INTERVIEW REXUL

Rexul hailing from Gummersbach in the Bergisches Land region, Germany, recently released a strong debut album (read the review HERE )that should convince every fan of sophisticated death metal with its great mixture of brutality and atmosphere.

--------------------------------

Hello, please introduce Rexul in short form. Who are you, when did the band start, how long did it take you to write and record the album? How were the reactions of the press and your environment so far?

We, Benny and Simon, formed Rexul from the ashes of Diabolical Imperium and Eklipsis in September 2018. In the same month we immediately started writing the first riffs and lyrics; it took us 31 months to write the whole record. So far, the reactions from the press have been good to very good. For some listeners the songs are too long or some riffs or melodies are repeated. For us, the songs were perfect at the moment we recorded them, but we don't know any musician who wouldn't change something in the recording or songwriting afterwards.

INTERVIEW CHRISTIAN KRIEGER (CHAPEL OF DISEASE)

This time I spoke with Christian from Chapel of Disease about the metal scene in Cologne and surroundings, past and present. Being the same age, I remember some things in almost the same way as Christian. By the way, because of his answers I think I found the perfect name for an old school death metal band: Massive Rat Infestation, haha. 

Hey, please tell us who you are: age, your musical socialization, your local origin, and your previous bands and all other relevant stuff you want to share.

Hey Gerald, yes, like you said, I've been playing bass for Chapel Of Disease for over ten years now and so far there's no end in sight. Before that I was active for many years with Grabnebelfürsten, who were able to make a name for themselves nationwide, which the band name was probably not completely innocent of, haha (Indeed, I remember people who weren't into metal in general talking about the band  just because of that spectacular band name). My first "real" band after various school projects was a punk band in the nineties, with which I had enough for at least two or three gigs in local youth centres. In the meantime I am 42 years old and have been musically active for more than 25 years.

I grew up in a small village of 100 souls near Gummersbach, about 40 kilometres east of Cologne. My musical socialization was probably the classic school of metal, starting in 1990 with AC/DC and then quickly moving on via speed and thrash to death and black metal, although I would still call the latter two my musical home. Even though I now have an extremely wide range of musical tastes, even outside of metal, it always feels a bit like coming home with every new good DM/BM record. With mum it still tastes best, haha! 

INTERVIEW NOCTURNUS AD

"It either resonates with you or it doesn't !"

While listening to the new excellent Nocturnus AD-album "Paradox" I came to the conclusion that I should do an interview with the band. Nocturnus is a well-known and respected name in the history of extreme metal, also due to the fact that the band had some kind of pioneer role in integrating synthesizers in death metal. So I spoke with mastermind Mike Browning about the new album, his other (previous) bands and projects such as After Death, Acheron, Voodoo Gods and Morbid Angel, occultism and the death of ex-Morbid Angel guitarist Richard Brunelle (R.I.P.), who sadly passed away in the course of this interview.

The new Nocturnus AD-album "Paradox" was released some months ago, how are your thoughts and feelings concerning it afterwards ? Where would you place it in relation to the previous Nocturnus-albums "The key" and "Thresholds"?

The reviews and sales have been way past my expectations! I knew that we would have people that liked it and I was hoping that a few people would say that it is a worthy successor to "The Key", but I never expected for everything the record company made has sold out and in a second pressing already and the reviews are not just good, you can tell by reading the reviews that people are going in great details about the songs, lyrics and how it makes them feel when they listen to it and that it is the perfect followup to "The Key". It's really blowing my mind, but it is hard to judge your own songs because you never know how people will receive it, especially on the internet. 

To me it is the direct continuation of "The Key" lyrically and maybe even musically. "Thresholds" has always been a weird bittersweet album to me because I knew it was the beginning of the end of what I wanted Nocturnus to be when I started the band. I wanted "Thresholds" to be the followup to "The Key"- story and there is not one thing on "Thresholds" that continues from "The Key". It was a good album by itself on its own, but it was nowhere near what I wanted it to convey, so that is why "Paradox" is a real paradox!