INTERVIEW UDÅD

When I listened to Udåd 's debut album, I was immediately hooked. I hadn't been so enchanted by a piece of music for a long time. This piece of raw, dark, but also partly very melancholic black metal is a reminder of long-forgotten times. During the creation of the album, factotum Thomas Eriksen, known as the protagonist behind Norwegian band Mork, was inspired by the 1989 cult movie “Der Todesking” by Jörg Buttgereit from Berlin, who is well-known in horror film circles. So read what Thomas has to say about the making of Udåd's debut album, among other things...

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Hello Thomas, the Udåd debut is really phenomenal, I haven't been so fascinated by a black metal album for a long time. The album also brings back memories. Tell us, when did it first occur to you to release black metal apart from Mork? And how long did it actually take you to write and record the songs?

REVIEW SOULSTORM "DARKNESS VISIBLE"

This time I'm presenting an album that I discovered by chance while on vacation in Tenerife at the local record store called Rock Shop in Santa Cruz, a remarkable little store by the way. It's about the Canadian Soulstorm, more precisely from Toronto, who celebrate an absolutely outstanding mixture of industrial and death metal on their debut album from 1992 called “Darkness visible”, so a band member wore Grave shirts in band photos. Of course, Pitch Shifter and Godflesh and the early Fear Factory were the main inspiration here, but the band around mastermind, guitarist, bassist and singer Nick Sagias really didn't have to hide behind their quality and compositional skills in any way. However, because of the vocals, the pendulum often swings more in the direction of death metal, although there are also one or two clean vocal parts that bring back memories of Fear Factory.

FILMREZENSION "THE WICKER MAN"

An dieser Stelle soll es um einen Film gehen, der als Klassiker der Filmgeschichte gilt, nämlich „The Wicker Man“ aus dem Jahre 1973. Oftmals in die Gattung des Horrorfilms einsortiert, trifft es dies doch nicht ganz. „The Wicker Man“ ist vielschichtiger, Elemente von Gewalt, Blut und Tod gibt es kaum -auch wenn diese natürlich kein zwingendes Merkmal für die Definition eines Horrorfilms darstellen. Gerade zu Beginn kann die Handlung vielmehr dem Schema des Krimis zugeordnet werden, bevor es immer verworrener wird, was auch den absoluten Reiz des Filmes ausmacht, in dem u. a. auch Christopher Lee mitwirkte und der vom British Film Institute auf Platz 96 in die Liste der besten britischen Filme aller Zeiten aufgenommen wurde. 1973 erschien übrigens auch ein weiterer britisch-(italienischer) Kultfilm namens „Wenn die Gondeln Trauer tragen“, aber das nur am Rande…

REZENSION DR. HARTMUT ROSA "WHEN MONSTERS ROAR AND ANGELS SING"

Dr. Hartmut Rosa, Professor für Soziologe an der Friedrich-Schiller-Universität Jena und Direktor des Max-Weber-Kollegs an der Universität Erfurt hat ein Buch über Metal geschrieben, genauer gesagt trägt das Werk den Untertitel "Eine kleine Soziologie des Heavy Metal". Dieses Werk ist das erste der "Metalbook"-Reihe, unter anderem hat in diesem Rahmen auch Manuel Trummer, Professor für vergleichende Kulturwissenschaften an der Universität Regensburg und wahrscheinlich den meisten eher bekannt als Gitarrist von Antlantean Kodex, eine Publikation namens "Highway to Hell" herausgebracht.

Nun sind gerade in den letzten Jahrzehnten Unmengen von Büchern erschienen, deren Autoren sich mit Heavy Metal, seinen Subgenres, bestimmten nationalen bzw. regionalen Szenen und / oder bestimmten Epochen beschäftigten, sei es aus Fansicht oder auch aus wissenschaftlicher Perspektive. Wobei bei letzterem angemerkt werden muss, dass auch in diesen Fällen die Verfasser selbst fast immer aus der Szene selbst kamen, ich erwähne hier beispielsweise-wenn auch länger zurückliegend- Bettina Roccor, die 1996 mit  „Heavy Metal – Kunst, Kommerz. Ketzerei“ promovierte oder auch Sarah Chaker, die 2014 mit "Schwarzmetall und Todesblei- über den Umgang mit Musik in den Black- und Death-Metal-Szenen Deutschlands" den Doktortitel erlangte. Der Psychologe Dr. Nico Rose, der es in jüngster Vergangenheit mit seinem Buch "Hard, Heavy & Happy" sogar bis in die Spiegel-Bestseller-Liste schaffte, und auf den sich Rosa in seiner Publikation des Öfteren bezieht, ist ebenfalls passionierter Metalfan. So auch Rosa, der sich nebenbei noch als Hobby-Keyboarder diverser Bands "outet" und - sehr sympathisch - das Buch seinen folgend namentlich genannten "Metal-Brüdern" und Mitmusikern widmet. 

INTERVIEW TOMBTHROAT

"This omnipresent arrogance is the reason for all the shit that happens in this world."

Here is an old interview with the death metal band Tombthroat from Ludwigshafen am Rhein in Rhineland-Palatinate. The band was founded in 1996, it took them four albums, two EPs and the obligatory demo at the beginning and disbanded after almost two decades in 2015. Back then I organized a concert with the band in my hometown of Brühl (Rhineland), shortly after which this interview took place in the summer of 2007. Band founder Björn, who I'm sure some people know from his band Maladie (look for an interview in German here) and who recorded a really great, recommendable death / grind album with (ex-) members of Misery Index and Dying Fetus under the name God Enslavement in 2016, talked about the then newly released album "Blood red history", live gigs, the tour with Vital Remains and also about somewhat different topics such as his beard. In 2012, the band released what I consider to be thier best work, the truly exceptional album "Eden apoacalypse". Now reading the interview,  it's also interesting how time flies, 17 years later, many of the bands mentioned, such as Necrophagist, Veneral Disease and Lifthrasil have since passed away.  But read for yourself what Björn had to say back then...

INTERVIEW MORTEM

"Perhaps it's in our blood!"

Here you can read an interview with the Peruvian underground institution Mortem, who have been haunting the underground since the distant year 1986. Read here what founding member, drummer and vocalist Alvaro Amduscias has to say about the band's beginnings, influences, goals, upcoming gigs and a new Mortem album.

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Hello Alvaro, best regards from the Rhineland in Germany, how are you doing at the moment?

Hi Gerald. Thank you very much for this interview! All good, here in the burning desert of Phoenix, Arizona.

REVIEW PENTAGRAM (CHILE) "ETERNAL LIFE OF MADNESS"

The announcement of a new album by Pentagram Chile, the band around the charismatic cosmopolitan Anton Reisenegger, who should also be known from bands like Criminal, Lock Up or Brujeria, came to me out of nowhere. This is only the second album by the band, which was founded back in 1985 and has been on ice for a long time in the meantime, changing its name because of the namesake doomers from the USA around Bobby Liebling and forming the ominous triumvirate of Chilean death metal together with Atomic Aggressor and Sadism.

Just how influential the Chileans have been in the past can be seen from the fact that bands like Dismember have been seen wearing Pentagram shirts on promo photos or Napalm Death have covered “Demoniac Possession”, a track by the South Americans.

INTERVIEW MANDATORY

"When I personally think back to the last really great death metal records from Germany, whose songs I can always remember, I can only think of Morgoth's "Odium" and the debut album by Crack Up, which was released twelve years ago."

Here is an interview with German old school death metal outfit Mandatory, which I conducted in 2007. Bandleader and guitarist Sascha Beselt talks about the German death metal scene in an interesting way- from a music-historical point of view alone this interview is interesting. The new wave of German death metal bands - names such as Chapel of Disease, Lifeless, Slaughterday, Arroganz, Sulphur Aeon, Wound or Revel in Flesh, many of which were or are still based at the busy label F.D.A. Records - only started a few years later. The album "Adrift Beyond" announced here was finally released in 2010 via the renowned Spanish label Xtreem Music, and in 2012 the band released their previously unreleased debut album "Ripped from the tomb" from 2003. Nothing has happened on Mandatory's Facebook profile since 2015, so the band is probably no longer active, even if there was never an official break-up. Looking back, you might think that Mandatory should perhaps have stayed active with their old-school sound for a few more years in order to gain more attention in the course of the aforementioned revival of more traditional sounds. But be that as it may, enjoy this little trip back in time to an era when most bands were still on Myspace instead of Facebook.

INTERVIEW MACERATION

"I think it was just a different time back then. You ended up in a studio and the result was also somewhat coincidental."

Maceration from Denmark released their debut album in 1992. After many years in which the band went dormant, the extremely strong follow-up "It never ends" was released in 2022, exactly thirty years later. In September this year, a new album called "Serpent Devourment" will be released, once again via the energetic Danish death metal label Emanzipation Productions. A good reason to talk to founding member Jakob Schultz, who was also part of Invocators line-up on their legendary debut album "Excursion Demise". 

REVIEW SORT VOKTER "FOLKLORIC NECRO METAL"

Sort Vokter, was a band that occupies a special place in the Norwegian black metal scene. Their only release "Folkloric Necro Metal" from 1996 is a special album, a very harsh but also atmospheric one, which exudes a mystical aura. Even the cover artwork, which depicts a forest in twilight, is a good first indication of this. In later re-releases, this was unfortunately replaced by a far less impressive image of an ordinary nocturnal forest landscape. It is important to mention here that Sort Vokter featured a certain Vidar Vaer, better known for his music in his one-man band Ildjarn, one of the most polarising black metal bands of all time, who were rejected or ridiculed by many for their extremely raw, low-fi nosy style, in which an extremely simple guitar accompanied a distorted screeching voice to partially programmed drums. For a few, however, Ildjarn were an important influence, which can be seen not least in the tribute album "Gathered under the banner of strength and anger: A homage to Ildjarn", released in 2004, on which such well-known and illustrious bands as Urfaust, Xasthur, Nachtmystium, Forgotten Tomb, Leviathan and several others express their admiration for Ildjarn in the form of cover versions. 

INTERVIEW WARHAMMER

Here is an old interview with Warhammer that I dug up. I conducted it with singer Volker "Iron Lung" Frerich, who sadly passed away unexpectedly three years ago.  To be honest, I couldn't remember exactly when this interview took place, but Volker's mention of his age in particular makes it clear that it must have been in 2006. The upcoming album we are talking about here is "No Beast so fierce", which was released in 2009. I recently read on the internet that there is a previously unreleased album that the band was probably still working on up until the time of Volker's death. It would be very much to be hoped that this will one day see the light of day in some form or other. With this in mind, I dedicate this interview to the memory of Volker (15.02.1970-12-03-2021) -Rest in peace 

INTERVIEW ATOMWINTER

"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."

When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year.  At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.

REVIEW DEINONYCHUS "DEINONYCHUS"

Having already reviewed the absolutely outstanding and extraordinary debut album "The Silence of December" by Deinonychus (read here), I'm now taking a look at the self-titled fourth album from the year 2000, released by the long defunct Ars Metalli label. Even the simple but extremely effective cover artwork catches the eye; the band logo and album title are placed in the middle of a blurred white-grey-blue shadowy figure, the outlines could represent anything, it's up to the viewer's imagination. Only when the digipack is unfolded or the back cover is looked at does the entire picture become visible, the silhouette of a person working on a crane or similar in some kind of industrial plant becomes blurred and milky.

INTERVIEW MORTA SKULD

" 'Dying Remains' was a huge album for us and set the tone, lots of fans really enjoy this record and we are so blessed that it's still a great record and stands the rest of time."

After decades in US death metal, Morta Skuld from Milwaukee are a firm institution in the genre. Now they have delivered an absolute highlight with "Creation Undone", which can also be seen from the numerous enthusiastic reactions from the press and fans. A good reason to talk to the only remaining founding member Dave Gregor.

INTERVIEW DEAD HEAD

"Musicians pretending that they never listen to their own music. It’s a great way to come across as cool, interesting or nonchalant. But frankly I don’t believe them."

This interview with Rob, one of the two Dead Head guitarists, is really worth reading. Quite apart from the fact that Dead Head from the Netherlands are one of the greatest thrash metal bands on this planet and have once again recorded an extremely strong piece of extreme music with their new EP "Shadow Soul", the answers are captivating in their entertaining honesty, self-reflection and above all the fact that someone here simply emphasizes that he is pleased with what he and the band have achieved instead of lamenting what has not been achieved. A very healthy attitude to life that would probably make our planet a better place if everyone thought like this. But enough talk, read for yourself...

INTERVIEW CHRONICLES

In the vastness of the internet I came across ChronicleS from Dhaka, the capital of Bangladesh, who play absolutely great, dark and sinister death metal, as can be heard particularly well on their very strong, recently released debut album "Spirits of the Mortified". A good reason to talk to the band.

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Hello, please introduce ChronicleS to the readers of Systematic Desensitization Zine. Who are you, how did you find each other? According to Metal Archives, the band has existed since 2015, but it wasn't until 2019 that there was a first sign of musical life in the form of the "WarMachine" EP. Did this take a relatively long time because it was difficult to find suitable band members?

REVIEW SUFFERSYSTEM "DISINTEGRATION OF THE INDIVIDUAL"

Suffersystem from the beautiful half-timbered town of Hattingen in the Ruhr area will release their sixth album "Disintegration of the Individual" in mid-March, like its predecessor from 2021, once again via Black Blood Records. The two band members Dirk and Daniel, who are active in other bands such as Defected Decay (read a detailed interview in English here, in German here), False Mutation (who are also releasing a new album in March this year) and - relatively recently - Seeds of Torment, have added a new, fantastic chapter to the history of Suffersystem. The music on the ten tracks, which have a total playing time of 45 minutes, always moves between death and thrash metal, with a clear edge towards death metal.

REVIEW SPECTRAL VOICE "SPARAGMOS"

Spectral Voice, the doom death band from Denver, Colorado, has now released their second album "Spragmos" via Dark Descent Records. Three quarters of the band's line-up also play in the much better-known Blood Incantation, who musically serve the opposite spectrum of death metal to Spectral Voice.The underground attitude is also clear from the fact that Spectral Voice doesn't yet have an official facebook presence, and other websites are also mercilessly out of date. So the music should speak for itself here, and the album booklet only shows vague outlines of the musicians, if at all. Very beneficial in the age of internet narcissism!

INTERVIEW UGRA KARMA

"Nepalese regard their mountains as sacred and have a high regard for everything the mountains provide: annual monsoons, fertile rivers and breathtaking beauty."

We in Europe, or more specifically here in Germany, are mostly confronted with bands from Northern or Central Europe, the USA or Australia, even Southern European bands are less on the radar, and South America is also less present. Now I am pleased to present Ugra Karma, a band from Nepal, based at the capital Kathmandu. Read for yourself what vocalist and bassist Sunil, who founded the band in 1999, has to say about death metal, the difficult early days of the band, mountaineering in the Himalayas, the caste system in Nepal and the serial killer Charles Sobhraj.

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INTERVIEW MASTER

The release of the strong new Master album "Saints Dispelled" provided a good opportunity to talk to Paul Speckmann about the new release as well as other topics.

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Hello Paul, how are you doing with the new record, is it a kind of relief when a work sees the light of day, people can buy it and you see the reactions? Or are you already totally experienced after all these years, so that it’s just routine? 

Sure it’s a relief when it’s finally released, considering the album was recorded nearly a year ago! Nothing is routine in the world of recording, it’s by far one of the best things in the world! We always have a blast recording! It’s killer to get your thoughts and ideas out on the market! It gives people a chance to read your thoughts on what’s happening in the crazy world around us at this moment. I use this platform to share my thoughts and ideas with the world, obviously not everyone is going to agree with all of them, but at least with a recording contract, it gives you a chance to put things out there!  

REVIEW MASTER "SAINTS DISPELLED"

Master have also honored us with a new album via Hmmerheart Records.The strong predecessor "Vincictive Miscreant" is already six years old, so it's high time for new Master material. Mr. Speckmann and his bandmates once again offer an insanely good mix of death and thrash metal, as only Master can. Even though Master's music is of course not innovative these days, which is not the band's aim at all, you can still recognize the band among legions of death metal bands, and that's pretty much the highest compliment you can pay an extreme metal band, which on a spontaneous consideration on my part only applies to a maximum of two dozen bands. 

REVIEW DROWNED "PROCUL HIS"

Berlin-based Drowned, who have been up to mischief in the underground since 1992 but didn´t release their debut album "Idola Specus" until 2014 after a few great demos and a 7" single, have now released their second album "Procul His".  Like its predecessor, this happens via Sepulchral Voice Records. This label, known for sinister, extreme, authentic and primal underground metal, seems to fit perfect for the band. Drowned don't do anything special per se, but this they do in a perfect manner: they play ancient death metal that sometimes playfully changes tempo or repeats melodies longer than the average metal song.