you think it's a misunderstanding and ask again if you're really meant. 

INTERVIEW SLAUGHTERDAY

Slaughterday, the creative duo from Leer in Lower Saxony, Germany, have been delivering high quality old school death metal since 2013. These days their third album called "Ancient Death Triumph" is released, a welcome occasion for a talk with vocalist and drummer Bernd.

Hey, first of all I hope you’re doing well during these unordinary times. Did you have to cancel some of the gigs and / or are some of them postponed to a later date ? Could you play some gigs since the outbreak of corona (or should I better say „outbreak of evil“ ).

Hey Gerald, we are doing well, although the corona situation is really fatiguing these times. Unfortunately, we had to cancel some shows at the end of the year and some festivals got postponed. It feels weird to release an album, knowing that you will not be able to promote it by playing live shows. The postponement of some festivals also put us on hold for the year after next. Until then we will not be the centre of attention anymore so maybe we have to wait for another album release again. Luckily we are not affected jobwise.  

REVIEW HYEMS "ANATOMIE DES SCHEITERNS"

German black metal outfit Hyems released their new album called "Anatomie des Scheiterns" (which means "anatomy of failure") on May 1st via MDD Records. I really was looking forward to the new record, because the predecessor "Devianz-dem Menschen ein Wolf" (which means "deviance-man is a wolf to man" aka homo homini lupus-you see, these German guys prefer using their native language for their lyrics, but more on that later), released in 2015, is a really great record which received too little attention. The band exists since 2000 and released after some demos three full-lengths and two EPs in all, including the new record.  

INTERVIEW MANGLED TORSOS

Some months ago I re-discovered both Mangled Torsos-albums in my collection and while listening to them I noticed again how good (and unfortunately underrated) this band from the southern part of Germany has been. So I found an "unofficial" Mangled Torsos-facebook page and got in contact via this page with ex-member Frank, who played bass for Mangled Torsos. So, to be honest, this page is maybe "semi-official", haha. And because I am this kind of nostalgic person, I like to do interviews with bands who ceased to exist long times ago very much, maybe because it reminds me to my own youth, and I think most people will agree, that youth is a very specific time in life that can't be repeated. Musicwise it has been the most intense and exciting times in my life,  discovering all this new and great stuff via tapetrading and so on. So enjoy this conversation about times where death metal began to start and thereafter to explode in Germany. A time where a label such as Nuclear Blast sent copied order lists in black and white via postal mail. Besides Frank, Patrick who played drums, answered my questions. Here we go...

Please tell the readers of Systematic Desensitization Zine who you are and some facts about Mangled Torsos: when did you start the band, what were the main reasons and inspiration for starting an own band and did you know each other or did you get in contact because of searching for musicians to start a band ?

Frank: Hi and first of all many thanks for your interest! I'm Frank and I didn't start the band but played bass in Mangled Torsos.

We all knew us before the band was founded, Patrick visited the same school like me, and as we were obviously metal fans, we got into contact pretty soon. We started hanging around after school and Oli was a good friend of Patrick so I also get to know him. We listened to everything we could get and were evolving our taste more and more from thrash metal (Slayer/Kreator/Sodom/Destruction... ) to death metal- and grindcore- bands like Entombed, Autopsy, Death, Carcass, Napalm Death, Obituary, Morbid Angel, Bolt Thrower... 

REVIEW BLOODY INVASION "ZOMBIE SOCIETY"

If you are searching for a yet undetected death metal band, then maybe you should check out Bloody Invasion from Brandenburg, Germany. The band exists since 2012 and these days they released their first full-length album called "Zombie Society". 

REVIEW ATROCITY "OKKULT II"

Since "Okkult" and the following EP "Masters of Darkness" Germany's ATROCITY are back on the path of creating more extreme sounds. In my review for the EP (here-review written in German) I looked back at the entire discography, and believe me, I am far away from being an uncritical listener, and yes, there has been some releases by ATROCITY I really didn't like.