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Dr. Hartmut Rosa, Professor für Soziologe an der Friedrich-Schiller-Universität Jena und Direktor des Max-Weber-Kollegs an der Universität Erfurt hat ein Buch über Metal geschrieben, genauer gesagt trägt das Werk den Untertitel "Eine kleine Soziologie des Heavy Metal". Dieses Werk ist das erste der "Metalbook"-Reihe, unter anderem hat in diesem Rahmen auch Manuel Trummer, Professor für vergleichende Kulturwissenschaften an der Universität Regensburg und wahrscheinlich den meisten eher bekannt als Gitarrist von Antlantean Kodex, eine Publikation namens "Highway to Hell" herausgebracht.
Nun sind gerade in den letzten Jahrzehnten Unmengen von Büchern erschienen, deren Autoren sich mit Heavy Metal, seinen Subgenres, bestimmten nationalen bzw. regionalen Szenen und / oder bestimmten Epochen beschäftigten, sei es aus Fansicht oder auch aus wissenschaftlicher Perspektive. Wobei bei letzterem angemerkt werden muss, dass auch in diesen Fällen die Verfasser selbst fast immer aus der Szene selbst kamen, ich erwähne hier beispielsweise-wenn auch länger zurückliegend- Bettina Roccor, die 1996 mit „Heavy Metal – Kunst, Kommerz. Ketzerei“ promovierte oder auch Sarah Chaker, die 2014 mit "Schwarzmetall und Todesblei- über den Umgang mit Musik in den Black- und Death-Metal-Szenen Deutschlands" den Doktortitel erlangte. Der Psychologe Dr. Nico Rose, der es in jüngster Vergangenheit mit seinem Buch "Hard, Heavy & Happy" sogar bis in die Spiegel-Bestseller-Liste schaffte, und auf den sich Rosa in seiner Publikation des Öfteren bezieht, ist ebenfalls passionierter Metalfan. So auch Rosa, der sich nebenbei noch als Hobby-Keyboarder diverser Bands "outet" und - sehr sympathisch - das Buch seinen folgend namentlich genannten "Metal-Brüdern" und Mitmusikern widmet.
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Hello Alvaro, best regards from the Rhineland in
Germany, how are you doing at the moment?
The announcement of a new album by Pentagram Chile, the band around the charismatic cosmopolitan Anton Reisenegger, who should also be known from bands like Criminal, Lock Up or Brujeria, came to me out of nowhere. This is only the second album by the band, which was founded back in 1985 and has been on ice for a long time in the meantime, changing its name because of the namesake doomers from the USA around Bobby Liebling and forming the ominous triumvirate of Chilean death metal together with Atomic Aggressor and Sadism.
Just how influential the Chileans have been in the past can be seen from the fact that bands like Dismember have been seen wearing Pentagram shirts on promo photos or Napalm Death have covered “Demoniac Possession”, a track by the South Americans.
Sort Vokter, was a band that occupies a special place in the Norwegian black metal scene. Their only release "Folkloric Necro Metal" from 1996 is a special album, a very harsh but also atmospheric one, which exudes a mystical aura. Even the cover artwork, which depicts a forest in twilight, is a good first indication of this. In later re-releases, this was unfortunately replaced by a far less impressive image of an ordinary nocturnal forest landscape. It is important to mention here that Sort Vokter featured a certain Vidar Vaer, better known for his music in his one-man band Ildjarn, one of the most polarising black metal bands of all time, who were rejected or ridiculed by many for their extremely raw, low-fi nosy style, in which an extremely simple guitar accompanied a distorted screeching voice to partially programmed drums. For a few, however, Ildjarn were an important influence, which can be seen not least in the tribute album "Gathered under the banner of strength and anger: A homage to Ildjarn", released in 2004, on which such well-known and illustrious bands as Urfaust, Xasthur, Nachtmystium, Forgotten Tomb, Leviathan and several others express their admiration for Ildjarn in the form of cover versions.
"My theory includes that they probably couldn't listen to the other polished and overproduced bands anymore."When you hear the name Atomwinter, you inevitably think of black metal, but under this name there are some metalheads from Lower Saxony, who play their own version of traditional death metal. This interview was conducted a few years ago, precisely in 2013 on the occasion of the release of the debut album "Atomic Death Metal". Since then, the band from Göttingen has released three more full-length albums, most recently last year. At that time, the band was still a five-piece, as the debut album is the only one, in which the line up included two guitarists. It's also interesting to note that the line-up has remained the same in three of the today’s four positions since the interview, only the vocal position has changed since then, but twice. I spoke to guitarist Benni back then.
After decades in US death metal, Morta Skuld from Milwaukee are a firm institution in the genre. Now they have delivered an absolute highlight with "Creation Undone", which can also be seen from the numerous enthusiastic reactions from the press and fans. A good reason to talk to the only remaining founding member Dave Gregor.
This interview with Rob, one of the two Dead Head guitarists, is really worth reading. Quite apart from the fact that Dead Head from the Netherlands are one of the greatest thrash metal bands on this planet and have once again recorded an extremely strong piece of extreme music with their new EP "Shadow Soul", the answers are captivating in their entertaining honesty, self-reflection and above all the fact that someone here simply emphasizes that he is pleased with what he and the band have achieved instead of lamenting what has not been achieved. A very healthy attitude to life that would probably make our planet a better place if everyone thought like this. But enough talk, read for yourself...
Suffersystem from the beautiful half-timbered town of Hattingen in the Ruhr area will release their sixth album "Disintegration of the Individual" in mid-March, like its predecessor from 2021, once again via Black Blood Records. The two band members Dirk and Daniel, who are active in other bands such as Defected Decay (read a detailed interview in English here, in German here), False Mutation (who are also releasing a new album in March this year) and - relatively recently - Seeds of Torment, have added a new, fantastic chapter to the history of Suffersystem. The music on the ten tracks, which have a total playing time of 45 minutes, always moves between death and thrash metal, with a clear edge towards death metal.
Messiah's third album "Choir of Horrors" from 1991, released on the legendary Noise Records label, represented a quantum leap for the band after the two predecessors "Hymn to Abramelin" and "Extremely cold weather" and also can be considered as a milestone in extreme music in general. The album, which features a cover artwork that is as atmospheric as it is terrifying, starts with monk chants before the death/thrash sounds kick in. Singer Andy Kaina, who sadly passed away last year, impresses with aggressive yet accentuated and intelligible vocals, while the band varies well between different tempos, especially the dragged out parts work well.
Nach Part I (lest HIER) nun Teil II der tollsten und obskursten Death Metal-Videoclips. Wie immer besteht weder ein Anspruch auf Vollständigkeit noch auf Objektivität, aber ich glaube, das versteht sich bei diesem Thema von selbst.
When I heard some time ago that the Dutch death metal outfit Ecocide had reunited, I was very pleased. Now, ten years after the already awesome debut album "Eye of wicked sight", the band has released a great second album with "Metamorphosis", which enriches the strengths of the debut with experience and the resulting focus. Read for yourself what the band has to say about the break and the new album.
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Some time ago, I rediscovered the Depression albums in my personal collection and listened to them again very intensively up and down. If that's not a good reason to take a closer look at this German veterans of the scene, which have been playing great, goovy death/grind since 1989. This year also saw a split release with Swedish death metallers Repuked on vinyl and CD. I spoke with band founder, drummer and guitarist Kai and vocalist Ron.
Frostshock have been around since 2020 and have released an insanely strong album with their self-titled debut. They were able to prove their live qualities together with bands like Sodom at this year's Turock-Fest in Bochum. Fortunately, a friend of mine was among the visitors, so I heard about Frostshock by word of mouth, because the four musicians don't have a label behind them that could do any major advertising, the album is completely self-released. Given the outstanding quality of the music, pretty much any label from the heavier genre should have been able to get involved, but perhaps it was a conscious decision to do everything themselves, more on that in the upcoming interview with the band.