REVIEW HAMVAK "MAELSTROM OF ABHORRENT INCANTATIONS"

Out of nowhere I heard about Hamvak (Hungarian for ash), a great one-man band from Stuttgart. The factotum behind the music, Dávid Vadkerti-Tóth, now delivered Hamvak's debut album after releasing a three-track demo back in 2017.

Hmavak's debut album, released by Morbid Chapel Records and Rotten Tomb Records, is the best example of what undiscovered gems the underground has in store. The six, mostly overlong tracks that bring the album to a total playing time of 40 minutes, should delight any fan of gloomy and sophisticated blackened death metal. Like the album title, which, by the way, was visually very appropriately implemented by the cover artwork, the listener feels drawn into a veritable maelstrom, from which there is no escape, because the tracks cause a partly captivating-hypnotic effect.

REPORT GENERAL ANZEIGER BONN (ENGLISH)

 

 

BERICHT DARK DUNGEON FESTIVAL (ANTHISNES, WALLONIE / BELGIEN)

Da ich ja schon länger ein Interview mit den Freiburgern von Mightiest geplant habe, und diese auf dem Dark Dungeon Festival  (14.-15. April) in der Burg Avouerie in Anthisnes am (Black Metal-) Freitag spielten, bot sich ein Besuch im wallonischen Ort geradezu an. Die tolle Besonderheit an dem zweitägigen Festival ist der Veranstaltungsort, der für die passende räumliche Atmosphäre sorgen soll. Während der Freitag mit drei Black Metal-Bands aufwartete (Räum, Mightiest, Enthroned), spielte am Samstag wohl die internationale crème de la crème der Dungeon Synth-Szene. Leider hielten mich familiäre Verpflichtungen vom Besuch des Dungeon Synth-Tages ab, so dass ich am Samstag morgen wieder die Heimreise antreten musste. Auch wenn ich mich mit dieser Musik nur wenig auskenne und nur einige Mortiis -Alben (als auch sein Nebenprojekt Vond) mein Eigen nenne, hätte mich das Ganze doch sehr interessiert. Headliner des Samstags waren übrigens Depressive Silence aus Freiburg, deren Line-Up - wer hätte es gedacht - natürlich deckungsgleich mit Mightiest ist. 

REVIEW RÄUM "CURSED BY THE CROWN"

At the Dark Dungeon Festival, which took place in a medieval castle in the small town of Anthisnes, the first band I saw were the Belgians from Räum, before Mightiest, one of the best, and unfortunately also most underrated black metal bands in Germany, and finally Enthroned, the Belgian black metal kings, took over. The band name alone struck me as unusual as a German, "Raum", without the umlaut, means room in German. And also purely visually the four musicians didn't look much like black metal. In this respect I guessed a post-black metal act, most of which I honestly find quite boring and stale. Fortunately, however, it behaves differently, Räum play rather very partly very fast, hard, often traditionally designed black metal, which in some moments even reminds of Marduk.

INTERVIEW TANKARD (ENGLISH)

„They also only boil with water!“

When the Frankfurt thrashers Tankard  visited the Groove Bar in Cologne-Wahn for the second time towards the end of March, it was a good opportunity for an interview with frontman Gerre. Due to an unforeseen delay, and the fact that both Gerre and myself didn't feel like doing an interview under time pressure, we decided to make a second attempt a few days later via video link. Read here what the likeable frontman has to say about the lyrics of the last album "Pavlov's Dawgs", the Corona pandemic, the social skills of metal fans and his, even after all these decades unbroken enthusiasm for metal and new albums.

INTERVIEW TANKARD

„Die kochen auch nur mit Wasser!“

Als gegen Ende März die Frankfurter Thrasher von Tankard bereits zum zweiten Mal die Groove Bar in Köln-Wahn beehrten, bot sich dies als gute Gelegenheit für ein Interview mit Frontmann Gerre an. Aufgrund einer nicht vorhergesehenen Verzögerung, und der Tatsache, dass sowohl Gerre als auch meine Wenigkeit keine Lust auf ein unter Zeitdruck geführtes Interview verspürten, entschlossen wir uns, das Ganze einige Tage später per Videoschaltung nachzuholen. Lest hier, was der sympathische Frontmann über die Texte des letzten Albums "Pavlov's Dawgs", die Corona-Pandemie, die soziale Kompetenzen von Metal-Fans und seine, auch nach all den Jahrzehnten ungebrochene Begeisterung für Metal und neue Alben, zu sagen hat.

REVIEW NEKRARCHON "GEHINNAM"

Today I would like to present an album that, in my opinion, has unfortunately never received the attention it deserves. We are talking about the only album of the Greek black metal band Nekrarchon. Out of nowhere in 2014 the debut album "Gehinnam" was released by the German label FDA Records, which specializes in old-school death metal, and unusually there was no previous demo, no EP, no split release. Maybe part of the disregard was due to the label, don't get me wrong, FDA Records is an absolutely great label that has only good to top releases across the board, yet black metal in particular is not something you associate directly with this label. But be that as it may, the album named after a ravine near the biblical Judah, in which child sacrifices were made to the god Moloch, is a hidden gem to be discovered.