INTERVIEW MANDATORY

"When I personally think back to the last really great death metal records from Germany, whose songs I can always remember, I can only think of Morgoth's "Odium" and the debut album by Crack Up, which was released twelve years ago."

Here is an interview with German old school death metal outfit Mandatory, which I conducted in 2007. Bandleader and guitarist Sascha Beselt talks about the German death metal scene in an interesting way- from a music-historical point of view alone this interview is interesting. The new wave of German death metal bands - names such as Chapel of Disease, Lifeless, Slaughterday, Arroganz, Sulphur Aeon, Wound or Revel in Flesh, many of which were or are still based at the busy label F.D.A. Records - only started a few years later. The album "Adrift Beyond" announced here was finally released in 2010 via the renowned Spanish label Xtreem Music, and in 2012 the band released their previously unreleased debut album "Ripped from the tomb" from 2003. Nothing has happened on Mandatory's Facebook profile since 2015, so the band is probably no longer active, even if there was never an official break-up. Looking back, you might think that Mandatory should perhaps have stayed active with their old-school sound for a few more years in order to gain more attention in the course of the aforementioned revival of more traditional sounds. But be that as it may, enjoy this little trip back in time to an era when most bands were still on Myspace instead of Facebook.

INTERVIEW ATOMWINTER

"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."

When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year.  At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.

REVIEW SUFFERSYSTEM "DISINTEGRATION OF THE INDIVIDUAL"

Suffersystem from the beautiful half-timbered town of Hattingen in the Ruhr area will release their sixth album "Disintegration of the Individual" in mid-March, like its predecessor from 2021, once again via Black Blood Records. The two band members Dirk and Daniel, who are active in other bands such as Defected Decay (read a detailed interview in English here, in German here), False Mutation (who are also releasing a new album in March this year) and - relatively recently - Seeds of Torment, have added a new, fantastic chapter to the history of Suffersystem. The music on the ten tracks, which have a total playing time of 45 minutes, always moves between death and thrash metal, with a clear edge towards death metal.

REVIEW DROWNED "PROCUL HIS"

Berlin-based Drowned, who have been up to mischief in the underground since 1992 but didn´t release their debut album "Idola Specus" until 2014 after a few great demos and a 7" single, have now released their second album "Procul His".  Like its predecessor, this happens via Sepulchral Voice Records. This label, known for sinister, extreme, authentic and primal underground metal, seems to fit perfect for the band. Drowned don't do anything special per se, but this they do in a perfect manner: they play ancient death metal that sometimes playfully changes tempo or repeats melodies longer than the average metal song.

INTERVIEW FROSTSHOCK

"It was the best first year a band could wish for."

The newcomers from Frostshock are currently stirring up the underground with their self-titled debut album (read the review HERE). A good reason to find out more about the band's background and their excellent, explosive death/thrash mixture. The bandmembers, who likeable don't take themselves so deadly serious, are delighted and grateful for the recognition they are currently receiving. But read for yourself.
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INTERVIEW DEPRESSION

"I'm sure that if we should ever call it quits, the friendship will remain."

Some time ago, I rediscovered the Depression albums in my personal collection and listened to them again very intensively up and down. If that's not a good reason to take a closer look at this German veterans of the scene, which have been playing great, goovy death/grind since 1989. This year also saw a split release with Swedish death metallers Repuked on vinyl and CD.  I spoke with band founder, drummer and guitarist Kai and vocalist Ron. 

REVIEW FROSTSHOCK "FROSTSHOCK"

Rare are the moments when you are so unexpectedly overwhelmed by a piece of art, especially if you have never heard the artist's name before. In this case, the artist is a relatively new band from Germany, more precisely from Haltern am See in North Rhine-Westphalia, and goes by the name of Frostshock.   

Frostshock have been around since 2020 and have released an insanely strong album with their self-titled debut. They were able to prove their live qualities together with bands like Sodom at this year's Turock-Fest in Bochum. Fortunately, a friend of mine was among the visitors, so I heard about Frostshock by word of mouth, because the four musicians don't have a label behind them that could do any major advertising, the album is completely self-released. Given the outstanding quality of the music, pretty much any label from the heavier genre should have been able to get involved, but perhaps it was a conscious decision to do everything themselves, more on that in the upcoming interview with the band. 

INTERVIEW ASCHENVATER

"This music simply needs a voice that sounds like death itself and can convey all the horror that is dealt within the lyrics."

More or less by chance I came across Aschenvater from Saxony, Germany, who create great, primal death metal that should make fans of bands like Asphyx and Hail of Bullets extremely happy! I talked to singer Oliver and guitarist Marko about the not too long band history, the great EP "Landungsfeldmassaker", German lyrics, Martin van Drunen, Bolt Thrower and the influence of the Warhammer universe.  

REVIEW FALSE MUTATION "UPON THE THRONE OF BAPHOMET"

When I recently stayed in Hattingen for the interview with Defected Decay, Dirk, one part of this duo, pressed a CD of his other musical playground called False Mutation into my hand. This is the 2019 album called "Upon the throne of baphomet". And what can I say? Fans of dark, vicious sounding and brutal death metal who especially love the US style of bands like Deicide, Defaced Creation, Aeon, Immolation or even the German Purgatory, will be thrilled. Dirk seems to run the whole thing more as a lover's affair for friends and acquaintances, but the songs are far too good to be reserved for a select few. 

REVIEW DEFECTED DECAY "TROOPS OF ABOMINATION"

Defected Decay from Hattingen in the southern Ruhr area were founded in the summer of 2019. After their debut album "Kingdom of Sin", "Troops of Abomination" is the second work of this duo, which is also active with Suffersystem. Before that, they were musically active with Resurrected, a permanent institution in the underground, and Dark Before Dawn. 

INTERVIEW REXUL

Rexul hailing from Gummersbach in the Bergisches Land region, Germany, recently released a strong debut album (read the review HERE )that should convince every fan of sophisticated death metal with its great mixture of brutality and atmosphere.

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Hello, please introduce Rexul in short form. Who are you, when did the band start, how long did it take you to write and record the album? How were the reactions of the press and your environment so far?

We, Benny and Simon, formed Rexul from the ashes of Diabolical Imperium and Eklipsis in September 2018. In the same month we immediately started writing the first riffs and lyrics; it took us 31 months to write the whole record. So far, the reactions from the press have been good to very good. For some listeners the songs are too long or some riffs or melodies are repeated. For us, the songs were perfect at the moment we recorded them, but we don't know any musician who wouldn't change something in the recording or songwriting afterwards.