REVIEW INVOKER "TOWARDS THE PANTHEON OF THE NAMELESS"

I would like to point out here once again a great, unfortunately probably too little noticed album, namely the third Invoker album called "Towards the pantheon of the nameless" released in 2020 by Einheit Produktionen. The band from Saxony-Anhalt presents on this release an absolutely outstanding mixture of death and black metal in the perfect tension between roughness and harshness

INTERVIEW JOAKIM STERNER (NECROPHOBIC / UNHALLOW)

"In the summer of 1982, when I was at a summer camp, a guy there showed me Iron Maiden and I was hooked right away."

There was no specific reason for this interview, I had been carrying around the idea of doing a Necrophobic interview for a while. Since they say that the first experiences are among the most formative, it's also logical that "The nocturnal silence", Necrophobic's debut from 1993, made a lasting impression on me. Although it was by no means my first death metal album, it was one of the first that I got back then, along with bands like Unleashed, Obituary, Morbid Angel, Grave, Benediction, Bolt Thrower, Asphyx and Cannibal Corpse. Of course, it's difficult to filter out aspects like nostalgia, but when I listen to the album today with its outstanding songs, then one must definitely attest to the album being one of the strongest and most important albums in Swedish metal history, especially because it was already the anticipation of the fusion of death and black metal. And of course all albums of this band are exceptional, especially the last two captivate in a different, more refined way. Nevertheless, for this interview, I have concentrated on this debut album in particular. Drummer and founding member Joakim Sterner, who has another band called Unhallow at the start (more details in the interview), answered my questions.

REVIEW MEFISTO "PHOSPHORUS"

The legendary Mefisto, founded in Stockholm in 1984, are at the start with a new work. The new album is called "Phosphorus" and contains ten tracks with a running time of 50 minutes. It will be released on 13 July via GMR Music Group.

After disappearing into oblivion for almost three decades after their foundation, Mefisto have released three albums since then. Especially the last album of 2019, "Octagram" (Bathory had an "Octagon" album, Mefisto and Bathory are, so to speak, the primeval soup of Swedish extreme metal) was appealing, as it was a very dark and heavy work.

INTERVIEW AKERBELTZ

The release of the new strong album "Merciless", which should delight all fans of traditional black metal sounds, was a good occasion for an interview with the Spanish black metal institution Akerbeltz, which has been wreaking its havoc in the Spanish underground since the distant year 1996. I talked to the factotum behind the band, who also plays in Korgüll The Exterminator.

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Hey, how does it feel to finally have the new album out with "Merciless"? What have been the reactions to it so far?

Hell! I´m very pleased that after so many years I could release an album that´s worth to be the logical continuation of the predecessor. The reactions up to now are really positive, especially because with this type of band the promotion comes straight from the reviews of fanzines and the social media as I don’t have the possibility to play live.     

INTERVIEW ANDREAS PETTERSON (DE ARMA / NORDVIS / ARMAGEDDA)

"There are powers beyond this mortal life which are stronger than one’s own will – therefore, certain events will come to pass whether you want them to or not."

With their latest EP "Nightcall", Swedish gothic rock band De Arma has got rid of the last remnants that point to the metal background of their two protagonists. I spoke to Andreas Petterson, probably best known for black metal band Armagedda and his work as label owner of Nordvis Produktion, about De Arma's new release, Armaggeda and closeness to nature.

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Hello Andreas, how are you doing at the moment? De Arma's new EP "Nightcall" will be released soon. Tell me something about it, what I immediately notice is the emphasis on gothic rock, the metal parts have disappeared completely. Was that a natural process or were the metal parts supposed to disappear deliberately?

Hi – all good here, thanks. I'd say that "Nightcall" is the result of a natural process, during which we manifested music of a kind we've wanted to play for many years now. After our 2013 debut album "Lost, Alien & Forlorn" we started toying with the idea of writing songs which were more synth-driven, thereby making metal a smaller part of the totality. I think I can say with some confidence that the "Nightcall" EP reflects this approach. Since both of our albums were written in close succession, it feels great to now release music which is fully representative of De Arma of today.   

INTERVIEW VOMIT SPELL

The name Vomit Spell had been known to me for some time. In fact, I had listened to the demo some time ago, but then lost track of the band again. A mistake, as it now turns out, as the debut album released on FDA Records a few months ago offers great stuff for all fans of dark sounds who know what to do with a dark and intense mixture of death metal and grindcore (read the review of the album HERE) !

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Hey, first tell us something about the band. When was Vomit Spell founded? Did you all know each other before or did you at least partly get to know each other through the band? In which other bands did you play before?

Hi, Markus (guitar) and Jochen (drums) met in 2015 through an ad and first met in a friend's rehearsal room to see if it would fit. The first song was then written and rehearsed in Jochen's gazebo (!!!). Then we rented a room and recruited Philipp (vocals) and Sepp (bass), both buddies. Marco, our second guitarist, joined us shortly before the demo was written. Sepp has left us in the meantime and since then we have been desperately looking for a replacement on bass. Markus used to play in the grindcore band Nyctophobic and since a few years in the crust/metal band Hellknife. Jochen was active in Hafrm, a local hardcore band from Mainz, and the death metal band I am Havoc.

REVIEW VOMIT SPELL "VOMIT SPELL" (ENGLISH)

Vomit Spell from Mainz released their self-titled debut album on FDA Records in October last year, after a first demo was released in 2019. In 2020, this demo was also released officially on CD by FDA Records.

Vomit Spell play a great mixture of death metal and grindcore. I just throw names like Terrorizer, Repulsion, Napalm Death, Carcass or Autopsy into the round. But, to name a band that doesn't belong to this circle of old masters, you can bring the Danes of Undergang into play. So you see, this is not about technique and sophisticated aspects, but Vomit Spell dig deep in the dirt to create these ominous sounds. So on this release, atmosphere and authenticity take centre stage over the course of a good half hour!    

REVIEW VOMIT SPELL "VOMIT SPELL"

Vomit Spell aus Mainz veröffentlichten im Oktober letzten Jahres ihr selbstbetiteltes Debütalbum auf FDA Records, nachdem im Jahr 2019 schon ein erstes Demo veröffentlicht wurde. Dieses gelangte 2020 schlussendlich ebenfalls bei FDA Records nachträglich zu offiziellen Veröffentlichungsehren auf CD.

Vomit Spell spielen eine großartige Mischung aus Death Metal und Grindcore. Ich werfe hier einfach mal Namen wie Terrorizer, Repulsion, Napalm Death, Carcass oder Autopsy in die Runde. Aber, um eine Band zu benennen, die nicht diesem Kreis der alten Meister zugehörig ist, kann man die Dänen von Undergang ins Spiel bringen. Ihr seht also schon, hier geht es nicht um Technik und Schöngeisterei, sondern Vomit Spell wühlen tief im Dreck um diese unheilvollen Klänge zu erschaffen. Auf dieser Veröffentlichung stehen also Atmosphäre und Authentizität im Laufe der guten halben Stunde im Vordergrund!    

REVIEW ORTUS "AUS DER TIEFE" (ENGLISH)

I already reviewed ORTUS from Rhineland-Palatinate with their debut EP called "Where shadows gather" (see HERE.) This was released in 2018, and in an interview I read that at least a part of the band takes a certain critical distance to the EP and sees this first release retrospectively more as the first steps of musical self-discovery. Well, be that as it may, I was thrilled at the time and still find this EP very good. This release was followed in 2019 by the "Forgotten Memories" EP, which was again very convincing.  

REVIEW ORTUS "AUS DER TIEFE"

ORTUS aus Rheinland-Pfalz hatte ich ja bereits mit ihrer Debüt-EP namens "Where shadows gather" besprochen (siehe HIER.) Diese erschien 2018, und in einem Interview las ich, das zumindest ein Teil der Band eine gewisse kritische Distanz zu der EP einnimmt und diese erste Veröffentlichung nun retrospektiv mehr als erste Schritte der musikalischen Selbstfindung sieht. Nun, wie dem auch sei, ich war damals begeistert und finde diese EP auch nach wie vor sehr gut. Nach dieser Veröffentlichung folgte dann 2019 die "Forgotten Memories"-EP, welche erneut sehr überzeugen konnte.  

INTERVIEW SCARABREED

Scarabreed is a relatively new band from Switzerland that plays really good death / black metal. That shouldn't be surprising, since there are old scene veterans here, who already played with earlier, well-known bands. These days the band released their debut album called "Throne of the dark ages", a good reason for an interview.

Hello, I hope you are well, especially in times of the Corona pandemic. Please introduce the band, when did you form, how did it happen, did you know each other before? What did you release before the debut album? In which bands were you active before ?

Scarabreed: Thank you for your interest in Scarabreed and this interview.

Phillip: I have played with Denial and Amputate so far.

Markus: We have all been active in bands before, with Riccardo and Phillip I played in Amputate.

Riccardo: Also Amputate and Denial.

Thomas: I had played with a few bands and also helped out live a lot. I played with Azrael, Sabaism together with Marco from Damnatory and Chris from Sickening Gore, later with Innocent F.F. and 2Black and now you can see where this has brought me.   

REVIEW ELÄNDE "DÖDENS RIKE"

ELÄNDE is a Swedish three-piece black metal band from Gothenburg which exists since 2010. Before the release of their current album named "Dödens rike" they released a demo and an EP.
Most prominent member of this band is for sure Trish, who plays drums in ELÄNDE, I think some people know her through a lot of bands and projects such as DödsÄngel, Djevelkult or Skitliv. Besides ELÄNDE, she actually plays for example in Urarv, an avantgarde black metal band in which Aldrahn, well known through Dodheimsgard /DHG, does vocals and guitars. But enough of that namedropping, I only mentioned this to point out that ELÄNDE consists of well-experienced scenesters and musicians.

INTERVIEW GRAFVITNIR

GRAFVITNIR from Sweden released their fitfth album named "Keys to the Mysteries Beyond", which is a a really outstanding black metal release. So I decided to to an interview with Niantiel- we spoke about black metal, occultism and their aversion to public relation - hope you like it.

First of all, how were the reactions towards the new album ? I think most of the listeners like it a lot, right ? In my opinion  “Keys to the Mysteries Beyond“ is one of the best black metal albums within the last years and I hope in some years it will be regarded as a classic! It can be described as fast tradtional Swedish black metal in perfection, I can hear similarities to Sacramentum, Svartsyn, Sorhin, Dissection and (old) Watain. Do you agree ?

Thank you very much for your words of appreciation. The reactions have been mostly positive, but what is most important is that we ourselves are satisfied with our creation, the rest is only a bonus. 
I would say that I personally can hear the similarities with Sacramentum, Dissection and of course early Watain (which at that time was hugely inspired by Dissection). The reason for this is probably because music usually is derived from the soul and music created by swedes tend to have noticeable characteristics that are audible and well documented. 

The cover artwork from Daniele Valeriani is a really outstanding piece of art as well, how did you get in contact with him? I have seen that this artwork also was published in an art book together with other cover artworks from other artists.

In fact, our good friend Daniele contacted us and offered us cooperation. When I later saw the first sketch of what was to become the cover art for "Keys to the Mysteries Beyond" I instantly knew that this was going to be what we were looking for. Our cooperation runs smoothly and we are extremely happy to work with such a magnificent talent that he is.