INTERVIEW ANDREAS PETTERSON (DE ARMA / NORDVIS / ARMAGEDDA)

"There are powers beyond this mortal life which are stronger than one’s own will – therefore, certain events will come to pass whether you want them to or not."

With their latest EP "Nightcall", Swedish gothic rock band De Arma has got rid of the last remnants that point to the metal background of their two protagonists. I spoke to Andreas Petterson, probably best known for black metal band Armagedda and his work as label owner of Nordvis Produktion, about De Arma's new release, Armaggeda and closeness to nature.

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Hello Andreas, how are you doing at the moment? De Arma's new EP "Nightcall" will be released soon. Tell me something about it, what I immediately notice is the emphasis on gothic rock, the metal parts have disappeared completely. Was that a natural process or were the metal parts supposed to disappear deliberately?

Hi – all good here, thanks. I'd say that "Nightcall" is the result of a natural process, during which we manifested music of a kind we've wanted to play for many years now. After our 2013 debut album "Lost, Alien & Forlorn" we started toying with the idea of writing songs which were more synth-driven, thereby making metal a smaller part of the totality. I think I can say with some confidence that the "Nightcall" EP reflects this approach. Since both of our albums were written in close succession, it feels great to now release music which is fully representative of De Arma of today.   

REVIEW MORTUUS INFRADAEMONI "INMORTUOS SUM"

These days I more or less got to know that Mortuus Infradaemoni have released a new, third album. Honestly, after the two previous albums from 2007 and 2009, I had long suspected the band in the eternal hunting grounds, so I was all the more pleased that the band still exists.

The new album called "Inmortuos sum" is released by Iron Bonehead Productions, after the two predecessors were released by Cold Dimensions, the label of former Lunar Aurora musician Andreas "Whyrd" Bauer. And there we are already at the right keyword, namely Lunar Aurora . The two protagonists behind Mortuus Infradaemoni, Nathaniel and Profanatitas are both ex- members of the legendary Lunar Aurora.   

INTERVIEW DEATHRITE

Deathrite from Leipzig have been a household name in the death metal scene at least since their killer album "Revelation of Chaos". With the stylistic changes of the successor "Nightmares Reign" they then pushed some people in front of the head, many others were thrilled. Now their new EP "Delirium" was released these days, a good reason to interview singer Tony.

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Hello first of all. How are you doing? You just released the new EP "Delirium". How are the reactions to it so far? And how was the release show with Vidargängr and Nocturnal Witch?

Hello Gerald. We are doing well, so far there are only positive reactions to the new material. Release show was great, full house. A meeting of many friends and acquaintances. 

REVIEW MESSE MORTUAIRE "NOCTURNAL DEMONIC VISITATION"

Messe Mortuaire from Lille, France release their first EP "Nocturnal Demonic Visitation" these days via the busy Greek label Repulsive Echo Records. I heard the band name this day for the first time, but hope to hear more soon from this diabolical death metal band, which is composed of three veterans of the French scene.

REVIEW ATRIUM NOCTIS "ATRIUM NOCTIS"

The Cologne dark / black symphonic metallers Atrium Noctis released a new self-titled album a few days ago, on which they have recorded nine new songs from the band's twenty-year history. Even though I am only familiar with the last studio album "Aeterni", sound samples of the older works prove that this is the most mature and professional work of the band to date. The whole thing was produced by Martin Buchwalter at Gernhart Studios in Troisdorf, where Destruction, Tankard and Accuser have already been refined. For the first time, the songs were recorded by three guitarists, and a special circumstance with the recordings was that no drummer was available shortly before the already booked studio date and the band had to record everything on click track. The drummer's recordings were then made afterwards over the otherwise already completely finished recordings.

REZENSION "MORGOTH UNCURSED-THE MORGOTH CHRONICLES"

Gut Ding will Weile haben - fast sieben Jahre nach Erscheinen dieser Morgoth -Bandbiographie habe ich mir diese nun auch zu Gemüte geführt. Der Autor Christian Krumm dürfte dem einen oder anderen schon aufgrund der Werke "Kumpels in Kutten -Heavy Metal im Ruhrgebiet" und "Century Media-Do it yourself: Die Geschichte eine Labels" bekannt sein.

Das knapp 270-seitige Werk ist flüssig geschrieben, ich habe es an einem Nachmittag durchgelesen. Der etwas außergewöhnliche Ausgangspunkt besteht darin, dass der Autor die damaligen aktuellen als auch ehemaligen Bandmitglieder und Personen aus dem Umfeld im Rahmen einer Grillparty im Hause eines Bandmitglieds in Dortmund trifft und letztendlich wohl fast alle relevanten Informationen, außer vorheriger Recherche natürlich, im Rahmen dieses Treffens erhält.

REVIEW "CONFESS"-AUTOBIOGRAPHY BY ROB HALFORD

Now, about one and a half years after its publication, I have read the autobiography of Rob Halford, singer of Judas Priest. I have to say, it's a great autobiography, I read the more than 500 pages almost in one day, Halford really knows how to write both exciting and funny. He begins with his childhood and youth on the council estate in Walsall, a town near Birmingham, and the description of the sobriety and down-to-earthness of the people living there, most of whose working part is in the steelworks. Halford describes how he discovered theatre for himself and then came to his great passion, music. The first steps with Judas Priest, infinitely small recording budgets, journalists who ask the same stupid questions and even think they are interviewing a singer/songwriter called Judith Priest.