INTERVIEW MASTER

The release of the strong new Master album "Saints Dispelled" provided a good opportunity to talk to Paul Speckmann about the new release as well as other topics.

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Hello Paul, how are you doing with the new record, is it a kind of relief when a work sees the light of day, people can buy it and you see the reactions? Or are you already totally experienced after all these years, so that it’s just routine? 

Sure it’s a relief when it’s finally released, considering the album was recorded nearly a year ago! Nothing is routine in the world of recording, it’s by far one of the best things in the world! We always have a blast recording! It’s killer to get your thoughts and ideas out on the market! It gives people a chance to read your thoughts on what’s happening in the crazy world around us at this moment. I use this platform to share my thoughts and ideas with the world, obviously not everyone is going to agree with all of them, but at least with a recording contract, it gives you a chance to put things out there!  

REVIEW MASTER "SAINTS DISPELLED"

Master have also honored us with a new album via Hmmerheart Records.The strong predecessor "Vincictive Miscreant" is already six years old, so it's high time for new Master material. Mr. Speckmann and his bandmates once again offer an insanely good mix of death and thrash metal, as only Master can. Even though Master's music is of course not innovative these days, which is not the band's aim at all, you can still recognize the band among legions of death metal bands, and that's pretty much the highest compliment you can pay an extreme metal band, which on a spontaneous consideration on my part only applies to a maximum of two dozen bands. 

REVIEW DROWNED "PROCUL HIS"

Berlin-based Drowned, who have been up to mischief in the underground since 1992 but didn´t release their debut album "Idola Specus" until 2014 after a few great demos and a 7" single, have now released their second album "Procul His".  Like its predecessor, this happens via Sepulchral Voice Records. This label, known for sinister, extreme, authentic and primal underground metal, seems to fit perfect for the band. Drowned don't do anything special per se, but this they do in a perfect manner: they play ancient death metal that sometimes playfully changes tempo or repeats melodies longer than the average metal song.

REVIEW MESSIAH "CHOIR OF HORRORS"

Messiah's third album "Choir of Horrors" from 1991, released on the legendary Noise Records label, represented a quantum leap for the band after the two predecessors "Hymn to Abramelin" and "Extremely cold weather" and also can be considered as a milestone in extreme music in general. The album, which features a cover artwork that is as atmospheric as it is terrifying, starts with monk chants before the death/thrash sounds kick in. Singer Andy Kaina, who sadly passed away last year, impresses with aggressive yet accentuated and intelligible vocals, while the band varies well between different tempos, especially the dragged out parts work well.

REVIEW DEINONYCHUS "THE SILENCE OF DECEMBER"

This is a truly impressive monster of an album, the likes of which are not unleashed on mankind every day. It's about the debut album "The silence of december" by Deinonychus from the Netherlands, released in the distant year 1995. I still remember a review of the album in some magazine in which the reviewer expressed his enthusiasm for these ominous sounds. By the way, if my memory does not deceive me, Behemoth's debut album "Sventevith-Storming near the baltic" was also reviewed in the same issue.

But this is supposed to be about Deinonychus, who were already playing a special role in the second wave of black metal, which was just exploding, as the majority of the acts at that time were increasingly oriented towards Norwegian black metal and were traveling in much faster realms or, under the impression of the success of Cradle of Filth's debut album "The principle of evil made flesh", began to move into more moderate soundscapes, whereby the peak of the sometimes unspeakably Gothic bombast "black metal" would not be reached until a few years later. 

DIE BESTEN, OBSKURSTEN UND THRASHIGSTEN DEATH METAL-VIDEOS PART II

Nach Part I (lest HIER) nun Teil II der tollsten und obskursten Death Metal-Videoclips. Wie immer besteht weder ein Anspruch auf Vollständigkeit noch auf Objektivität, aber ich glaube, das versteht sich bei diesem Thema von selbst.

DIE BESTEN, OBSKURSTEN UND THRASHIGSTEN DEATH METAL- VIDEOS PART I

Hier soll um es eine natürlich rein subjektive Auswahl der besten, obskursten, thrashigsten oder anderweitig besonders hervorstechenden Death Metal Clips gehen, alt oder neu. Höchstwahrscheinlich wird bei einigen von Euch die ein oder andere Erinnerung aufploppen oder auch so manche nostalgisch-melancholische Erinnerung wach werden, ganz nach dem Motto: "Als dieses Video bei VIVA Metalla kam, habe ich gerade Abi gemacht " /  "meine erste Freundin kennengelernt und geschwängert" bzw. wahlweise irgendetwas anderes einsetzen. Gerade die alten Videoclips lebten und leben auch heute noch von ihrem teils billigen, leicht dilettantischen Charme, heutzutage hat wahrscheinlich jeder 13-Jährige mit der neuesten App schneller professionellere Ergebnisse. Aber so war damals zu Beginn / Mitte der 90er eben der technische Stand der Dinge, zudem war Death Metal nie als Hochglanzprodukt gedacht. Heutzutage gibt es immer öfters die aus meiner Sicht oftmals vollkommen seelenlosen mit künstlicher Intelligenz erzeugten Clips, die einfach nur langweilen. Aber fangen wir nun an... 

INTERVIEW ECOCIDE

"We always stayed in touch, supported each other's endeavors, and maintained a friendship which laid the foundation for the eventual reunion."

When I heard some time ago that the Dutch death metal outfit Ecocide had reunited, I was very pleased. Now, ten years after the already awesome debut album "Eye of wicked sight", the band has released a great second album with "Metamorphosis", which enriches the strengths of the debut with experience and the resulting focus. Read for yourself what the band has to say about the break and the new album.

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INTERVIEW FROSTSHOCK

"It was the best first year a band could wish for."

The newcomers from Frostshock are currently stirring up the underground with their self-titled debut album (read the review HERE). A good reason to find out more about the band's background and their excellent, explosive death/thrash mixture. The bandmembers, who likeable don't take themselves so deadly serious, are delighted and grateful for the recognition they are currently receiving. But read for yourself.
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INTERVIEW DEPRESSION

"I'm sure that if we should ever call it quits, the friendship will remain."

Some time ago, I rediscovered the Depression albums in my personal collection and listened to them again very intensively up and down. If that's not a good reason to take a closer look at this German veterans of the scene, which have been playing great, goovy death/grind since 1989. This year also saw a split release with Swedish death metallers Repuked on vinyl and CD.  I spoke with band founder, drummer and guitarist Kai and vocalist Ron. 

REVIEW FROSTSHOCK "FROSTSHOCK"

Rare are the moments when you are so unexpectedly overwhelmed by a piece of art, especially if you have never heard the artist's name before. In this case, the artist is a relatively new band from Germany, more precisely from Haltern am See in North Rhine-Westphalia, and goes by the name of Frostshock.   

Frostshock have been around since 2020 and have released an insanely strong album with their self-titled debut. They were able to prove their live qualities together with bands like Sodom at this year's Turock-Fest in Bochum. Fortunately, a friend of mine was among the visitors, so I heard about Frostshock by word of mouth, because the four musicians don't have a label behind them that could do any major advertising, the album is completely self-released. Given the outstanding quality of the music, pretty much any label from the heavier genre should have been able to get involved, but perhaps it was a conscious decision to do everything themselves, more on that in the upcoming interview with the band. 

INTERVIEW ASCHENVATER

"This music simply needs a voice that sounds like death itself and can convey all the horror that is dealt within the lyrics."

More or less by chance I came across Aschenvater from Saxony, Germany, who create great, primal death metal that should make fans of bands like Asphyx and Hail of Bullets extremely happy! I talked to singer Oliver and guitarist Marko about the not too long band history, the great EP "Landungsfeldmassaker", German lyrics, Martin van Drunen, Bolt Thrower and the influence of the Warhammer universe.  

INTERVIEW MIGHTIEST

"Especially the pre-concert evening we planned in a Freiburg brewery was a sensational meeting. A bunch of middle-aged men babbled about the bad old days over a few beers....genius!"
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Mightiest from Freiburg in the legendary Black Forest was founded in 1994 and I always liked the melodic-symphonic aspect of the band, which never became cheesy, which was often the case with many bands in the past. That is a kind of unique selling point, to play melodic-symphonic black metal, which is still rough, hard and unpolished. I can think of Emperor, with whom the band was often compared in the reviews of "Recreation of the shadowlands". Of course in the early interviews Burzum, Darkthrone and Mayhem were mentioned as influences, the early Dimmu Borgir with "For all Tid" or "Stormblast" certainly didn't pass the band without leaving traces, I think.

REVIEW SICKENING GORE "DESTRUCTIVE REALITY"

This time I would like to present you the only album of the Swiss death metal band Sickening Gore. This band from Zurich, which previously went by the name Reactor, released "Destructive Reality" on Massacre Records in 1993, only to disband a short time later. I still remember a review of a concert in a big German metal magazine, the band played in Zurich as support of Carcass. A review in the then issue of Metal Hammer compared the band stylistically to Morbid Angel and Cannibal Corpse. This is quite accurate, even if the world class of the compositions of Morbid Angel could not be reached, but which band can claim this? Nevertheless, the band varied on their only album skillfully between high-speed bludgeoning, grindcore influences and dragged parts. 

REVIEW ANGUANA "SUMAN"

Anguana is a band that exists since 2017 and was unknown to me until now. They come from Marostica, a town in the Veneto region. Marostica is famous for the live chess game (with actors in "medieval" costumes), which for several decades has been held every two years in the town's piazza surrounded by arcades. It commemorates a legendary game, allegedly played in 1454, for the hand of the castle lord's daughter. The band name, Anguana, is the designation for the water nymphs that appear in the northeast Italian mythology.

INTERVIEW HAMVAK

"Hamvak allowed me to break free from the musical boundaries I had previously felt." 

Hamvak is one of the most promising bands of the German underground. The debut album " Maelstrom of abhorrent incantations" (review here) is a true monster of a musical work that pulls you inevitably and without mercy into the abyss. I spoke with Dávid Vadkerti-Tóth, the factotum and mastermind behind Hamvak.

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When did you form Hamvak and under what circumstances? According to Metal-Archives Hamvak is the successor band of Solus, who were much more atmospheric. What was the reason for the end of Solus and the beginning with Hamvak? Do you see Hamvak as the successor band of Solus, or did someone just put it down that way at Metal Archives?

INTERVIEW RÄUM

"In fact, we are part of something bigger than ourselves. We constantly experience an eternal movement of rise and fall, as a person, as a species and as a civilization."

At the Dark Dungeon Festival in the medieval castle in idyllic Anthisnes, the first band to play on the black metal evening was Räum from Liège, which left the hungry crowd satisfied and certainly found more than a few new fans. One more reason to ask the ambitious band (review of their debut album see here ) a few questions.

REVIEW HAMVAK "MAELSTROM OF ABHORRENT INCANTATIONS"

Out of nowhere I heard about Hamvak (Hungarian for ash), a great one-man band from Stuttgart. The factotum behind the music, Dávid Vadkerti-Tóth, now delivered Hamvak's debut album after releasing a three-track demo back in 2017.

Hmavak's debut album, released by Morbid Chapel Records and Rotten Tomb Records, is the best example of what undiscovered gems the underground has in store. The six, mostly overlong tracks that bring the album to a total playing time of 40 minutes, should delight any fan of gloomy and sophisticated blackened death metal. Like the album title, which, by the way, was visually very appropriately implemented by the cover artwork, the listener feels drawn into a veritable maelstrom, from which there is no escape, because the tracks cause a partly captivating-hypnotic effect.

REPORT GENERAL ANZEIGER BONN (ENGLISH)

 

 

BERICHT DARK DUNGEON FESTIVAL (ANTHISNES, WALLONIE / BELGIEN)

Da ich ja schon länger ein Interview mit den Freiburgern von Mightiest geplant habe, und diese auf dem Dark Dungeon Festival  (14.-15. April) in der Burg Avouerie in Anthisnes am (Black Metal-) Freitag spielten, bot sich ein Besuch im wallonischen Ort geradezu an. Die tolle Besonderheit an dem zweitägigen Festival ist der Veranstaltungsort, der für die passende räumliche Atmosphäre sorgen soll. Während der Freitag mit drei Black Metal-Bands aufwartete (Räum, Mightiest, Enthroned), spielte am Samstag wohl die internationale crème de la crème der Dungeon Synth-Szene. Leider hielten mich familiäre Verpflichtungen vom Besuch des Dungeon Synth-Tages ab, so dass ich am Samstag morgen wieder die Heimreise antreten musste. Auch wenn ich mich mit dieser Musik nur wenig auskenne und nur einige Mortiis -Alben (als auch sein Nebenprojekt Vond) mein Eigen nenne, hätte mich das Ganze doch sehr interessiert. Headliner des Samstags waren übrigens Depressive Silence aus Freiburg, deren Line-Up - wer hätte es gedacht - natürlich deckungsgleich mit Mightiest ist. 

REVIEW RÄUM "CURSED BY THE CROWN"

At the Dark Dungeon Festival, which took place in a medieval castle in the small town of Anthisnes, the first band I saw were the Belgians from Räum, before Mightiest, one of the best, and unfortunately also most underrated black metal bands in Germany, and finally Enthroned, the Belgian black metal kings, took over. The band name alone struck me as unusual as a German, "Raum", without the umlaut, means room in German. And also purely visually the four musicians didn't look much like black metal. In this respect I guessed a post-black metal act, most of which I honestly find quite boring and stale. Fortunately, however, it behaves differently, Räum play rather very partly very fast, hard, often traditionally designed black metal, which in some moments even reminds of Marduk.

INTERVIEW TANKARD (ENGLISH)

„They also only boil with water!“

When the Frankfurt thrashers Tankard  visited the Groove Bar in Cologne-Wahn for the second time towards the end of March, it was a good opportunity for an interview with frontman Gerre. Due to an unforeseen delay, and the fact that both Gerre and myself didn't feel like doing an interview under time pressure, we decided to make a second attempt a few days later via video link. Read here what the likeable frontman has to say about the lyrics of the last album "Pavlov's Dawgs", the Corona pandemic, the social skills of metal fans and his, even after all these decades unbroken enthusiasm for metal and new albums.

INTERVIEW TANKARD

„Die kochen auch nur mit Wasser!“

Als gegen Ende März die Frankfurter Thrasher von Tankard bereits zum zweiten Mal die Groove Bar in Köln-Wahn beehrten, bot sich dies als gute Gelegenheit für ein Interview mit Frontmann Gerre an. Aufgrund einer nicht vorhergesehenen Verzögerung, und der Tatsache, dass sowohl Gerre als auch meine Wenigkeit keine Lust auf ein unter Zeitdruck geführtes Interview verspürten, entschlossen wir uns, das Ganze einige Tage später per Videoschaltung nachzuholen. Lest hier, was der sympathische Frontmann über die Texte des letzten Albums "Pavlov's Dawgs", die Corona-Pandemie, die soziale Kompetenzen von Metal-Fans und seine, auch nach all den Jahrzehnten ungebrochene Begeisterung für Metal und neue Alben, zu sagen hat.

REVIEW NEKRARCHON "GEHINNAM"

Today I would like to present an album that, in my opinion, has unfortunately never received the attention it deserves. We are talking about the only album of the Greek black metal band Nekrarchon. Out of nowhere in 2014 the debut album "Gehinnam" was released by the German label FDA Records, which specializes in old-school death metal, and unusually there was no previous demo, no EP, no split release. Maybe part of the disregard was due to the label, don't get me wrong, FDA Records is an absolutely great label that has only good to top releases across the board, yet black metal in particular is not something you associate directly with this label. But be that as it may, the album named after a ravine near the biblical Judah, in which child sacrifices were made to the god Moloch, is a hidden gem to be discovered.

INTERVIEW DEFECTED DECAY (ENGLISH)

„We did a lot of tapetrading, you sat around the campfire in the evening and people came from Velbert, Living Death for example, and Assassin from Düsseldorf.“

After Daniel, the singer of Defected Decay, contacted me in June last year for a review of the great second album "Troops of Abomination" (review here), we arranged an appointment for an interview on location in beautiful Hattingen. The weather threw a spanner in the works of the originally planned date, but two weeks later, on a weekend at the end of January, the time had come. So I set off by car to the Hattingen, which I can only warmly recommend to anyone who likes cosy half-timbered towns. Even on the way there, the last few kilometres of the journey seemed familiar, and that's right, this is also the way to Witten, or rather to the Muttental, where you can hike and also mountain bike very well on the traces of former mining. Singer Daniel and instrumentalist Dirk turned out to be nice and conversational guys, we talked a lot about Defected Decay, their other musical playgrounds like Suffersystem as well as about the metal history in the Ruhr area. We conducted the interview in Daniel's living room and were very nicely provided with drinks by his wife, thanks again for that!

At Daniel's house, I first examined the CD collection and a few cassettes, which led us to the topic of demotapes.

INTERVIEW DEFECTED DECAY

„Wir betrieben viel Tapetrading, man saß abends am Lagerfeuer und es kamen die Leute aus Velbert, Living Death zum Beispiel, und Assassin aus Düsseldorf.“

Nachdem mich Daniel, der Sänger von Defected Decay, im Juni vergangenen Jahres kontaktiert hatte für ein Review zum tollen zweiten Album "Troops of Abomination" (Review hier), verabredeten wir einen Termin für ein Interview vor Ort im schönen Hattingen. Beim ursprünglich angedachten Termin machte uns das Wetter einen Strich durch die Rechnung, aber zwei Wochen später, an einem Wochenende Ende Januar, war es dann so weit. Ich machte mich also mit dem Auto auf ins beschauliche Hattingen, das ich nur allen, die gemütliche Fachwerkstätte mögen, wärmstens empfehlen kann. Schon auf dem Hinweg kam mir die letzten Kilometer Anfahrt bekannt vor, und richtig, hier geht es auch nach Witten, besser gesagt ins Muttental, wo man auf den Spuren des früheren Bergbaus sehr gut wandern und auch Mountainbiken kann. Sänger Daniel und Instrumentalist Dirk entpuppten sich als nette aufgeräumte Gesprächspartner, die einiges über Defected Decay, ihre anderen musikalischen Spielwiesen wie Suffersystem als auch über die Metal-Historie im Ruhrpott zu berichten wussten. Das Interview führten wir in Daniels Wohnzimmer und wurden sehr nett von seiner Frau mit Getränken versorgt, vielen Dank nochmals dafür!

Bei Daniel zu Hause begutachte ich erst einmal die CD-Sammlung als auch einige wenige Kassetten, was zum Einstiegsthema Demotapes führt. 

BERICHT IM BONNER GENERAL-ANZEIGER

Bonner General-Anzeiger vom 16.03.2023

Hier der Link zum PDF. 

 

 

INTERVIEW DISINTER

„The first real heavy metal song I heard in my teens was "Fast as a shark" by Accept, their drummer pushed me to play the drums. It was a big shock for me to hear their double bass drum, so I have a special respect for that band and their way on that record to play.“

Ultimately, I became aware of Disinter from Peru mainly by the fact that I was looking online for the band of the same name from the United States. However, the South Americans could inspire me right away by their great, powerful death metal, which rather refers to the American style. A good reason to talk to founder and drummer Roberto Leonardi, who has been doing his mischief in the scene with Disinter since the distant year 1993.

REVIEW INVOKER "TOWARDS THE PANTHEON OF THE NAMELESS"

I would like to point out here once again a great, unfortunately probably too little noticed album, namely the third Invoker album called "Towards the pantheon of the nameless" released in 2020 by Einheit Produktionen. The band from Saxony-Anhalt presents on this release an absolutely outstanding mixture of death and black metal in the perfect tension between roughness and harshness

INTERVIEW HYPNOS

"I never was a real musician. I was a fan of music, who wanted to join a metal band to be close to it, even I didn't play an instrument. I was and still am crazy about music in general, not just metal."

Recently I saw that the Czechs of Hypnos will release a new EP "Deathbirth" towards the end of April. Frontman Bruno, also with Krabathor, can now look back on more than 30 years as an active death metal musician and has experienced quite a bit, which he has also written down in a book. So this was a good moment to talk about the new release as well as to look back on Hypnos and Krabathor in particular and death metal in the Czech Republic in general. And don't miss to see the band at the Munich Dark Easter Metal Meeting on April 08!