Interview Graceless

"In all the years that I have been playing in bands I have learned one thing, there is nothing more important than having the right group of people around you."

With diligence, perseverance and their fourth album “Icons of Ruin”, Dutch band Graceless have earned themselves a firm place in the Dutch and international scene as well as a place in the hearts of many fans. I spoke to founder, singer and guitarist Remco Kreft about the new album, the band's history, upcoming live activities with Asphyx and Sinister, the importance of a good social structure in the band and about the hopefully soon to be released new album by Soulburn, which also features Graceless' drummer Marc Verhaar alongside Remco.

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Hello, how is the new album "Icons of Ruin" going, what do you think of it now that it's finally out?

This is the best feeling ever! The album was already finished in December last year and we really had to be so patient. It's really a great feeling that we can now share it with everyone. The reviews are also amazing and we are of course super happy with that! We worked so hard on this.

Review Discography Equinox (Florida, USA)

This time I would like to introduce you to a band that unfortunately never received the attention it deserved and which has long since been shrouded in a gray veil of oblivion. In order to revive the band a little, so to speak, I'd like to do my bit: I'm talking about the US-American Equinox (not to be confused with numerous other metal bands worldwide as well as in the USA with the same name) from sunny Florida, who play great and not quite so US-typical death/black metal, although I would assign the band mainly to the first mentioned subgenre. But more on that later. Over the course of the band's history from 1992-2009, they released two demos, a 7" single, two albums and an EP, featuring musicians who were or are known from such illustrious names as Acheron, Incubus, the Incubus successor band Opprobrium, Possessed, Massacre, Diabolic, Angelcorpse, Amon and Druid Lord. 

At this point, I will limit myself to the two albums and the EP. So let's start with the 1996 debut album "Return to Mystery", which was released on CD by the long-defunct Greek cult label Unisound and re-released on CD and vinyl in 2024 by Dutch Vic Records with a completely new cover artwork that many people consider to be better than the original one. The almost 48-minute album, which consists of nine tracks, begins with ominously dark synthesizer sounds before brute riffs and throaty, screeching vocals kick in. It is maybe these vocals that are responsible as well for the categorization as black metal, and both this and other tracks feature very atmospheric mid-tempo parts accompanied by dark synthesizer sounds in  best Rotting Christ style. In general, the band always varies very well with different tempos, so that the album is highly dynamic. 

Interview Svartsyn

"I rather like the images of bands in the early days who hardly took any pictures and didn't expose themselves as much as they do nowadays on social media and without corpse paint."

Svartsyn are a jewel of Swedish black metal and stand on equal footing with such illustrious names as Arckanum, Sorhin, Grafvitnir, Setherial or Ofermod. Five years after the great “Requiem” album, the band recently released a new album via Norma Evangelium Diaboli.  In the interview with Ornias, who has been living in Belgium for several years now, you can find out to what extent this work also closes a circle to the beginnings of the (predecessor) band and why there will  be no more live performances by Svartsyn (unfortunately I missed the band in Cologne on the joint tour with Behemoth and Desaster in the distant year 1997). But read for yourself...

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Hello Ornias, welcome to the interview.  The new album “Vortex of the destroyer” has been out for a few weeks now, how do you rate the album with a little distance and how have the reactions been so far?

Hello and thanks for getting in touch for the interview. I haven't read that many or seen any reviews. But it seems that people enjoy the album very much. For myself I think the album is very strong but how it stand against all the other albums its too early to say. Since everything is new and fresh I would say in about a year when the recording process and the hard work behind it all is out of the system, than I can judge it a little bit better. But ranking your own albums is hard of course, since every album is taking a piece of flesh from your soul. At least I think all the albums contain high quality material.