Sunday, August 26, 2018

INTERVIEW APOKALYPTIC RAIDS


APOKALYPTIC RAIDS from Brazil is a band that gained cult status in some parts of the scene. Now they released their new album called „The Pentagram“. Reason enough to do an interview with vocalist and guitarrist Leon Manssur.

This year APOKALYPTIC RAIDS celebrate the 20th birthday of the band‘s existence. When you look back, what has been the best experiences that happened during this this time, an what has been the worst ? Do you prefer todays scene or the earlier days ? And please introduce the current band members and their side-projects.


Man, 20 years are really transforming. Best experiences were certainly travelling around the world and meeting and playing to new people. Worst experiences might be about a shit part of the „music business“. Hopefully I can stay away more and more from that shit.

I have no nostalgia of the old days. It was great then, it is great now. I make it. Great is where I am now, I will make it great whenever. Of course it is different with regards to technology. Things are much faster now. But the things that are human, like greed, passion, so on, these never change.

Current line-up is stable with me, Leon Manssur on the guitar and vocals, Vinicius Canabarro on the bass, since 2003, and Pedro Rocha in the drums from 2001-2007 and 2013-now. Vinicius is also singer in Atomic Roar, a band already on their third album now. Pedro is from Farscape and Whipstriker. He is a professional drummer/teacher and has a lot of bands and projects aside of metal.  

What can you tell us about the upcoming new record called „The Pentagram“ musically  ? I have read that it includes new songs , but older ones that were written some years ago as well, is that correct ? With which topics deal the lyrics ? In general, do you think that the lyrics of metal bands are important or more a decorative accessory ?

All our albums contain songs from a vast time span. We mature some ideas really fast like in one night, others sit on the shelf for years until we give it some thought and polish. So the album is again a result of this process of choosing what fits best, what sounds best.

The lyrics are as usual, well, metal. Of course they get more personal as we grow older, to the point of being autobiographic. But I don‘ t want to sound like a grumpy old metalhead, I’m putting on the record things I believe they would matter to someone. I hate to do cliché for the sake of cliché. I use clichés a lot but I like it better when there is some food for thought even in simpler Songs.

Will you promote the new record with some live gigs, maybe in Europe as well? And what can you tell us about the past live gigs: With which kind of bands did you play live and / or Apokalyptic Raids have been on tour with? Some special memories? In which countries did you have the best experiences and the best audience?

We are doing some local shows for the rest of 2018. Europe maybe in 2019. We can’t stay away from Europe that much. We played with all kinds of bands in Brazil and in Europe. We toured Europe twice with Whipstriker and Farscape, we have a nice co-operation with them. Touring with friends is always great, everybody is looking after each other, so we really don’t have any problems. Every country is different but concerning some aspects it’s everywhere the same. Some audiences are more analytic, some others are crazy... Czech Republic, Colombia and Germany will never be forgotten. But we had really cool surprises even in cold Sweden or in Bolivia. London was terrific but France was so great also. Chile is, sorry Brazil, the best in South America. But then there is São Paulo, our second home, North/Northeast Brazil with the most passionate headbangers... I’m sorry if it sounds like Manowar lyrics but it is all true.

Of course the Hellhammer-influences are obvious, but listening to your albums I think that Apokalyptic Raids become more individual and indepently with the third album „The third storm“, while the first two albums sound more like a total Hellhammer-worship. Do you agree, and if you agree, has this been a conscious decisision or more a natural development ?

Yes. It has been both. We have noticed by then that things were starting to have a face of their own. We did not force it, nor we cut it out. We have just let things develop naturally. If we see some thing has worked right, then we would go again in that direction, like with epic songs every now and then... Or the punkish songs, or the heavy metal songs. I love bands like Hallows Eve which can go from heavy to death metal in one album and still sound original. We can always correct the direction from album to album. „The Pentagram“ has a more direct and simple approach, we choose a „back to basics“ thing. Both in form and in contents. But with all the mature stuff living together with the more spontaneous material.

Most people from Europe know bands such as Sepultura, Krisiun, Sarcofago, Vulcano, Mystifier, Ratos de Porao, Korzus, Headhunter D.C. ,Sextrash and Violator (and APOKALYPTIC RAIDS of course as well) when it comes to more extreme sounds from Brazil. Can you recommend some other, less know or total underground bands from Brazil or your local area ?

I’m suspect but I would recommend Vinicius‘ band Atomic Roar, they did a terrific 3rd album now. It was out nearly at the same time as Virgin’s Vomit, and Diabolic Force’s return. Also there is Cult of Horror, and the also well known Grave Desecrator... There are some acts in Portuguese language you should check, like Flagelador, Cemiterio, Velho. This year we saw two new releases that I loved, Tyranno’s debut and Into the Cave‘s 2nd Album.

You come from Rio de Janeiro, the second largest city of Brazil: Are there lots of good possibilities for metal bands concerning live gigs ? Is there a huge metal scene and did you notice some differences between your local metal scene and the european scene (or the scene of a special european country) concerning behaviour, preference in styles and musical taste etc. ?

Concerning Rio’s possibilities- no, there aren’t any! Rio is totally dead with regards to metal places. There are a lot of bands and there will always be. But the tourist areas are expensive and dangerous, and the slums are just dangerous. The minds are ok, there is a public, even if Rio favours some horrible trendiness, anyway there are bands, but we lack the very structure of places and services to do our stuff. If we rent a place and backline in Rio, we should expect to pay high prices and receive shit equipment. So we prefer to go to São Paulo (six hours on the road, which, for Americans is the definition of „close“) or Belo Horizonte. 


Which periods of Celtic Frost do you like and which ones don’t you like ? Do you like the releases by Tryptikon ?

A couple of tracks from „Into The Pandemonium“, and everything before that. After those: nothing. Can’t stand the industrial/gothic stuff, can’t stand the downtuning ruining the riffs. I’m not obliged to continue „liking“ everything they do for the sake of continuity. There are some of their releases that really stand against all that I believe and like. So nothing post-1987. Not a thing. 

What do you think (and feel) is the reason for the huge fascination of Hellhammer that metal heads from all around the globe still feel after all these years ? Which are your favourite Hellhammer-worshipping bands ? The great Warhammer from Germany maybe ? Do you know the Swiss band Matterhorn (if not you should listen to immediately  ) ?

I think there is a sum of factors... Mixing Motorhead with Venom and Sabbath one can never go wrong! I think Hellhammer could be classified as early death metal but there is speed, black, heavy, doom, and scandinavian hardcore... Even hints of (some weird kinda) epic NWOBHM. So the question is: how can anyone not like it at all? A guitar tone so deep, a bass so powerful and full of low frequency, drums that sound like wood, dirty cymbals, agonizing vocals... Well at least that is how it works for myself. I love most Hellhammer-worshipping bands. It is interesting to say that each one of them has an approach and a sound of their own within the limits of the style. I love to see different compositions in such a simple style. It is hard to sound relevant with 2 chords, you know? But they do. There are more raw earlier bands like Slaughter and Post Mortem and NME, to more technical bands not 100% worshipping but heavily influenced like Obituary or Pentacle or Usurper, to 2000’s Nordic Mist, Gallhammer, and more raw bands of today... I love them all, can’t choose one. Of course I love Warhammer, have all their albums, and one highlight of our career was to play with them in Brazil and in Germany. Thanks for Matterhorn, nice band, I’m hearing it now!

Can you tell us more about the current social and political situation in Brazil ? Who actually governs the state ? Is there a high unemployment rate ?

Who runs every state? Crime. But here the things are alarming, society is always on the verge of breaking down. We are probably not going to be the next Venezuela, but our curse is to be forever halfway there. Education, employment, security and health indexes are critical. Lots of no-go areas. False dilemmas about right wing or left wing, when in the end they are just demagogic, populist mobs, at war with each other.

The last words are yours……

Thanks for the interview! Deathdoom forever... Please take time to check out our new album and let us know if it was worth... www.apokalypticraids.com and www.apokalypticraids.bandcamp.com