REVIEW HELVETES JÄVLA SKIT "SATANS JÄVLA HELVETE"

Helvetes Jävla Skit (what means soemthing like "hell's fucking Shit") is a relatively new grindcore band from Lund, Sweden, and these day they release their debut album via also new new label Grind to Death Records.  

INTERVIEW ANCIENT GATE

Here's an interview with Ancient Gate from Argentina, a very interesting band that is deeply rooted in 90ies black metal. Their music contains the perfect mix between rawness, melody, and some subtle symphonic elements. Besides the fact that band leader Ildrac strongly recommends not to visit his country, he has a lot interesting things to tell...

How are you ? What about the situation concerning Covid-19 in Argentina actually ?

Greetings! Here’s Ildrac, from Ancient Gate, listening to some Diamanda Galás while answering your questions. First of all, thanks to your zine for this oportunity and to everyone reading this interview. Regarding this Covid matter, here in Argentina we are still under quarantine. It has extended from March up until now (November). The situation sucks of course. I have even been diagnosed with covid in September (I’m ok now) so you can say that I am more than fed up with this whole situation. I don’t really know how other countries in the world are dealing with this virus, but here it is tearing the economy apart. A lot of people lost their jobs because of the restrictions imposed by the government. And (from a musician’s point of view) it has affected a lot of bands, not being able to rehearse and release stuff. So a cure can’t come soon enough.

INTERVIEW CHRISTIAN KRIEGER (CHAPEL OF DISEASE)

This time I spoke with Christian from Chapel of Disease about the metal scene in Cologne and surroundings, past and present. Being the same age, I remember some things in almost the same way as Christian. By the way, because of his answers I think I found the perfect name for an old school death metal band: Massive Rat Infestation, haha. 

Hey, please tell us who you are: age, your musical socialization, your local origin, and your previous bands and all other relevant stuff you want to share.

Hey Gerald, yes, like you said, I've been playing bass for Chapel Of Disease for over ten years now and so far there's no end in sight. Before that I was active for many years with Grabnebelfürsten, who were able to make a name for themselves nationwide, which the band name was probably not completely innocent of, haha (Indeed, I remember people who weren't into metal in general talking about the band  just because of that spectacular band name). My first "real" band after various school projects was a punk band in the nineties, with which I had enough for at least two or three gigs in local youth centres. In the meantime I am 42 years old and have been musically active for more than 25 years.

I grew up in a small village of 100 souls near Gummersbach, about 40 kilometres east of Cologne. My musical socialization was probably the classic school of metal, starting in 1990 with AC/DC and then quickly moving on via speed and thrash to death and black metal, although I would still call the latter two my musical home. Even though I now have an extremely wide range of musical tastes, even outside of metal, it always feels a bit like coming home with every new good DM/BM record. With mum it still tastes best, haha! 

REVIEW BOVARY "MES RACINES DANS LE DESERT"

Maybe France is not the first country which comes to mind while speaking about Black Metal, nevertheless well known and / or outstanding bands such as Mütiilation, Antaeus, Osculum Infame or Gorgon, Vlad Tepes (and other "Les Légions Noires"-bands) are or were based there. By the way, there is an very interesting documentation called "Bleu Blanc Satan" about French black metal  including deeper insights in the minds of some of the protagonists.

Bovary from France are often labelled as Depressive Black Metal or "DSBM" ("Depressive suicidal black metal"). Let me go back a bit further, to be honest I never was very attracted by the subgenre called Depressive Black metal or bands labelling themselves using the acronym "DSBM". Yes, I like some records by Shining and sometimes I listen to Wigrid (which surprisingly came back from the dead and released a third full length last year), but in general I was relatively bored by the always same mixture of slowly or mid-tempo orientated  black metal combined with pictures and covers of knives cutting into own flesh or people who hung themselves etc. Often "DSBM" was used to cover up the lack of musical abilities and ideas of the bands concerned. 

INTERVIEW PURGATORY

Purgatory from Saxony, Germany deliver high class death metal since the distant year 1993. Their latest output "Omega Void Tribvnal" is a mighty record who combines brutal death metal with atmosphere, call it a masterpiece. Reason enough to talk with guitarist René.

Hey, first of all, how are you doing in general and in particaluar during Covid-19 times ? I have seen that the next live appearances and festival gigs you wanted to do were cancelled or postponed due to Corona, unfortunately meanwhile normal condition concerning live appearances. When do you hope to play live again ? How did it happen to realize (the now postponed) gig in Turkey ? 

Hey, thanks for asking! Overall, I'm fine. Of course, the whole current Covid-19 situation is extremely annoying, but this just can't be changed. Still, I miss all the shows and festivals a lot. I have no idea when it will return to normal for this. The planned show in Istanbul was organized by Mezar Organization & Bookings and will hopefully take place in 2021.

Purgatory now exist since 27 years. First of all it is noticeable, that Purgatory had not very much line-up changes aside the bass position. What do you think are the reasons for this ? A clear distribution of roles or / and a good comradeship within the band ? Did you remeber some low points, where maybe motivation was gone for continuing with the band ?

Yes, this band has been around for a damn long time and there have been ups and downs that have made it difficult to motivate yourself over and over again. I can't really tell you why we have kept up with the times with relatively few line-up changes, but good comradeship and especially the fire for the music certainly plays a big role! Somehow we obviously managed to do it again and again, because we're still there! And as long as the fire and the will to create extreme music burns within us, we will go on doing what we love. 

REVIEW CELESTIAL SANCTUARY "MASS EXTINCTION"

So, here we go with another release from Brutal Cave Productions, this time a 2-track demo by Celestial Sanctuary (named after a Bolt Thrower-song from "The IVth Crusade) from Cambridge, England.

REVIEW ATAUDES "MERECEMOS LA EXTINCTION"

First of all, let me say that I'm very glad that I was asked by Brutal Cave Productions, a real cool  underground label / distro from Portugal, for doing a review for this album. I've never heard before from Ataudes, a death metal band from Buenos Aires, Argentina before, but if this never had happened I would have missed this hell of a record.

INTERVIEW ENTHRONED

Enthroned are one of the big continuities in the world wide black metal scene. Since 1993 this belgian horde delivers great pieces of more or less agressive and traditional black metal. Their newest output "Cold black suns", also the debut for their new label Season of Mist, shows dome deviations from this path, which means that Enthroned added some new elements to their sound and yet, or perhaps exactly for this reason, it's still 100% black metal. Reason enough to talk with Nornagest, longest running band member, part of Enthroned almost since the beginning.

Hey, first of all, how are you ? Did you remained spared from COVID-19 ? How ist the situation in Belgium concerning this virus and how does it affect the band’s situation in general and concerning cancelled and/ or postponed gigs ?

The Plague did not only sneaked into the health of thousands but also and mostly within the music scene and public events, so everyone within the scene is basically affected in one way or another. We did loose a huge amount of opportunities, shows and even rehearsing as a whole is basically impossible as Menthor lives on the other side of the North Sea, as you know, some trips are simply not allowed. We are mostly doing what is possible regarding the situation… On my side, I took this as an opportunity to write the whole of the lyrics of the next Enthroned release and we are working each one on our sides on the musical support. Now, on a personal note, everyone in the band is healthy and none of us has been affected by the virus in that manner. In Belgium, some areas are considered “code red” like the town and province of Antwerp, but the rest of the country is safe in a manner of speaking. We hope the situation will slowly come back to normal as soon as possible, I cannot wait to go back on the road to be honest. 

REVIEW DEATHMACE "COFFIN' MAGGOTS"

Almost exactly two years ago I reviewed Deathmace's debut album named "Bleeding Frenzy" (look here for the review) which convinced me very much with its powerful mixture between death and thrash metal.

REVIEW HYEMS "ANATOMIE DES SCHEITERNS"

German black metal outfit Hyems released their new album called "Anatomie des Scheiterns" (which means "anatomy of failure") on May 1st via MDD Records. I really was looking forward to the new record, because the predecessor "Devianz-dem Menschen ein Wolf" (which means "deviance-man is a wolf to man" aka homo homini lupus-you see, these German guys prefer using their native language for their lyrics, but more on that later), released in 2015, is a really great record which received too little attention. The band exists since 2000 and released after some demos three full-lengths and two EPs in all, including the new record.  

INTERVIEW CENTRATE

Some weeks ago I found more or less by chance this band called Centrate in the depths of the world wide web. Their logo reminded me of Slayer, so the musical direction wasn't difficult to guess. 

Hey, first of all please introduce the band to the readers of Systematic Desensitization Zine. Who are you, when did you found the band and so on…

Hey, we are an underground Thrash Metal band from Dillenburg (Hessen), Germany and we founded the band in 2010.

We are: Niki – Vocals, Marcel – Bass, Tobi – Guitar, Jonas - Guitar and me, Manu –Drums. Jonas left the band a few weeks ago, but he will join us for the next few live shows.  

INTERVIEW YOTH IRIA

The release of YOTH IRIA's first release (review here) was the perfect reason to talk to one of the legends of the world wide metal scene, namely Jim Mutilator, mostly known for his work with the mighty Rotting Christ and Varathron. By the way, allow me to note that I remember reading my first Rotting Christ-interview in Italian extreme metal Magazine Grind Zone (which published a German edition for a short period) back in 1995. So, 25 years later I myself conduct an interview with Jim, so circles are closing once more.   

First of all I hope you are doing well in this unordinary times. How‘s the situation in Greece concerning the corona-virus ? How does it affect peoples daily life ? What about today's economical situation after the beginning of the financial crisis in 2010 ? Is there a lot of fear, that Corona will throw the Greek economy back to earlier state again ?

At the moment I'm back at my village sided in the Pindos mountains and I keep myself as isolated as I really can. At least the situation in Greece is quite under control compared to other European countries. Very few people have died and all of them were aged over 70, but of course all the people have the right to live the longest. Of course the daily life has been totally different as there are limits on all activities and you can go out only for specific reasons like buying foods, medicines, gas....
The economical situation is still bad and I think after this unexpected pandemic the economy will go even worse. 

REVIEW SULFERON "NO BASTARD SAVIOUR"

Greece, Part III after Yoth Iria and HOR. 
The band SULFERON was yet unknown to me, fortunately I was contacted by Typhonas to change this state of affairs. In this one-man army Typhonas plays all instruments and does the vocals as well. Sulferon spreads their unholy sounds since 2002 and had various members who accompanied the band on its path. "No bastard saviour" is SULFERONS sixth full-length album and it's a total killer release. Although I am very underground-orientated sometimes I can't believe how much cool stuff exists in the depths of some rotten cellars, haha. 

REVIEW HOR "EXITIUM"

After the great return of some legendary Greek black metal musicians with YOTH IRIA, this review is about another Greek black metal band called HOR. To be honest, I haven't heard the name of this band before Vangelis, the label manager from Sanit Mils Records contacted me and introduced this band to me. If this hadn't happened, this really astonishing band would have passed me and maybe I would never have taken notice of their masterpiece called "Exitium". HOR was founded in 2017 by two musicians which use the pseudonyms Ophion and Throne and "Exitium" is their first official release. 

REVIEW YOTH IRIA "UNDER HIS SWAY"

I don't remember exactly where I read it first, but when I took notice from a new black metal "supergroup" consisting of members from legendary bands such as Rotting Christ,Varathron, Necromantia, Thou Art Lord, Diabolos Rising and Ravencult for example, I was very excited how the final tracks would sound. Could the band fulfill the high expectations me and a lot of people have because of the prominent bandmembers and their glorious past ? To become concrete YOTH IRIA is Jim Mutilator (ex-Rotting Christ, ex- Varathron etc.), the Magus (Necromantia, Thou Art Lord, ex-Rotting Christ, ex-Diabolos Rising etc.), George Emmanuel (Lucifer's Child, ex-Rotting Christ) and J.V. Maelstrom (Ravencult etc).  

INTERVIEW PENTACLE

"All the lyrics of the album point to one direction: death !"

Pentacle released the new album "Spectre of the Eight Ropes" on Iron Pegasus Records some months ago. It's certainly no exaggeration to say that a lot of people in the underground scene, wherever they may live, could hardly wait until its release. A really good cause to do an interview with Wannes Gubbels, vocalist, bass player and lyricist of this battleship of dutch death metal. If you didn't know yet, you will realize in the course of this interview that Wannes is an real old-school maniac and has a lot of interesting things to say.

Hey Wannes, first of all congratulations for the great new album! Can you tell us something about the creative process concerning the creation of the new album? How were the reactions concerning „Spectre of the Eight Ropes“ in general ?

Thank you very much! Glad to hear you enjoy the album. I haven’t read that many reviews (yet), but those which caught my eye, are very much favourable for the band. It’s great to see people like the album. For sure, we create the music for ourselves first, but there’s no need to deny it’s satisfying when “Spectre…” receives positive reactions. We worked very hard to make this album happen. For a long time it wasn’t even sure if we would record a full length ever, but we made it happen and that’s something I feel very proud of. It’s truly a creation of dedication and hard work, not to forget inspiration. The road of creating “Spectre…” is very long one. In the beginning, it was uncertain what path to walk. After the “Five Candles burning red” MCD we weren’t sure what the next step would be. For sure we wanted to compose a new album. I always feel disappointed we weren’t able to create more full length albums for Pentacle, but I know the reasons why it didn’t happen and there’s little use to ponder too much about it. We decided to start writing new material and see how this would develop. A new Pentacle release could have been everything something in between an official rehearsal tape and a new full length album. After a long time rehearsing (I think it was a couple of years) we had written three new songs and at that point I decided to alter course. I was tired of little direction we followed and decided the next release would become a full length album and nothing else. This is what I wanted achieve and it turned into our focus point. I booked the studio with the knowledge I had to write five additional songs and all the lyrics. Not only that, we had to rehearse them as well to be able to record the material. This was a very big challenge for me personally as I am no fast songwriter. It can take ages to come up with decent stuff and now I had a deadline to catch. And a heavy one is was! So, I put on a very tight working schedule for myself. I wanted to create a new song every month: two weeks to come up with the riffs and arrangements and two weeks to rehearse it as a band. Then forward to the next one. And next one. And next one etc.  

INTERVIEW NOCTURNUS AD

"It either resonates with you or it doesn't !"

While listening to the new excellent Nocturnus AD-album "Paradox" I came to the conclusion that I should do an interview with the band. Nocturnus is a well-known and respected name in the history of extreme metal, also due to the fact that the band had some kind of pioneer role in integrating synthesizers in death metal. So I spoke with mastermind Mike Browning about the new album, his other (previous) bands and projects such as After Death, Acheron, Voodoo Gods and Morbid Angel, occultism and the death of ex-Morbid Angel guitarist Richard Brunelle (R.I.P.), who sadly passed away in the course of this interview.

The new Nocturnus AD-album "Paradox" was released some months ago, how are your thoughts and feelings concerning it afterwards ? Where would you place it in relation to the previous Nocturnus-albums "The key" and "Thresholds"?

The reviews and sales have been way past my expectations! I knew that we would have people that liked it and I was hoping that a few people would say that it is a worthy successor to "The Key", but I never expected for everything the record company made has sold out and in a second pressing already and the reviews are not just good, you can tell by reading the reviews that people are going in great details about the songs, lyrics and how it makes them feel when they listen to it and that it is the perfect followup to "The Key". It's really blowing my mind, but it is hard to judge your own songs because you never know how people will receive it, especially on the internet. 

To me it is the direct continuation of "The Key" lyrically and maybe even musically. "Thresholds" has always been a weird bittersweet album to me because I knew it was the beginning of the end of what I wanted Nocturnus to be when I started the band. I wanted "Thresholds" to be the followup to "The Key"- story and there is not one thing on "Thresholds" that continues from "The Key". It was a good album by itself on its own, but it was nowhere near what I wanted it to convey, so that is why "Paradox" is a real paradox!  

INTERVIEW MANGLED TORSOS

Some months ago I re-discovered both Mangled Torsos-albums in my collection and while listening to them I noticed again how good (and unfortunately underrated) this band from the southern part of Germany has been. So I found an "unofficial" Mangled Torsos-facebook page and got in contact via this page with ex-member Frank, who played bass for Mangled Torsos. So, to be honest, this page is maybe "semi-official", haha. And because I am this kind of nostalgic person, I like to do interviews with bands who ceased to exist long times ago very much, maybe because it reminds me to my own youth, and I think most people will agree, that youth is a very specific time in life that can't be repeated. Musicwise it has been the most intense and exciting times in my life,  discovering all this new and great stuff via tapetrading and so on. So enjoy this conversation about times where death metal began to start and thereafter to explode in Germany. A time where a label such as Nuclear Blast sent copied order lists in black and white via postal mail. Besides Frank, Patrick who played drums, answered my questions. Here we go...

Please tell the readers of Systematic Desensitization Zine who you are and some facts about Mangled Torsos: when did you start the band, what were the main reasons and inspiration for starting an own band and did you know each other or did you get in contact because of searching for musicians to start a band ?

Frank: Hi and first of all many thanks for your interest! I'm Frank and I didn't start the band but played bass in Mangled Torsos.

We all knew us before the band was founded, Patrick visited the same school like me, and as we were obviously metal fans, we got into contact pretty soon. We started hanging around after school and Oli was a good friend of Patrick so I also get to know him. We listened to everything we could get and were evolving our taste more and more from thrash metal (Slayer/Kreator/Sodom/Destruction... ) to death metal- and grindcore- bands like Entombed, Autopsy, Death, Carcass, Napalm Death, Obituary, Morbid Angel, Bolt Thrower... 

INTERVIEW CARNAL GHOUL

Dieses Interview von mir mit CARNAL GHOUL wurde vor ca. sechs Jahren im Legacy Magazin veröffentlicht. Die Band scheint es leider nicht mehr zu geben, auch wenn es wohl nie eine offizielle Auflösungserklärung gab. Personell hat sich auch einiges geändert, Drummer Tormentor spielt nun nicht mehr bei Desaster, dafür aber mittlerweile bei der deutschen Thrash-Institution Sodom. Das im Interview angekündigte Debüt-Album hat nie das Licht der Welt erblickt, so bleibt die starke EP "The Grotesque Vault" wohl die einzige Veröffentlichung der Band. Seit 2015 gibt es jedoch die ziemlich guten Demonbreed (Debüt-Album namens " Where gods come to die"), in deren Reihen drei ehemalige Carnal Ghoul-Mitglieder tätig sind.

 Alles kann, nichts muss.

„Die Idee, CARNAL GHOUL zu gründen, besteht schon seit einigen Jahren. Als ich noch bei Lay Down Rotten spielte, haben wir zusammen mit Desaster ein Festival absolviert, ich glaube, es war das Party San, und ich habe mich mit Tormentor darüber unterhalten, mal ein gemeinsames Projekt zu starten. Da Tormentor gerne mal was aus der Death Metal-Ecke probieren wollte, und dies sowieso meine absolute Leidenschaft ist, nahmen wir CARNAL GHOUL in Angriff. Jedoch schlief das Ganze dann irgendwie ein, bis wir Anfang dieses Jahres endlich mal Zeit fanden das Ganze in die Tat umzusetzen und Songs zu schreiben. Mit Fernando, Ritsch und Johannes, der übrigens auch Gründungsmitglied von Lay Down Rotten ist, hatte ich schnell fähige Leute an der Hand, die Lust hatten, sich an der Band zu beteiligen. Ritsch ist übrigens mein Guitartech bei Milking The Goatmachine und Fernando spielt dort Schlagzeug und singt“, so Daniel Jakobi zur Entstehungsgeschichte der Band.   

INTERVIEW AYNSOPHAR

In the vastness of the world wide web I found more or less randomly AYNSOPHAR, an one-woman-band, that plays excellent progressive death metal. Read, what Barbara has to tell about music, life and spiritual development.

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Hey, please tell us something about the person behind Aynsophar. Who are you, where do you live, what are your musical influences and when did you start Aynsophar ? And what is the meaning of the word „Aynsophar“ ? I think Death are a huge influence, am I right (you mentioned something about your record as the sound of your own perseverance…)?

At first I'm sending my greetings to the readers and thank you for this interview opportunity! Presently I'm living in England, I moved here a year ago. Great place and home of pioneer bands.
I listen to a wide variety of music and I try to get inspiration from different places. I try not to limit my interest, this way I'm hoping to create something „ear-catching“. Lately I got inspired by Carlo Regadas (Monstrance, ex-Carcass / Blackstar) a lot ,he is a brilliant player and I'm always amazed by his skills (even if he doesn't know or doesn't believe haha), he is responsible for my musical growth (haha) but it's obvious that Death had / has a huge influence on me. Actually I think 90% of death metal bands are inspired by Death at some level, haha. I think it's amazing. It's amazing to reach such a high stage musicially where you inspire such a big number of people with your work. Brilliant.Lately I'm inspired by such fantastic players as Yngwie or Becker. Obviously I don't even dare to dream a bout being able to play like them but inspiration is not only about abilities.  

REZENSION "IN EWIGKEIT" VON IAN CUSHING

Vor längerer Zeit entdeckte ich mehr oder weniger zufällig die Facebook-Seite des Berliner Autors Ian Cushing, damals hatte er gerade sein Debütwerk "Fünf Minuten" veröffentlicht. Einige Monate später sandte mir der Autor sein mittlerweile neuestes Werk namens "In Ewigkeit" zu. Dieses enthält zusätzlich das Debüt, hier allerdings unter dem Namen "In Ewigkeit -Zweiter Teil". Ihr ahnt es also schon - die beiden Werke bauen aufeinander auf. Teil II ist der Nummerierung nach logischerwise im hinteren Teil des Buches platziert, so dass man im Sinne des Aufbaus von hinten nach vorne lesen sollte. Die schlichte, aber dennoch (oder gerade deswegen) äußerst gelungene Coverillustration stammt übrigens von Karmazid, dem oder der einen oder anderen eventuell bekannt von Arbeiten für  Bands wie Urfaust oder Demonical. Auch ansonsten tauchen im Verlauf der Handlung immer wieder Querverweise und Reminiszenzen an Bands aus dem extremeren Bereich auf, dazu aber später noch mehr.  

REVIEW BLOODY INVASION "ZOMBIE SOCIETY"

If you are searching for a yet undetected death metal band, then maybe you should check out Bloody Invasion from Brandenburg, Germany. The band exists since 2012 and these days they released their first full-length album called "Zombie Society". 

INTERVIEW RECKLESS MANSLAUGHTER

Hier nun ein weiteres, schon vor Jahren geführtes und in einer anderen Publikation veröffentlichtes Interview mit Leimy, dem Sänger von Reckless Manslaughter. Demnächst, am 01.12.2018 feiert die Band auch ihr zehnjähriges Jubiläum im AJZ Wermelskirchen, zusammen mit Obscenity, Suffocate Bastard und Scalpture. Vielleicht ja für den ein oder anderen ein Grund, mal wieder in das beschauliche Wermelskirchen zu fahren.

Hallo Leimy, erzähle doch erst mal das Übliche, um den Lesern die Band näher zu bringen, sprich wo kommt Ihr her, wann habt ihr Euch gegründet und habt Ihr vorher noch in anderen Bands gespielt ?

Mahlzeit! Wir haben uns Ende 2008 gegründet als Drummer Micha und ich nach einem Konzert mal darüber geredet haben, dass wir doch beide mal Bock hätten 'ne Death Metal-Band zu gründen. Und so fragten wir in unserem Freundeskreis nach, wer noch Bock hätte und so kam es dann, dass wir noch unsere guten Freunde Sebi und Chris hinzuholten und los ging's mit den ersten Proben im Keller von Michas Oma. Nachdem wir endlich einen richtigen Proberaum gefunden hatten, haben wir erst einmal langsam begonnen uns aufeinander einzuspielen und einen eigenen Stil zu finden. Das hat natürlich seine Zeit gedauert, vor allem weil wir alle Full-time-Jobs haben und die anderen auch alle familiär ziemlich eng eingespannt sind. Aber irgendwie hat dennoch alles geklappt und seit August 2010 bestreiten wir regelmäßig Konzerte und haben dann im Dezember 2010 unser Debüt-Album aufgenommen, was wir ja dann bekanntlich von Dan Swanö haben mixen und mastern lassen.

Wir kommen alle aus dem Ruhrgebiet wobei Chris, Sebi und ich in kleinen Käffern aus dem südöstlichen Ruhrgebiet kommen und Micha aus dem westlichen Pott. Demzufolge mussten wir schauen, dass wir einen Proberaum in der Mitte finden, was uns letztes Jahr dann auch endlich in Herne gelungen ist. Micha hat auch früher schon in einer Death/Grind-Combo namens Manstractor Erfahrungen als Drummer sammeln können, während Chris neben Reckless Manslaughter auch noch bei der der Melodic Metal-Band „The Mystery“ spielt. Sebi und meine Wenigkeit haben bislang immer nur ein paar Spaß-Projekte am Laufen gehabt aber nie richtig ernsthaft in 'ner Metal-Band gespielt und haben uns umso mehr gefreut mit Reckless Manslaughter endlich mal so richtig die Sau rauslassen zu können!  

INTERVIEW CHAPEL OF DISEASE

Hier nun noch ein altes Interview mit den Kölnern von Chapel of Disease, die demnächst ein vielversprechendes drittes Album über VAN-Records veröffentlichen werden. Das Interview wurde im Jahr 2012 nach der Veröffentlichung des Demo-Tapes, aber noch vor der Veröffentlichung des ersten Albums geführt. FDA Records hiessen damals noch FDA Rekotz, und die leider vor kurzem eingestellte Kölner "Rhein in Blood"-Konzertreihe war damals noch frisch am Start. Das Interview führte ich damals mit Laurent (Gitarre und Vocals).

Hi Laurent, stell doch mal die Band vor. Seit wann gibt es Euch, wer macht was ? Einer von Euch spielt doch auch bei Infernäl Death, oder ?

Hey Gerald! CHAPEL OF DISEASE gibt es nun bereits seit 2008. Ich kam damals im Februar nach Köln, während mein Bruder Cedric, unser Gitarrist, schon einige Jahre zuvor hierhin gezogen ist und bereits zusammen mit David, unseren Drummer, Musik mit Infernäl Death machte. Relativ schnell kam ich auf die Idee meinen Bruder zu fragen, ob er nicht Lust auf eine Old School- Death Metal Band hätte. Nachdem er sofort dabei war haben wir David auch an Land gezogen. Die Bandkonstellation war also zunächst: Ich an der Gitarre und den Vocals, Ced damals am Bass und David an den Drums. Ein paar Monate später haben wir jedoch eingesehen dass für das, was wir im Kopf hatten, zwei Gitarren angebracht wären und haben somit Christian als perfekten Basser für uns gefunden. Wenn man sich fragt wieso wir tatsächlich vier Jahre gebraucht haben um eine Demo aufzunehmen, hat dies zum einen damit zu tun, dass drei von uns- Ced, David und später auch Ich- in Infernäl Death tätig sind. Zum anderen müssen wir jedoch auch einfach zugeben, dass wir eine ziemlich lange Zeit unsere Ärsche nicht aufgerafft bekommen haben um uns wirklich mal intensiver mit der Band zu beschäftigen. Eigentlich wurde die Band wieder erst zu einer kontinuierlichen Sache im letzten Jahr. Aber besser spät als nie, oder ?
Die Aufgaben in der Band sind eigentlich ganz gut aufgeteilt, wir tragen alle irgendwie zu dem ganzen bei, einen Art „Leader“ haben wir eigentlich nicht. Das Songwriting teilen mein Bruder und ich uns, wobei ich dafür ein wenig mehr die Musik schreibe, dafür jedoch Ced die Texte im Griff hat. David kümmert sich zum einen um das ganze Organisatorische, was mehr als gut ist, denn da ist der Rest von uns zu vergesslich für. Zum anderen würde sich unsere Musik ohne ihn jedoch nicht halb so gut anhören, da die Chemie mit ihm als Drummer einfach perfekt ist. Hat einer von uns einen Riff, dauert es nicht länger als 3, 4 Takes bis David darauf den perfekten Beat findet. Christian kümmert sich viel um unsere Werbung, leitet unsere Webseiten und ist viel in Foren vertreten. Viel cooler an ihm ist jedoch, dass wir ihn nie irgendein Riff zeigen müssen. Meistens tauschen Ced und ich uns aus, Chris steht daneben und findet schon selbst die Noten raus. Das erleichtert natürlich den Songwritingprozess um einiges. Bis jetzt kann ich wirklich nur sagen, dass bei uns auch zwischenmenschlich wirklich alles ziemlich flüssig läuft.  

INTERVIEW NIGHTBEARER

NIGHTBEARER are a new star in the death metal firmament. Enjoy this conversation with vocalist Michael about death metal (of course), fantasy literature and misspelled band logos. 

Hey, what exactly were the reasons for the founding of NIGHTBEARER ? Please tell us who’s in the band responsible for what? And what about Schlachtung!, does the band still exist, will you maybe return with new recordings and some more live appearances in the future?

NIGHTBEARER started basically as a two-piece side project of Dome and myself besides our other bands --Despised, Schlachtung!, Bloodwork, speaking for myself, and Despised, Hate Force One & Legion, speaking for Dome – without any bigger ambitions to play live or record more than one EP or so. After knowing each other quite a time and after doing the songwriting for Despised together, we realized that both of us had some old school death metal riffs and ideas in the closet and that it would be a shame not to use/record them. So we decided that we would finish the songs together, Dome would record the instruments and do mixing and I would take care of the lyrics, the vocals, the concept, promo, social media etc. To go full speed on stage we recruited fellow musicians from Hate Force One (Manuel, Florian) and Despised (Christian).   

INTERVIEW APOKALYPTIC RAIDS

APOKALYPTIC RAIDS from Brazil is a band that gained cult status in some parts of the scene. Now they released their new album called „The Pentagram“. Reason enough to do an interview with vocalist and guitarrist Leon Manssur.

This year APOKALYPTIC RAIDS celebrate the 20th birthday of the band‘s existence. When you look back, what has been the best experiences that happened during this this time, an what has been the worst ? Do you prefer todays scene or the earlier days ? And please introduce the current band members and their side-projects.

Man, 20 years are really transforming. Best experiences were certainly travelling around the world and meeting and playing to new people. Worst experiences might be about a shit part of the „music business“. Hopefully I can stay away more and more from that shit.

I have no nostalgia of the old days. It was great then, it is great now. I make it. Great is where I am now, I will make it great whenever. Of course it is different with regards to technology. Things are much faster now. But the things that are human, like greed, passion, so on, these never change.

Current line-up is stable with me, Leon Manssur on the guitar and vocals, Vinicius Canabarro on the bass, since 2003, and Pedro Rocha in the drums from 2001-2007 and 2013-now. Vinicius is also singer in Atomic Roar, a band already on their third album now. Pedro is from Farscape and Whipstriker. He is a professional drummer/teacher and has a lot of bands and projects aside of metal.  

INTERVIEW JASON NETHERTON / "SEND BACK MY STAMPS"-FANZINE ARCHIVE / MISERY INDEX

Hey Jason, first of all, how are you doing ? Some months ago I found your fanzine archive (look here), which is really great ! So I think you are a very busy man, playing with Misery Index and running this fanzine archive, furthermore you published this book about death metal history called „Extremity retained-notes from the death metal underground“-so are you somekind of workaholic ?

Haha, no its just a labor of love; I’ve been dedicated to metal since I was a kid, and extreme metal since I was a teenager, so although it takes up most of my spare time, its never a burden. In fact all of my projects (band related and fanzine archive) are kind of like part-time projects now. Aside from real work, I do what I can when I can. Lately the fanzine archive has slowed down a bit, but I have not forgotten it. Once things settle down I will get back into it more actively. Right now I try to add one zine a month, and I already have a few hundred in there, so its growing slow and steady (but probably not as fast as some people would like, I know).  

REVIEW ELÄNDE "DÖDENS RIKE"

ELÄNDE is a Swedish three-piece black metal band from Gothenburg which exists since 2010. Before the release of their current album named "Dödens rike" they released a demo and an EP.
Most prominent member of this band is for sure Trish, who plays drums in ELÄNDE, I think some people know her through a lot of bands and projects such as DödsÄngel, Djevelkult or Skitliv. Besides ELÄNDE, she actually plays for example in Urarv, an avantgarde black metal band in which Aldrahn, well known through Dodheimsgard /DHG, does vocals and guitars. But enough of that namedropping, I only mentioned this to point out that ELÄNDE consists of well-experienced scenesters and musicians.

ROMANIAN SCENE REPORT

To be honest, I don't know much about the (extreme) metal scene of Romania. Like most people involved in extreme metal I have listened to Negura Bunget and Dordeduh and of course I know (very metal related) the story of Dracula (Vlad III Draculea), that lyrically inspired countless metal bands. But after that I have reached the end of my knowledge concerning Romanian metal. Mihai ”Coro” Caraveţeanu of Axa Valahă Productions wrote a really interesting scene report and I can't express how grateful I am for these deep insights !

ROMANIAN SCENE REPORT

A dark letter from the land of Dracula

Hi! First of all I’d like to say I’m honored that someone invited me over to write about the Romanian metal scene, I did that several times before in this life, but my last attempt happened more than a decade ago, when I thought there was still hope that something will change here for good. As most of you most probably know already, Romania is a country in the Eastern Europe, with a tragic past, including more than fifty years of different totalitarian regimes, the longest being the harshest communist regime behind the Iron Curtain, a dictatorship built on fear and a spiral of silence that affected and still affects the nation as a whole even three decades after it was supposedly finished. It happened in the final days of 1989 when the dictatorship was over, the dictator executed, with his execution broadcasted on the national television and with more than 1000 collateral victims of the single bloody revolution from all the social and political movements which happened in the East around the same time.  

REVIEW EKPYROSIS "DEATHTRIPS"

At the Magoth-gig last saturday I met the guy behind The Crawling Chaos Records who sold some stuff on his distro table. We talked about black metal in general and Ildjarn in particular and he advised me a band named EKPYROSIS, whose latest release is published by his label. To be honest, until then only knew the Italian death metal band of the same Name ( I found out that there are some other bands called EKPYROSIS). On their newest release named "Deathtrips", that is only available on tape (limited to 150 handnumbered copies and as digital download here), you can hear six tracks with a duration of 18 minutes. EKPYROSIS are labeled as avant-garde black metal, and I don't totally disagree, but hearing the term avant-garde within a black metal context I think to bands such as newer Dodheimsgard / DHG, Arcturus, Fleurety or Ved Buens Ende, and all these examples sound totally different, much more progressive, more complex and technical.