REVIEW DEINONYCHUS "DEINONYCHUS"

Having already reviewed the absolutely outstanding and extraordinary debut album "The Silence of December" by Deinonychus (read here), I'm now taking a look at the self-titled fourth album from the year 2000, released by the long defunct Ars Metalli label. Even the simple but extremely effective cover artwork catches the eye; the band logo and album title are placed in the middle of a blurred white-grey-blue shadowy figure, the outlines could represent anything, it's up to the viewer's imagination. Only when the digipack is unfolded or the back cover is looked at does the entire picture become visible, the silhouette of a person working on a crane or similar in some kind of industrial plant becomes blurred and milky.

INTERVIEW DEAD HEAD

"Musicians pretending that they never listen to their own music. It’s a great way to come across as cool, interesting or nonchalant. But frankly I don’t believe them."

This interview with Rob, one of the two Dead Head guitarists, is really worth reading. Quite apart from the fact that Dead Head from the Netherlands are one of the greatest thrash metal bands on this planet and have once again recorded an extremely strong piece of extreme music with their new EP "Shadow Soul", the answers are captivating in their entertaining honesty, self-reflection and above all the fact that someone here simply emphasizes that he is pleased with what he and the band have achieved instead of lamenting what has not been achieved. A very healthy attitude to life that would probably make our planet a better place if everyone thought like this. But enough talk, read for yourself...

REVIEW DEINONYCHUS "THE SILENCE OF DECEMBER"

This is a truly impressive monster of an album, the likes of which are not unleashed on mankind every day. It's about the debut album "The silence of december" by Deinonychus from the Netherlands, released in the distant year 1995. I still remember a review of the album in some magazine in which the reviewer expressed his enthusiasm for these ominous sounds. By the way, if my memory does not deceive me, Behemoth's debut album "Sventevith-Storming near the baltic" was also reviewed in the same issue.

But this is supposed to be about Deinonychus, who were already playing a special role in the second wave of black metal, which was just exploding, as the majority of the acts at that time were increasingly oriented towards Norwegian black metal and were traveling in much faster realms or, under the impression of the success of Cradle of Filth's debut album "The principle of evil made flesh", began to move into more moderate soundscapes, whereby the peak of the sometimes unspeakably Gothic bombast "black metal" would not be reached until a few years later. 

INTERVIEW ECOCIDE

"We always stayed in touch, supported each other's endeavors, and maintained a friendship which laid the foundation for the eventual reunion."

When I heard some time ago that the Dutch death metal outfit Ecocide had reunited, I was very pleased. Now, ten years after the already awesome debut album "Eye of wicked sight", the band has released a great second album with "Metamorphosis", which enriches the strengths of the debut with experience and the resulting focus. Read for yourself what the band has to say about the break and the new album.

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INTERVIEW PENTACLE

"All the lyrics of the album point to one direction: death !"

Pentacle released the new album "Spectre of the Eight Ropes" on Iron Pegasus Records some months ago. It's certainly no exaggeration to say that a lot of people in the underground scene, wherever they may live, could hardly wait until its release. A really good cause to do an interview with Wannes Gubbels, vocalist, bass player and lyricist of this battleship of dutch death metal. If you didn't know yet, you will realize in the course of this interview that Wannes is an real old-school maniac and has a lot of interesting things to say.

Hey Wannes, first of all congratulations for the great new album! Can you tell us something about the creative process concerning the creation of the new album? How were the reactions concerning „Spectre of the Eight Ropes“ in general ?

Thank you very much! Glad to hear you enjoy the album. I haven’t read that many reviews (yet), but those which caught my eye, are very much favourable for the band. It’s great to see people like the album. For sure, we create the music for ourselves first, but there’s no need to deny it’s satisfying when “Spectre…” receives positive reactions. We worked very hard to make this album happen. For a long time it wasn’t even sure if we would record a full length ever, but we made it happen and that’s something I feel very proud of. It’s truly a creation of dedication and hard work, not to forget inspiration. The road of creating “Spectre…” is very long one. In the beginning, it was uncertain what path to walk. After the “Five Candles burning red” MCD we weren’t sure what the next step would be. For sure we wanted to compose a new album. I always feel disappointed we weren’t able to create more full length albums for Pentacle, but I know the reasons why it didn’t happen and there’s little use to ponder too much about it. We decided to start writing new material and see how this would develop. A new Pentacle release could have been everything something in between an official rehearsal tape and a new full length album. After a long time rehearsing (I think it was a couple of years) we had written three new songs and at that point I decided to alter course. I was tired of little direction we followed and decided the next release would become a full length album and nothing else. This is what I wanted achieve and it turned into our focus point. I booked the studio with the knowledge I had to write five additional songs and all the lyrics. Not only that, we had to rehearse them as well to be able to record the material. This was a very big challenge for me personally as I am no fast songwriter. It can take ages to come up with decent stuff and now I had a deadline to catch. And a heavy one is was! So, I put on a very tight working schedule for myself. I wanted to create a new song every month: two weeks to come up with the riffs and arrangements and two weeks to rehearse it as a band. Then forward to the next one. And next one. And next one etc.