INTERVIEW SKOGENS RYMD ART (ALESSIA BRUSCO)

In the vastness of the internet I found the great, atmospheric pictures of Alissa Brusco, who distributes her art under the label "Skogens Rymd Art". But read for yourself what she has to say.

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Hello, please tell the readers of the Systematic Desensitization Zine more about yourself. Who are you, what do you do besides painting, where do you live and so on?

REVIEW PROTECTOR "EXCESSIVE OUTBURST OF DEPRAVITY"

With "Excessive Outburst Of Depravity" Protector, the German-Swedish band around Martin Missy, the only remaining member of the original line-up, releases the fourth album after the reunion in 2011, this time again via High Roller Records. Since the revival of the band, Protector are now fortunately known to a larger number and especially to a new generation of metal fans, yet Protector unfortunately belong to the club of the most underrated metal bands of all time. In a fair world Protector would have the status of a band like Sodom, but well, that's another story...  

INTERVIEW JOAKIM STERNER (NECROPHOBIC / UNHALLOW)

"In the summer of 1982, when I was at a summer camp, a guy there showed me Iron Maiden and I was hooked right away."

There was no specific reason for this interview, I had been carrying around the idea of doing a Necrophobic interview for a while. Since they say that the first experiences are among the most formative, it's also logical that "The nocturnal silence", Necrophobic's debut from 1993, made a lasting impression on me. Although it was by no means my first death metal album, it was one of the first that I got back then, along with bands like Unleashed, Obituary, Morbid Angel, Grave, Benediction, Bolt Thrower, Asphyx and Cannibal Corpse. Of course, it's difficult to filter out aspects like nostalgia, but when I listen to the album today with its outstanding songs, then one must definitely attest to the album being one of the strongest and most important albums in Swedish metal history, especially because it was already the anticipation of the fusion of death and black metal. And of course all albums of this band are exceptional, especially the last two captivate in a different, more refined way. Nevertheless, for this interview, I have concentrated on this debut album in particular. Drummer and founding member Joakim Sterner, who has another band called Unhallow at the start (more details in the interview), answered my questions.

REVIEW MEFISTO "PHOSPHORUS"

The legendary Mefisto, founded in Stockholm in 1984, are at the start with a new work. The new album is called "Phosphorus" and contains ten tracks with a running time of 50 minutes. It will be released on 13 July via GMR Music Group.

After disappearing into oblivion for almost three decades after their foundation, Mefisto have released three albums since then. Especially the last album of 2019, "Octagram" (Bathory had an "Octagon" album, Mefisto and Bathory are, so to speak, the primeval soup of Swedish extreme metal) was appealing, as it was a very dark and heavy work.

INTERVIEW ANDREAS PETTERSON (DE ARMA / NORDVIS / ARMAGEDDA)

"There are powers beyond this mortal life which are stronger than one’s own will – therefore, certain events will come to pass whether you want them to or not."

With their latest EP "Nightcall", Swedish gothic rock band De Arma has got rid of the last remnants that point to the metal background of their two protagonists. I spoke to Andreas Petterson, probably best known for black metal band Armagedda and his work as label owner of Nordvis Produktion, about De Arma's new release, Armaggeda and closeness to nature.

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Hello Andreas, how are you doing at the moment? De Arma's new EP "Nightcall" will be released soon. Tell me something about it, what I immediately notice is the emphasis on gothic rock, the metal parts have disappeared completely. Was that a natural process or were the metal parts supposed to disappear deliberately?

Hi – all good here, thanks. I'd say that "Nightcall" is the result of a natural process, during which we manifested music of a kind we've wanted to play for many years now. After our 2013 debut album "Lost, Alien & Forlorn" we started toying with the idea of writing songs which were more synth-driven, thereby making metal a smaller part of the totality. I think I can say with some confidence that the "Nightcall" EP reflects this approach. Since both of our albums were written in close succession, it feels great to now release music which is fully representative of De Arma of today.   

REVIEW ELÄNDE "DÖDENS RIKE"

ELÄNDE is a Swedish three-piece black metal band from Gothenburg which exists since 2010. Before the release of their current album named "Dödens rike" they released a demo and an EP.
Most prominent member of this band is for sure Trish, who plays drums in ELÄNDE, I think some people know her through a lot of bands and projects such as DödsÄngel, Djevelkult or Skitliv. Besides ELÄNDE, she actually plays for example in Urarv, an avantgarde black metal band in which Aldrahn, well known through Dodheimsgard /DHG, does vocals and guitars. But enough of that namedropping, I only mentioned this to point out that ELÄNDE consists of well-experienced scenesters and musicians.

INTERVIEW RUNEMAGICK

Fans had to wait eleven years for the new Album (release date July 20, 2018) of Swedens death /doom underground cult act RUNEMAGICK. But let me say first, the new album was worth the wait. Guitarrist and vocalist Nicklas Rudolfsson answered my questions.

First of all I have to say that the new album is really great, but I didn’t expect anything else.What can you tell us about the process of creating  this album and writing the songs ? When did you start with writing new songs and why did it take 11 years for the new album ? How would you describe the new album in your own words , maybe in relation to the prior Runemagick releases as well ?

Always nice to hear that there are people who like our music. Especially now that it was many years ago we released something new. Most of the material, both riff arrangements and lyrics, are written in 2017 and early 2018. Possibly there is some older riff here and there too.

If I describe the material from my point of view, I can probably say that it is quite straightforward arrangements and songs. As for tempo, it is often heavy mid-tempo riffing and drumming the “Runemagick style” mixed with some heavier doom parts and some more up-tempo stuff.

I do not know for sure, but I imagine that if you like any of our previous albums, you should recognize the new material as well. It may not be so obscure material as on "Envenom" rather more about "Enter The Realm Of Death" and "Darkness Death Doom" I suppose.

11 years… time flies. Yes we decided to start up again in 2017. Before that we can say we had a long break. However, no quiet break, it has been full of other bands, projects and other activities in life. Then it has probably also been that inspiration from our side during that period has been partly gone so to speak. Then you can say that there was some lack of inspiration too.