INTERVIEW MORTEM

"Perhaps it's in our blood!"

Here you can read an interview with the Peruvian underground institution Mortem, who have been haunting the underground since the distant year 1986. Read here what founding member, drummer and vocalist Alvaro Amduscias has to say about the band's beginnings, influences, goals, upcoming gigs and a new Mortem album.

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Hello Alvaro, best regards from the Rhineland in Germany, how are you doing at the moment?

Hi Gerald. Thank you very much for this interview! All good, here in the burning desert of Phoenix, Arizona.

REVIEW PENTAGRAM (CHILE) "ETERNAL LIFE OF MADNESS"

The announcement of a new album by Pentagram Chile, the band around the charismatic cosmopolitan Anton Reisenegger, who should also be known from bands like Criminal, Lock Up or Brujeria, came to me out of nowhere. This is only the second album by the band, which was founded back in 1985 and has been on ice for a long time in the meantime, changing its name because of the namesake doomers from the USA around Bobby Liebling and forming the ominous triumvirate of Chilean death metal together with Atomic Aggressor and Sadism.

Just how influential the Chileans have been in the past can be seen from the fact that bands like Dismember have been seen wearing Pentagram shirts on promo photos or Napalm Death have covered “Demoniac Possession”, a track by the South Americans.

INTERVIEW MANDATORY

"When I personally think back to the last really great death metal records from Germany, whose songs I can always remember, I can only think of Morgoth's "Odium" and the debut album by Crack Up, which was released twelve years ago."

Here is an interview with German old school death metal outfit Mandatory, which I conducted in 2007. Bandleader and guitarist Sascha Beselt talks about the German death metal scene in an interesting way- from a music-historical point of view alone this interview is interesting. The new wave of German death metal bands - names such as Chapel of Disease, Lifeless, Slaughterday, Arroganz, Sulphur Aeon, Wound or Revel in Flesh, many of which were or are still based at the busy label F.D.A. Records - only started a few years later. The album "Adrift Beyond" announced here was finally released in 2010 via the renowned Spanish label Xtreem Music, and in 2012 the band released their previously unreleased debut album "Ripped from the tomb" from 2003. Nothing has happened on Mandatory's Facebook profile since 2015, so the band is probably no longer active, even if there was never an official break-up. Looking back, you might think that Mandatory should perhaps have stayed active with their old-school sound for a few more years in order to gain more attention in the course of the aforementioned revival of more traditional sounds. But be that as it may, enjoy this little trip back in time to an era when most bands were still on Myspace instead of Facebook.

INTERVIEW MACERATION

"I think it was just a different time back then. You ended up in a studio and the result was also somewhat coincidental."

Maceration from Denmark released their debut album in 1992. After many years in which the band went dormant, the extremely strong follow-up "It never ends" was released in 2022, exactly thirty years later. In September this year, a new album called "Serpent Devourment" will be released, once again via the energetic Danish death metal label Emanzipation Productions. A good reason to talk to founding member Jakob Schultz, who was also part of Invocators line-up on their legendary debut album "Excursion Demise". 

INTERVIEW ATOMWINTER

"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."

When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year.  At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.

INTERVIEW MORTA SKULD

" 'Dying Remains' was a huge album for us and set the tone, lots of fans really enjoy this record and we are so blessed that it's still a great record and stands the rest of time."

After decades in US death metal, Morta Skuld from Milwaukee are a firm institution in the genre. Now they have delivered an absolute highlight with "Creation Undone", which can also be seen from the numerous enthusiastic reactions from the press and fans. A good reason to talk to the only remaining founding member Dave Gregor.

INTERVIEW DEAD HEAD

"Musicians pretending that they never listen to their own music. It’s a great way to come across as cool, interesting or nonchalant. But frankly I don’t believe them."

This interview with Rob, one of the two Dead Head guitarists, is really worth reading. Quite apart from the fact that Dead Head from the Netherlands are one of the greatest thrash metal bands on this planet and have once again recorded an extremely strong piece of extreme music with their new EP "Shadow Soul", the answers are captivating in their entertaining honesty, self-reflection and above all the fact that someone here simply emphasizes that he is pleased with what he and the band have achieved instead of lamenting what has not been achieved. A very healthy attitude to life that would probably make our planet a better place if everyone thought like this. But enough talk, read for yourself...

INTERVIEW CHRONICLES

In the vastness of the internet I came across ChronicleS from Dhaka, the capital of Bangladesh, who play absolutely great, dark and sinister death metal, as can be heard particularly well on their very strong, recently released debut album "Spirits of the Mortified". A good reason to talk to the band.

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Hello, please introduce ChronicleS to the readers of Systematic Desensitization Zine. Who are you, how did you find each other? According to Metal Archives, the band has existed since 2015, but it wasn't until 2019 that there was a first sign of musical life in the form of the "WarMachine" EP. Did this take a relatively long time because it was difficult to find suitable band members?

REVIEW SUFFERSYSTEM "DISINTEGRATION OF THE INDIVIDUAL"

Suffersystem from the beautiful half-timbered town of Hattingen in the Ruhr area will release their sixth album "Disintegration of the Individual" in mid-March, like its predecessor from 2021, once again via Black Blood Records. The two band members Dirk and Daniel, who are active in other bands such as Defected Decay (read a detailed interview in English here, in German here), False Mutation (who are also releasing a new album in March this year) and - relatively recently - Seeds of Torment, have added a new, fantastic chapter to the history of Suffersystem. The music on the ten tracks, which have a total playing time of 45 minutes, always moves between death and thrash metal, with a clear edge towards death metal.

INTERVIEW UGRA KARMA

"Nepalese regard their mountains as sacred and have a high regard for everything the mountains provide: annual monsoons, fertile rivers and breathtaking beauty."

We in Europe, or more specifically here in Germany, are mostly confronted with bands from Northern or Central Europe, the USA or Australia, even Southern European bands are less on the radar, and South America is also less present. Now I am pleased to present Ugra Karma, a band from Nepal, based at the capital Kathmandu. Read for yourself what vocalist and bassist Sunil, who founded the band in 1999, has to say about death metal, the difficult early days of the band, mountaineering in the Himalayas, the caste system in Nepal and the serial killer Charles Sobhraj.

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INTERVIEW MASTER

The release of the strong new Master album "Saints Dispelled" provided a good opportunity to talk to Paul Speckmann about the new release as well as other topics.

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Hello Paul, how are you doing with the new record, is it a kind of relief when a work sees the light of day, people can buy it and you see the reactions? Or are you already totally experienced after all these years, so that it’s just routine? 

Sure it’s a relief when it’s finally released, considering the album was recorded nearly a year ago! Nothing is routine in the world of recording, it’s by far one of the best things in the world! We always have a blast recording! It’s killer to get your thoughts and ideas out on the market! It gives people a chance to read your thoughts on what’s happening in the crazy world around us at this moment. I use this platform to share my thoughts and ideas with the world, obviously not everyone is going to agree with all of them, but at least with a recording contract, it gives you a chance to put things out there!  

REVIEW MASTER "SAINTS DISPELLED"

Master have also honored us with a new album via Hmmerheart Records.The strong predecessor "Vincictive Miscreant" is already six years old, so it's high time for new Master material. Mr. Speckmann and his bandmates once again offer an insanely good mix of death and thrash metal, as only Master can. Even though Master's music is of course not innovative these days, which is not the band's aim at all, you can still recognize the band among legions of death metal bands, and that's pretty much the highest compliment you can pay an extreme metal band, which on a spontaneous consideration on my part only applies to a maximum of two dozen bands. 

REVIEW MESSIAH "CHOIR OF HORRORS"

Messiah's third album "Choir of Horrors" from 1991, released on the legendary Noise Records label, represented a quantum leap for the band after the two predecessors "Hymn to Abramelin" and "Extremely cold weather" and also can be considered as a milestone in extreme music in general. The album, which features a cover artwork that is as atmospheric as it is terrifying, starts with monk chants before the death/thrash sounds kick in. Singer Andy Kaina, who sadly passed away last year, impresses with aggressive yet accentuated and intelligible vocals, while the band varies well between different tempos, especially the dragged out parts work well.

DIE BESTEN, OBSKURSTEN UND THRASHIGSTEN DEATH METAL-VIDEOS PART II

Nach Part I (lest HIER) nun Teil II der tollsten und obskursten Death Metal-Videoclips. Wie immer besteht weder ein Anspruch auf Vollständigkeit noch auf Objektivität, aber ich glaube, das versteht sich bei diesem Thema von selbst.

DIE BESTEN, OBSKURSTEN UND THRASHIGSTEN DEATH METAL- VIDEOS PART I

Hier soll um es eine natürlich rein subjektive Auswahl der besten, obskursten, thrashigsten oder anderweitig besonders hervorstechenden Death Metal Clips gehen, alt oder neu. Höchstwahrscheinlich wird bei einigen von Euch die ein oder andere Erinnerung aufploppen oder auch so manche nostalgisch-melancholische Erinnerung wach werden, ganz nach dem Motto: "Als dieses Video bei VIVA Metalla kam, habe ich gerade Abi gemacht " /  "meine erste Freundin kennengelernt und geschwängert" bzw. wahlweise irgendetwas anderes einsetzen. Gerade die alten Videoclips lebten und leben auch heute noch von ihrem teils billigen, leicht dilettantischen Charme, heutzutage hat wahrscheinlich jeder 13-Jährige mit der neuesten App schneller professionellere Ergebnisse. Aber so war damals zu Beginn / Mitte der 90er eben der technische Stand der Dinge, zudem war Death Metal nie als Hochglanzprodukt gedacht. Heutzutage gibt es immer öfters die aus meiner Sicht oftmals vollkommen seelenlosen mit künstlicher Intelligenz erzeugten Clips, die einfach nur langweilen. Aber fangen wir nun an... 

INTERVIEW ECOCIDE

"We always stayed in touch, supported each other's endeavors, and maintained a friendship which laid the foundation for the eventual reunion."

When I heard some time ago that the Dutch death metal outfit Ecocide had reunited, I was very pleased. Now, ten years after the already awesome debut album "Eye of wicked sight", the band has released a great second album with "Metamorphosis", which enriches the strengths of the debut with experience and the resulting focus. Read for yourself what the band has to say about the break and the new album.

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INTERVIEW DEPRESSION

"I'm sure that if we should ever call it quits, the friendship will remain."

Some time ago, I rediscovered the Depression albums in my personal collection and listened to them again very intensively up and down. If that's not a good reason to take a closer look at this German veterans of the scene, which have been playing great, goovy death/grind since 1989. This year also saw a split release with Swedish death metallers Repuked on vinyl and CD.  I spoke with band founder, drummer and guitarist Kai and vocalist Ron. 

INTERVIEW ASCHENVATER

"This music simply needs a voice that sounds like death itself and can convey all the horror that is dealt within the lyrics."

More or less by chance I came across Aschenvater from Saxony, Germany, who create great, primal death metal that should make fans of bands like Asphyx and Hail of Bullets extremely happy! I talked to singer Oliver and guitarist Marko about the not too long band history, the great EP "Landungsfeldmassaker", German lyrics, Martin van Drunen, Bolt Thrower and the influence of the Warhammer universe.  

INTERVIEW HAMVAK

"Hamvak allowed me to break free from the musical boundaries I had previously felt." 

Hamvak is one of the most promising bands of the German underground. The debut album " Maelstrom of abhorrent incantations" (review here) is a true monster of a musical work that pulls you inevitably and without mercy into the abyss. I spoke with Dávid Vadkerti-Tóth, the factotum and mastermind behind Hamvak.

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When did you form Hamvak and under what circumstances? According to Metal-Archives Hamvak is the successor band of Solus, who were much more atmospheric. What was the reason for the end of Solus and the beginning with Hamvak? Do you see Hamvak as the successor band of Solus, or did someone just put it down that way at Metal Archives?

REVIEW HAMVAK "MAELSTROM OF ABHORRENT INCANTATIONS"

Out of nowhere I heard about Hamvak (Hungarian for ash), a great one-man band from Stuttgart. The factotum behind the music, Dávid Vadkerti-Tóth, now delivered Hamvak's debut album after releasing a three-track demo back in 2017.

Hmavak's debut album, released by Morbid Chapel Records and Rotten Tomb Records, is the best example of what undiscovered gems the underground has in store. The six, mostly overlong tracks that bring the album to a total playing time of 40 minutes, should delight any fan of gloomy and sophisticated blackened death metal. Like the album title, which, by the way, was visually very appropriately implemented by the cover artwork, the listener feels drawn into a veritable maelstrom, from which there is no escape, because the tracks cause a partly captivating-hypnotic effect.