REVIEW MACERATION "SERPENT DEVOURMENT"

The Danes from Maceration released a very strong comeback album at the end of 2022 with “It never ends...”, after the band had been on ice for years following their 1992 debut album and a 95 promo release. Now, a little more than two years later, the next album by the men around Jakob Schultz, who was also active in the legendary thrash metal outfit Invocator, is already available. “It never ends...” convinced both fans and the press with its great, convincing and catchy old-school tracks (read an interview with Jakob Schultz from last year here ). Appearing once again on the great Danish label Emanzipation Productions, the extraordinary cover artwork once again shows the octopus-like underworld creature typical of Maceration. Like the artwork of the previous album, this cover was also drawn by Ola Larsson, who has once again created a wonderfully atmospheric artwork with a great light pale blue color scheme. 

REVIEW TOTAL HATE "FORTHCOMING AGE OF THE REAPER"

Total Hate from the beautiful city of Nuremberg - which, among others, have personal overlaps with the "predecessor band" Seeds of Hate (maybe not quite right, I always felt that way), the awesome Deathronation (if something came along again, that would be great...) and the now also quite well-known Goath -  honored us at the end of last year with their already sixth album called "Forthcoming Age of the Reaper" via War Anthem Records, after the predecessor "Marching towards Humanicide" was released just 21 months before the current work. In this case, quality is definitely not at the expense of quality, friends of traditional black metal sounds will hardly find anything better at the moment. The usual suspects can be mentioned here as name droppers, so anyone who counts bands like Gorgoroth, Carpathian Forest, Urgehal, Armagedda, Craft, Graven, Horna or old Darkthrone among their favorites will be perfectly served here.

INTERVIEW MERCYLESS

 

"For me, people are almost more important than the music .... Before you make music and give concerts, you need people who understand each other and get along."

Mercyless from Mulhouse, close to the German border, are probably one of the big three of French death metal, which also includes Massacra, who we have long since opposed, and Loudblast, who are still active. These bands made the underground happy with their first demos back in the mid or late 80s, soon followed by their respective debut albums, in the case of Mercyless the still great “Abject Offerings” with its iconic cover artwork by the famous Salvador Dali. After two not-so-great albums in the mid/late 90s and a ten-year hiatus, Mercyless have been back in full force since 2011 to present their ominous death metal. Last year, the band debuted on the legendary Osmose label with their outstanding work “Those who reign below”, which I can only warmly recommend to anyone who likes dark and sophisticated death metal. A good reason to talk to founding member, guitarist and vocalist Max Otero about the latest album, the band's history, French death metal, the value of friendship and the band's home town. But enough preamble, now read for yourself.

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Hello Max, greetings from the Rhineland to Mulhouse! How are you and the band? How do you rate your latest album “Those who reign below” and the reactions from fans and the press now that a few months have passed?

Hi, I'm fine thanks...we were honestly surprised by all the good feedback from fans and the media in general...which is no longer obvious these days with the multitude of releases and bands that occupy the world stage.

REZENSION HÖRBUCH "HIGHWAY TO HELL" VON DR. MANUEL TRUMMER

Prof. Dr. Manuel Trummer unterrichtet Vergleichende Kulturwissenschaften an der Universität Regensburg und ist zudem Gitarrist der Heavy Metal / Doom Metal Band Atlantean Kodex, die ja dem geneigtem Leser bekannt sein dürfte. Trummer befasste sich bereits in seiner  Dissertation mit Transformationen und Erscheinungsformen der Traditionsfigur des Teufel in der Rockmusik und ist somit quasi inhaltlich schon seit langer Zeit bestens mit dem Thema seines Buches "Highway to hell - Das Satanische im Heavy Metal" vertraut. Dieses Buch ist der dritte Teil der "Metalbook"- Reihe des Kohlhammer-Verlags, in welcher Sachbücher zu  Themen aus dem Metal-Kosmos erscheinen (Besprechung des ersten Teils der Serie,  Dr. Hartmut Rosas Werk zum Begriff der Resonanz siehe hier).  An dieser Stelle wird allerdings die Hörbuch-Variante besprochen, welche bei CC-live erschienen ist, und es mit vier CDs auf eine Gesamtspielzeit von über fünf Stunden bringt. Besonders schön ist dabei die Gestaltung der CDs in Vinyl-Optik mit einem jeweilig andersfarbigen Label. Claus Vester ist als Sprecher zahlreicher Hörbücher bekannt; u.a. auch als deutsche Stimme von Rychard Rycroft (Master Wolkan) in "Game of Thrones". Als weitere Sprecher fungieren Alexander Wohnhaas (Sänger der Band Megaherz) und der Schauspieler und Sprecher René Oltmanns. Die immer wiederkehrenden Songtexte bzw. Songzitate werden wortgewaltig und ausdrucksstark von Ron Williams wiedergegeben, der als schillernde Figur aus Film, Funk und Fernsehen bekannt ist. 

REVIEW GURKKHAS "A LIFE OF SUFFERING"

Gurkkhas are a French death metal band, named after units of Nepalese soldiers in the service of the British Army and the Indian armed forces, who released two albums around the turn of the millennium (more about the current and earlier band history in the interview with the band, read here). The debut album “Engraved in Blood, Flesh and Souls” was released in 2000 by Massacre Records, and just one year later “A life of suffering” was published by the legendary German label Morbid Records, which has long since ceased to exist. Now, out of nowhere, a compilation of the two albums is being released on the French label Great Dane Records, or rather, the complete “A life of suffering” album plus four further selected tracks from the debut album.

INTERVIEW GURKKHAS

"For me, French death metal is made up of three bands: Massacra, Loudblast and Crusher."

Speaking of bands that have been inactive for decades, a few weeks ago I suddenly had the announcement of the reunion of a band in my mailbox that I, like so many others, had long since irrevocably consigned to the eternal hunting grounds of death metal. We're talking about the French Gurkkhas (with one more “k”, named after the Gurkhas, Nepalese soldiers in the service of the British Army and the Indian armed forces, in which they form their own units). They have now released a compilation via Great Dane Records (read the review here), which includes the complete second album as well as parts of the debut, and which I can only warmly recommend to all fans of US-American death metal in particular. I spoke to vocalist Jeff about the two albums released back then at the turn of the millennium as well as about the current and future situation of the band and death metal in France.

INTERVIEW NOVEMBER GRIEF

"Our sound was finally developed in a way that pleased us, and we all have very fond memories of it. I can’t believe that at the end of this year it will be 30 years since it’s release…"

November Grief from Montreal, Canada, were founded back in 1993 and have been dormant for more than 20 years. Now that the band has been active again since 2020 with a few new members, it made sense to talk to bassist and singer Stéphanie Masson, who was in Wallonia, Belgium, at the time of the interview.

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Hello Stéphanie, how are you?  I saw you had a gig recently. Did it go to your satisfaction?

Hello Gerald, I am doing very well thank you. Just arrived from Belgium a few days ago and still a bit jet lagged. Yes, we did  show here in Montreal last December 14 and it went very well. It was also our first show at home with our new lead guitarist Rachel, and boy did she deliver the goods that night ! Kudos also go to Simonne and Zack. We had a good flow onstage that evening and the maniacs in the crowd had a good time. 

INTERVIEW DEVISER

"I believe and feel that we have made a second debut with “Evil Summons Evil” and I responsibly declare that the best is yet to come."

The Greek Deviser who have been spreading their musical mischief from the famous Greek scene all over the world since the distant year 1989, have delivered their opus magnum after more than three decades of band history with their 2023 album “Evil summons evil”, released on Hammerheart Records. Anyone who loves aggressive black metal as well as symphonic and melodic-mystical sounds, which are particularly characteristic of the Greek scene, will find a perfect symbiosis of both worlds here. A good reason to talk to founding member Matt Chnaras, singer, guitarist and bassist, about the current album as well as the band's entire history and to take a look into the future. Let's hope we can see the band in Germany in the not too distant future!

REVIEW "INTO EVERLASTING FIRE -THE OFFICIAL HISTORY OF IMMOLATION"

With “Into everlasting fire”, Kevin Stewart-Panko presents the official 450 pages long band biography of Immolation, one of the longest-serving and for many probably one of the best death metal bands on the planet. First of all, it should be mentioned that this work is one of the best, if not the best and most interesting band biography I have read, and I have read quite a few, such as those of Obituary, Paradise Lost, Necromantia, Rotting Christ, Hellhammer / Celtic Frost, Behemoth, Kreator or Tankard to name but a few.

First of all, let me mention my personal connection to the band; the first album I bought was the “Here in After” album (which I remember scoring just 6 out of 10 in the German Rock Hard magazine, but more on that topic later), which I bought during my civilian service in the former German capital Bonn as an adolescenct. A year later, in 1999, I went to Wacken for the first (and last) time and as the author describes, Immolation were supposed to play in Wacken in 1999, but due to visa issues this didn't happen until 2016, 17 years later; the band was also in muddy Wacken in 2023. So unfortunately I've never seen the band live, more on the band's live presence later. 

INTERVIEW A HOAGASCHT / ARAN (EX-LUNAR AURORA)

 

A few days ago I saw an announcement on a social network about a band called A Hoagascht. There was an immediate connection to Bavarian black metal band Lunar Aurora latest work, and indeed it turned out to be an announcement of a live performance of this exact album. Aran, founding member of Lunar Aurora and composer of the awesome "Hoagascht" album, is the initiator and main driving force behind this issue and answered my questions.

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Hello Aran, I can still remember buying the Lunar Aurora debut “Weltengänger” shortly after it was released at Saturn record store in Cologne. That was almost 30 years ago. And strangely enough, I also remembered that I ordered the farewell album “Hoagascht” online during a visit to Augsburg in 2012. I've long forgotten how I got hold of the other albums... How quickly time flies - is that something you often realize with some regret?

In many situations in life, I actually tend to look ahead. When it comes to Lunar Aurora, many memories become blurred. Some remain, but many things also become vague. In general, I can answer that by saying that I only regret the fast or slow passage of time in a few situations.

INTERVIEW UDÅD

When I listened to Udåd 's debut album, I was immediately hooked. I hadn't been so enchanted by a piece of music for a long time. This piece of raw, dark, but also partly very melancholic black metal is a reminder of long-forgotten times. During the creation of the album, factotum Thomas Eriksen, known as the protagonist behind Norwegian band Mork, was inspired by the 1989 cult movie “Der Todesking” by Jörg Buttgereit from Berlin, who is well-known in horror film circles. So read what Thomas has to say about the making of Udåd's debut album, among other things...

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Hello Thomas, the Udåd debut is really phenomenal, I haven't been so fascinated by a black metal album for a long time. The album also brings back memories. Tell us, when did it first occur to you to release black metal apart from Mork? And how long did it actually take you to write and record the songs?

REVIEW SOULSTORM "DARKNESS VISIBLE"

This time I'm presenting an album that I discovered by chance while on vacation in Tenerife at the local record store called Rock Shop in Santa Cruz, a remarkable little store by the way. It's about the Canadian Soulstorm, more precisely from Toronto, who celebrate an absolutely outstanding mixture of industrial and death metal on their debut album from 1992 called “Darkness visible”, so a band member wore Grave shirts in band photos. Of course, Pitch Shifter and Godflesh and the early Fear Factory were the main inspiration here, but the band around mastermind, guitarist, bassist and singer Nick Sagias really didn't have to hide behind their quality and compositional skills in any way. However, because of the vocals, the pendulum often swings more in the direction of death metal, although there are also one or two clean vocal parts that bring back memories of Fear Factory.

FILMREZENSION "THE WICKER MAN"

An dieser Stelle soll es um einen Film gehen, der als Klassiker der Filmgeschichte gilt, nämlich „The Wicker Man“ aus dem Jahre 1973. Oftmals in die Gattung des Horrorfilms einsortiert, trifft es dies doch nicht ganz. „The Wicker Man“ ist vielschichtiger, Elemente von Gewalt, Blut und Tod gibt es kaum -auch wenn diese natürlich kein zwingendes Merkmal für die Definition eines Horrorfilms darstellen. Gerade zu Beginn kann die Handlung vielmehr dem Schema des Krimis zugeordnet werden, bevor es immer verworrener wird, was auch den absoluten Reiz des Filmes ausmacht, in dem u. a. auch Christopher Lee mitwirkte und der vom British Film Institute auf Platz 96 in die Liste der besten britischen Filme aller Zeiten aufgenommen wurde. 1973 erschien übrigens auch ein weiterer britisch-(italienischer) Kultfilm namens „Wenn die Gondeln Trauer tragen“, aber das nur am Rande…

REZENSION DR. HARTMUT ROSA "WHEN MONSTERS ROAR AND ANGELS SING"

Dr. Hartmut Rosa, Professor für Soziologe an der Friedrich-Schiller-Universität Jena und Direktor des Max-Weber-Kollegs an der Universität Erfurt hat ein Buch über Metal geschrieben, genauer gesagt trägt das Werk den Untertitel "Eine kleine Soziologie des Heavy Metal". Dieses Werk ist das erste der "Metalbook"-Reihe, unter anderem hat in diesem Rahmen auch Manuel Trummer, Professor für vergleichende Kulturwissenschaften an der Universität Regensburg und wahrscheinlich den meisten eher bekannt als Gitarrist von Antlantean Kodex, eine Publikation namens "Highway to Hell" herausgebracht.

Nun sind gerade in den letzten Jahrzehnten Unmengen von Büchern erschienen, deren Autoren sich mit Heavy Metal, seinen Subgenres, bestimmten nationalen bzw. regionalen Szenen und / oder bestimmten Epochen beschäftigten, sei es aus Fansicht oder auch aus wissenschaftlicher Perspektive. Wobei bei letzterem angemerkt werden muss, dass auch in diesen Fällen die Verfasser selbst fast immer aus der Szene selbst kamen, ich erwähne hier beispielsweise-wenn auch länger zurückliegend- Bettina Roccor, die 1996 mit  „Heavy Metal – Kunst, Kommerz. Ketzerei“ promovierte oder auch Sarah Chaker, die 2014 mit "Schwarzmetall und Todesblei- über den Umgang mit Musik in den Black- und Death-Metal-Szenen Deutschlands" den Doktortitel erlangte. Der Psychologe Dr. Nico Rose, der es in jüngster Vergangenheit mit seinem Buch "Hard, Heavy & Happy" sogar bis in die Spiegel-Bestseller-Liste schaffte, und auf den sich Rosa in seiner Publikation des Öfteren bezieht, ist ebenfalls passionierter Metalfan. So auch Rosa, der sich nebenbei noch als Hobby-Keyboarder diverser Bands "outet" und - sehr sympathisch - das Buch seinen folgend namentlich genannten "Metal-Brüdern" und Mitmusikern widmet. 

INTERVIEW TOMBTHROAT

"This omnipresent arrogance is the reason for all the shit that happens in this world."

Here is an old interview with the death metal band Tombthroat from Ludwigshafen am Rhein in Rhineland-Palatinate. The band was founded in 1996, it took them four albums, two EPs and the obligatory demo at the beginning and disbanded after almost two decades in 2015. Back then I organized a concert with the band in my hometown of Brühl (Rhineland), shortly after which this interview took place in the summer of 2007. Band founder Björn, who I'm sure some people know from his band Maladie (look for an interview in German here) and who recorded a really great, recommendable death / grind album with (ex-) members of Misery Index and Dying Fetus under the name God Enslavement in 2016, talked about the then newly released album "Blood red history", live gigs, the tour with Vital Remains and also about somewhat different topics such as his beard. In 2012, the band released what I consider to be thier best work, the truly exceptional album "Eden apoacalypse". Now reading the interview,  it's also interesting how time flies, 17 years later, many of the bands mentioned, such as Necrophagist, Veneral Disease and Lifthrasil have since passed away.  But read for yourself what Björn had to say back then...

INTERVIEW MORTEM

"Perhaps it's in our blood!"

Here you can read an interview with the Peruvian underground institution Mortem, who have been haunting the underground since the distant year 1986. Read here what founding member, drummer and vocalist Alvaro Amduscias has to say about the band's beginnings, influences, goals, upcoming gigs and a new Mortem album.

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Hello Alvaro, best regards from the Rhineland in Germany, how are you doing at the moment?

Hi Gerald. Thank you very much for this interview! All good, here in the burning desert of Phoenix, Arizona.

REVIEW PENTAGRAM (CHILE) "ETERNAL LIFE OF MADNESS"

The announcement of a new album by Pentagram Chile, the band around the charismatic cosmopolitan Anton Reisenegger, who should also be known from bands like Criminal, Lock Up or Brujeria, came to me out of nowhere. This is only the second album by the band, which was founded back in 1985 and has been on ice for a long time in the meantime, changing its name because of the namesake doomers from the USA around Bobby Liebling and forming the ominous triumvirate of Chilean death metal together with Atomic Aggressor and Sadism.

Just how influential the Chileans have been in the past can be seen from the fact that bands like Dismember have been seen wearing Pentagram shirts on promo photos or Napalm Death have covered “Demoniac Possession”, a track by the South Americans.

INTERVIEW MANDATORY

"When I personally think back to the last really great death metal records from Germany, whose songs I can always remember, I can only think of Morgoth's "Odium" and the debut album by Crack Up, which was released twelve years ago."

Here is an interview with German old school death metal outfit Mandatory, which I conducted in 2007. Bandleader and guitarist Sascha Beselt talks about the German death metal scene in an interesting way- from a music-historical point of view alone this interview is interesting. The new wave of German death metal bands - names such as Chapel of Disease, Lifeless, Slaughterday, Arroganz, Sulphur Aeon, Wound or Revel in Flesh, many of which were or are still based at the busy label F.D.A. Records - only started a few years later. The album "Adrift Beyond" announced here was finally released in 2010 via the renowned Spanish label Xtreem Music, and in 2012 the band released their previously unreleased debut album "Ripped from the tomb" from 2003. Nothing has happened on Mandatory's Facebook profile since 2015, so the band is probably no longer active, even if there was never an official break-up. Looking back, you might think that Mandatory should perhaps have stayed active with their old-school sound for a few more years in order to gain more attention in the course of the aforementioned revival of more traditional sounds. But be that as it may, enjoy this little trip back in time to an era when most bands were still on Myspace instead of Facebook.

INTERVIEW MACERATION

"I think it was just a different time back then. You ended up in a studio and the result was also somewhat coincidental."

Maceration from Denmark released their debut album in 1992. After many years in which the band went dormant, the extremely strong follow-up "It never ends..." was released in 2022, exactly thirty years later. In September this year, a new album called "Serpent Devourment" will be released, once again via the energetic Danish death metal label Emanzipation Productions. A good reason to talk to founding member Jakob Schultz, who was also part of Invocators line-up on their legendary debut album "Excursion Demise". 

REVIEW SORT VOKTER "FOLKLORIC NECRO METAL"

Sort Vokter, was a band that occupies a special place in the Norwegian black metal scene. Their only release "Folkloric Necro Metal" from 1996 is a special album, a very harsh but also atmospheric one, which exudes a mystical aura. Even the cover artwork, which depicts a forest in twilight, is a good first indication of this. In later re-releases, this was unfortunately replaced by a far less impressive image of an ordinary nocturnal forest landscape. It is important to mention here that Sort Vokter featured a certain Vidar Vaer, better known for his music in his one-man band Ildjarn, one of the most polarising black metal bands of all time, who were rejected or ridiculed by many for their extremely raw, low-fi nosy style, in which an extremely simple guitar accompanied a distorted screeching voice to partially programmed drums. For a few, however, Ildjarn were an important influence, which can be seen not least in the tribute album "Gathered under the banner of strength and anger: A homage to Ildjarn", released in 2004, on which such well-known and illustrious bands as Urfaust, Xasthur, Nachtmystium, Forgotten Tomb, Leviathan and several others express their admiration for Ildjarn in the form of cover versions. 

INTERVIEW WARHAMMER

Here is an old interview with Warhammer that I dug up. I conducted it with singer Volker "Iron Lung" Frerich, who sadly passed away unexpectedly three years ago.  To be honest, I couldn't remember exactly when this interview took place, but Volker's mention of his age in particular makes it clear that it must have been in 2006. The upcoming album we are talking about here is "No Beast so fierce", which was released in 2009. I recently read on the internet that there is a previously unreleased album that the band was probably still working on up until the time of Volker's death. It would be very much to be hoped that this will one day see the light of day in some form or other. With this in mind, I dedicate this interview to the memory of Volker (15.02.1970-12-03-2021) -Rest in peace 

INTERVIEW ATOMWINTER

"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."

When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year.  At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.

REVIEW DEINONYCHUS "DEINONYCHUS"

Having already reviewed the absolutely outstanding and extraordinary debut album "The Silence of December" by Deinonychus (read here), I'm now taking a look at the self-titled fourth album from the year 2000, released by the long defunct Ars Metalli label. Even the simple but extremely effective cover artwork catches the eye; the band logo and album title are placed in the middle of a blurred white-grey-blue shadowy figure, the outlines could represent anything, it's up to the viewer's imagination. Only when the digipack is unfolded or the back cover is looked at does the entire picture become visible, the silhouette of a person working on a crane or similar in some kind of industrial plant becomes blurred and milky.

INTERVIEW MORTA SKULD

" 'Dying Remains' was a huge album for us and set the tone, lots of fans really enjoy this record and we are so blessed that it's still a great record and stands the rest of time."

After decades in US death metal, Morta Skuld from Milwaukee are a firm institution in the genre. Now they have delivered an absolute highlight with "Creation Undone", which can also be seen from the numerous enthusiastic reactions from the press and fans. A good reason to talk to the only remaining founding member Dave Gregor.

INTERVIEW DEAD HEAD

"Musicians pretending that they never listen to their own music. It’s a great way to come across as cool, interesting or nonchalant. But frankly I don’t believe them."

This interview with Rob, one of the two Dead Head guitarists, is really worth reading. Quite apart from the fact that Dead Head from the Netherlands are one of the greatest thrash metal bands on this planet and have once again recorded an extremely strong piece of extreme music with their new EP "Shadow Soul", the answers are captivating in their entertaining honesty, self-reflection and above all the fact that someone here simply emphasizes that he is pleased with what he and the band have achieved instead of lamenting what has not been achieved. A very healthy attitude to life that would probably make our planet a better place if everyone thought like this. But enough talk, read for yourself...

INTERVIEW CHRONICLES

In the vastness of the internet I came across ChronicleS from Dhaka, the capital of Bangladesh, who play absolutely great, dark and sinister death metal, as can be heard particularly well on their very strong, recently released debut album "Spirits of the Mortified". A good reason to talk to the band.

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Hello, please introduce ChronicleS to the readers of Systematic Desensitization Zine. Who are you, how did you find each other? According to Metal Archives, the band has existed since 2015, but it wasn't until 2019 that there was a first sign of musical life in the form of the "WarMachine" EP. Did this take a relatively long time because it was difficult to find suitable band members?

REVIEW SUFFERSYSTEM "DISINTEGRATION OF THE INDIVIDUAL"

Suffersystem from the beautiful half-timbered town of Hattingen in the Ruhr area will release their sixth album "Disintegration of the Individual" in mid-March, like its predecessor from 2021, once again via Black Blood Records. The two band members Dirk and Daniel, who are active in other bands such as Defected Decay (read a detailed interview in English here, in German here), False Mutation (who are also releasing a new album in March this year) and - relatively recently - Seeds of Torment, have added a new, fantastic chapter to the history of Suffersystem. The music on the ten tracks, which have a total playing time of 45 minutes, always moves between death and thrash metal, with a clear edge towards death metal.

REVIEW SPECTRAL VOICE "SPARAGMOS"

Spectral Voice, the doom death band from Denver, Colorado, has now released their second album "Spragmos" via Dark Descent Records. Three quarters of the band's line-up also play in the much better-known Blood Incantation, who musically serve the opposite spectrum of death metal to Spectral Voice.The underground attitude is also clear from the fact that Spectral Voice doesn't yet have an official facebook presence, and other websites are also mercilessly out of date. So the music should speak for itself here, and the album booklet only shows vague outlines of the musicians, if at all. Very beneficial in the age of internet narcissism!

INTERVIEW UGRA KARMA

"Nepalese regard their mountains as sacred and have a high regard for everything the mountains provide: annual monsoons, fertile rivers and breathtaking beauty."

We in Europe, or more specifically here in Germany, are mostly confronted with bands from Northern or Central Europe, the USA or Australia, even Southern European bands are less on the radar, and South America is also less present. Now I am pleased to present Ugra Karma, a band from Nepal, based at the capital Kathmandu. Read for yourself what vocalist and bassist Sunil, who founded the band in 1999, has to say about death metal, the difficult early days of the band, mountaineering in the Himalayas, the caste system in Nepal and the serial killer Charles Sobhraj.

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INTERVIEW MASTER

The release of the strong new Master album "Saints Dispelled" provided a good opportunity to talk to Paul Speckmann about the new release as well as other topics.

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Hello Paul, how are you doing with the new record, is it a kind of relief when a work sees the light of day, people can buy it and you see the reactions? Or are you already totally experienced after all these years, so that it’s just routine? 

Sure it’s a relief when it’s finally released, considering the album was recorded nearly a year ago! Nothing is routine in the world of recording, it’s by far one of the best things in the world! We always have a blast recording! It’s killer to get your thoughts and ideas out on the market! It gives people a chance to read your thoughts on what’s happening in the crazy world around us at this moment. I use this platform to share my thoughts and ideas with the world, obviously not everyone is going to agree with all of them, but at least with a recording contract, it gives you a chance to put things out there!