Thursday, February 27, 2025

REVIEW CHAOS INCEPTION "VENGEANCE EVANGEL"

Chaos Inception is a death metal quartet from Alabama, USA, formed in 2008 and has released three albums to date - with a slightly different line-up in some cases. To my shame, I have to admit that I have not yet consciously taken notice of the band, which also has (former) members of such illustrious bands as Monstrosity and Diabolic in its ranks. Fortunately, this has now changed with “Vengeance Evangel”, which was released in mid-February via the Czech label Lavadome Productions almost 13 years after its predecessor. As much as the label praises the band, these words are justified, at least if you are a fan of brutal, but at the same time technically demanding and sometimes tricky arrangements. The band naturally draws from the pool of American death metal and, in addition to the aforementioned Monstrosity and Diabolic, the usual suspects such as Immolation, Hate Eternal, or, in certain, particularly rhythmic parts, Deicide can also be cited. In contrast to many of their American colleagues, however, Chaos Inception seem more chaotic, impetuous and wild, despite their sophistication and technical demands.

Wednesday, February 26, 2025

REVIEW DEINONYCHUS "FATALIST"

Seven years after their last album “Ode to Acts of Murder, Dystopia and Suicide”, Deinonychus released their new album at the end of last year on Ván Records. Good things take time-so “Fatalist” is another great work that combines all the typical Deinonychus trademarks and should not disappoint any fan of the band. It should be clear that this style-ultra heavy, often tough, slow compositions in the intersection between doom and black metal-won't win any popularity prizes. Consequently, despite nine albums to date and a history stretching back over thirty years, the band is still - at least in comparison to other bands from the black and doom metal genres - an insider's tip and deeply rooted in the underground. But as is so often the case, the most demanding and intense works are to be found there, their depth disqualifies them as offerings for the masses, this applies to metal as well as to popular music, literature or film - as always, exceptions prove the rule.

Wednesday, February 19, 2025

REVIEW MACERATION "SERPENT DEVOURMENT"

The Danes from Maceration released a very strong comeback album at the end of 2022 with “It never ends...”, after the band had been on ice for years following their 1992 debut album and a 95 promo release. Now, a little more than two years later, the next album by the men around Jakob Schultz, who was also active in the legendary thrash metal outfit Invocator, is already available. “It never ends...” convinced both fans and the press with its great, convincing and catchy old-school tracks (read an interview with Jakob Schultz from last year here ). Appearing once again on the great Danish label Emanzipation Productions, the extraordinary cover artwork once again shows the octopus-like underworld creature typical of Maceration. Like the artwork of the previous album, this cover was also drawn by Ola Larsson, who has once again created a wonderfully atmospheric artwork with a great light pale blue color scheme. 

Friday, February 7, 2025

INTERVIEW MERCYLESS

 

"For me, people are almost more important than the music .... Before you make music and give concerts, you need people who understand each other and get along."

Mercyless from Mulhouse, close to the German border, are probably one of the big three of French death metal, which also includes Massacra, who we have long since opposed, and Loudblast, who are still active. These bands made the underground happy with their first demos back in the mid or late 80s, soon followed by their respective debut albums, in the case of Mercyless the still great “Abject Offerings” with its iconic cover artwork by the famous Salvador Dali. After two not-so-great albums in the mid/late 90s and a ten-year hiatus, Mercyless have been back in full force since 2011 to present their ominous death metal. Last year, the band debuted on the legendary Osmose label with their outstanding work “Those who reign below”, which I can only warmly recommend to anyone who likes dark and sophisticated death metal. A good reason to talk to founding member, guitarist and vocalist Max Otero about the latest album, the band's history, French death metal, the value of friendship and the band's home town. But enough preamble, now read for yourself.

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Hello Max, greetings from the Rhineland to Mulhouse! How are you and the band? How do you rate your latest album “Those who reign below” and the reactions from fans and the press now that a few months have passed?

Hi, I'm fine thanks...we were honestly surprised by all the good feedback from fans and the media in general...which is no longer obvious these days with the multitude of releases and bands that occupy the world stage.