Good things take time
In October 2020 I discovered more or less by coincident the Bandcamp profile of a band called Verhängnis (the german term for doom or fate), who offered two releases there, a demo and an album. Fascinating, gruff, dragging doomdeath with echoing vocals and expressionistic German lyrics had immediately caught my attention. Associatively, the legendary Australians of Disembowelment came directly to my mind. I wrote to the band to ask if they were interested in an interview and heard nothing for a long time. Then, at the beginning of 2022, I suddenly received a mail out of nowhere that my message must have been hidden deep in the spam folder. Well, almost one and a half years later this interview can take place after all, meanwhile the band also has a second album called "Irrlicht" in their repertoire, which was released in October 2021.
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Hello, please tell us something more about Verhängnis. When exactly and from what occasion followed the formation of Verhängnis?
Hi. First of all, thank you for the invitation to the interview. I'll have to elaborate a bit more. I've been playing in various bands for quite some time and have also been involved in recording technology and music production for a few years now. Together with one of my closest friends, I spontaneously went into the rehearsal room around 2015 and we recorded the demo for our then two-man project Kriegszittern without much prior knowledge, with simple means and a lot of experimentation. Over time, more and more equipment and experience came along and I started working with synthesizers, drum machines and MIDI. Sometime in 2018 I started to combine the two areas and recorded the songs that would later be called "Finsternis" and "Abgrund". I didn't have a fixed idea in which direction it should go and just tried it out. After I tinkered with the two songs every now and then over the next two years, but actually had enough other stuff to do, the pandemic came in 2020 and everything was put on hold for the time being.